| Waitress | |
| Music: | Sara Bareilles |
| Lyrics: | Sara Bareilles |
| Basis: | Waitress by Adrienne Shelly |
| Premiere Location: | American Repertory Theater, Cambridge |
| Productions: | 2015 Cambridge 2016 Broadway 2017 U.S. tour 2019 West End 2019 U.S. tour 2021 Broadway 2021 U.K. tour 2022 U.S tour |
Waitress is a musical with music and lyrics by Sara Bareilles and a book by Jessie Nelson. Based on the 2007 film of the same name, written and directed by Adrienne Shelly, it tells the story of Jenna Hunterson, a baker and waitress in an abusive relationship with her husband, Earl. After Jenna unexpectedly becomes pregnant, she begins an affair with her doctor, Dr. James "Jim" Pomatter. Looking for ways out of her troubles, she sees a pie baking contest and its grand prize as her chance.
After a tryout at the American Repertory Theater in Cambridge, Massachusetts, in August 2015, Waitress premiered at the Brooks Atkinson Theatre on Broadway in April 2016 with direction by Diane Paulus and starring Jessie Mueller as Jenna. A U.S. national tour ran from 2017 to 2019. From 2019 to 2020, the musical played at the Adelphi Theatre in London's West End. In September 2021, it returned to Broadway for a limited engagement at the Ethel Barrymore Theatre starring Sara Bareilles as Jenna, mainly to produce a live stage recording of the show for a 2023 release.
The musical is based on the 2007 indie film[1] Waitress.[2] The film was produced on a budget of just $1.5 million, earning over $23 million in global box office receipts.[3] The film starred Keri Russell and was written and directed by Adrienne Shelly. The film follows Jenna, a waitress and pie chef living in a small town in the Midwest, who unexpectedly becomes pregnant and feels trapped in an unhappy marriage.[4] Looking for a way out, she sees a pie contest and its grand prize as her chance.[5]
Following the 2013 Tony Awards, producers Barry and Fran Weissler announced that a musical version of the film was in the works,[6] with Paula Vogel writing the book, Sara Bareilles writing the music and lyrics, and direction by Diane Paulus.[7] The Weisslers purchased the stage rights to the film shortly after its release in 2007. Paula Vogel withdrew from the project in January 2014.[8] On December 11, 2014, the musical was officially confirmed, and it was announced that the show would receive its world premiere at the American Repertory Theater in Cambridge, Massachusetts, as part of their 2015–2016 season, with Jessie Nelson now writing the book.[9] [10] A workshop was held the same month in New York City, with Jessie Mueller, Keala Settle, Barrett Wilbert Weed, Christopher Fitzgerald, Bryce Pinkham, and Andy Karl, among others, taking part.[11] Nelson, with the blessing of the late Adrienne Shelly's husband, used some of Shelly's unfinished scripts to help bring "her voice" to the project.[12]
Waitress has a rare all-women production team, with Diane Paulus as director, Sara Bareilles as composer and lyricist, Jessie Nelson as book adaptor and Lorin Latarro as choreographer. The Clinton Foundation honored the show's all female team by launching the #CeilingBreaker campaign and distributing free tickets.[13]
Jenna is a waitress and expert pie baker at Joe's Pie Diner in the American South. She bakes pies to distract herself from her unhappiness with her home life ("What's Inside"). She begins another day at the diner with her boss Cal and fellow waitresses Becky and Dawn ("Opening Up"). After Jenna almost throws up, Becky and Dawn convince her to take a pregnancy test which, to Jenna's dismay, comes back positive; Jenna deduces the pregnancy came from a night when she drunkenly had sex with her abusive husband, Earl ("The Negative"). Earl comes to the diner and suggests he wants to make Jenna quit and give up her passion for baking. He takes the tips she has earned from working so far that day. She decides not to tell him about her pregnancy and recalls her late mother, who also found solace from an unhappy marriage in baking ("What Baking Can Do").
At her OB/GYN's office, Jenna is taunted by other pregnant women ("Club Knocked Up") and meets Dr. James “Jim” Pomatter, a new doctor from Connecticut. Jenna explains she does not want to raise a child but does not want an abortion, and leaves Dr. Pomatter with a Mermaid Marshmallow pie, which he eats and loves ("Pomatter Pie").
Word of Jenna's pregnancy reaches Joe, the diner's elderly owner, who suggests she enter a local pie-baking contest with a cash prize of $20,000, which would give Jenna enough money to leave Earl. Dawn begins using an online dating platform but is terrified of every outcome ("When He Sees Me").
Jenna runs into Dr. Pomatter at the bus stop. He tells her he loved the Mermaid Marshmallow pie, saying it could "win contests and ribbons and things" ("It Only Takes a Taste"). Jenna arrives home to learn Earl has been fired from his job. He berates her, and his anger almost turns physical; out of impulse and fear, Jenna confesses she is pregnant. Earl softens up, but makes Jenna promise not to love the baby more than she loves him ("You Will Still Be Mine"). Jenna tells Dawn and Becky of her plan to enter the pie contest; if she wins, she will use the prize money to leave Earl and raise the baby herself. The three waitresses see their dreams of a better life within reach ("A Soft Place to Land"). Jenna begins to give Earl only half her earnings, hiding the other half around the house in order to save up for entering the pie contest.
Dawn's date, Ogie, visits the diner. Dawn believes that their first date did not go well, but Ogie insists on finding out more about Dawn and helping her overcome her anxiety ("Never Ever Getting Rid of Me"). Dawn and Ogie realize how much they have in common, such as their mutual enjoyment of American Revolution reenactments. Jenna makes an appointment with Dr. Pomatter, where he comes in two hours early just to see her again. Jenna confronts Dr. Pomatter, accusing him of being strange, but then she impulsively kisses him. Though both are married, they decide to escape their frustrating lives, and have sex in his office ("Bad Idea").
After her tryst, Jenna discovers Becky and Cal making out at the diner. The married Becky is unashamed of giving in to passion ("I Didn't Plan It"). Jenna and Dr. Pomatter continue their affair, as do Becky and Cal; Dawn and Ogie begin their relationship ("Bad Idea (Reprise)"). Jenna wonders if having an affair is a mistake, but Dr. Pomatter reassures her. Jenna begins writing a letter to her baby ("You Matter to Me").
After happily dating for several months, Dawn and Ogie get married at the diner ("I Love You Like a Table"). Jenna arrives with a tiered pie resembling a wedding cake. (When the show reopened on Broadway in 2021, two lines of dialogue were added to the script. Becky asks Jenna what she has named the tiered pie, and Jenna replies "A Big Ol' Slice of Live Your Life Pie," in reference to the late Nick Cordero's song "Live Your Life."[14]) At the reception, Jenna asks if Cal, despite his affair, is truly happy; he responds that he is "happy enough." Joe tells Jenna his sincere hopes for her ("Take It from an Old Man"). Earl drags Jenna home and uncovers the money she has been hiding. She meekly tells him she has been saving for the baby, but Earl leaves with the money. Jenna breaks down, lamenting her long-lost control over her life ("She Used to Be Mine").
Jenna goes into labor ("Contraction Ballet"). She sees Joe at the hospital on his way to surgery. Joe gives Jenna an envelope, and tells her not to open it until she leaves the hospital. Earl, Becky and Dawn, and even Dr. Pomatter's wife, who is a resident at the hospital, crowd the delivery room. Jenna cries out in distress and gives birth. She names her daughter Lulu. Earl reminds Jenna of her promise not to love Lulu more than him, and Jenna finally tells him she wants a divorce. He reacts poorly, and she implies she will seek a restraining order against him if he ever comes near her or Lulu. Dr. Pomatter visits Jenna alone in her room, but Jenna refuses his kiss. Saying she does not want to remain "happy enough", she ends the affair. As thanks for his positive impact on her life, she gives him a moon pie. Jenna remarks on her change in outlook with Lulu in her life ("Everything Changes").
Jenna opens Joe's envelope. Knowing he was dying, he left her the diner in his will and testament; Joe also wanted Jenna to "name a pie after me when I'm gone". Five years later, the diner has been rechristened "Lulu's Pies" and Jenna, the owner and head chef, is content that her life has finally turned around ("Opening Up (Finale)").
| Production | Venue/Location | First preview | Opening night | Closing night | Notes | |
|---|---|---|---|---|---|---|
| Cambridge, Massachusetts | American Repertory Theatre | August 2, 2015 | August 19, 2015 | September 27, 2015 | Debut production. | |
| Broadway | Brooks Atkinson Theatre | March 25, 2016 | April 24, 2016 | January 5, 2020 | ||
| 1st US tour | Playhouse Square, Cleveland (First); Ed Mirvish Theatre, Toronto (Last) | October 17, 2017 | October 20, 2017 | August 18, 2019 | Equity tour | |
| Manila, Philippines | Carlos P. Romulo Auditorium, Makati City | November 9, 2018 | November 9, 2018 | December 2, 2018 | First non-replica production. | |
| London, United Kingdom | February 8, 2019 | March 7, 2019 | March 14, 2020[15] | First replica production outside of the U.S. Originally set to close on July 4, 2020, but closed four months early due to the COVID-19 pandemic. | ||
| Buenos Aires, Argentina | Teatro Metropolitan Sura | April 17, 2019 | April 17, 2019 | August 4, 2019 | Second non-replica production, first Non-English language production. | |
| 2nd US tour | Velma V. Morrison Center, Boise (First); Saenger Theatre, New Orleans (Last) | November 7, 2019 | November 7, 2019 | June 12, 2022 | Non-equity tour | |
| Japan tour | Nissay Theatre, Tokyo (First); Misonoza, Nagoya (Last) | March 9, 2021 | March 9, 2021 | May 2, 2021 | First non-English replica production. | |
| Warsaw, Poland | Roma Musical Theatre | May 30, 2021 | May 30, 2021 | March 27, 2022 | ||
| Lahti, Finland | Lahden kaupunginteatteri | September 1, 2021 | September 1, 2021 | May 14, 2022 | Non-replica production in Finnish. | |
| Broadway remount | Ethel Barrymore Theatre | September 2, 2021 | September 2, 2021 | December 20, 2021 | Limited return engagement. | |
| 1st UK and Ireland tour | New Wimbledon Theatre (First); Theatre Royal, Norwich (Last) | September 4, 2021 | September 4, 2021 | August 20, 2022 | ||
| 3rd US tour | Hanna Theatre, Cleveland (First); Booth Playhouse, Charlotte (Last) | April 19, 2022 | April 19, 2022 | June 26, 2022 | Equity tour | |
| Tel Aviv, Israel | Cameri Theatre | August 29, 2023 | September 13, 2023 | Non-replica production in Hebrew. | ||
| Théâtre Saint-Denis, Montreal (first); Salle Albert-Rousseau, Quebec City (last) | June 22, 2024 | June 26, 2024 | August 31, 2024 | French World Premiere. Replica production. |
Waitress began previews at the American Repertory Theater in Cambridge, Massachusetts, on August 2, 2015, before the official opening on August 19, 2015, for a limited run to September 27, 2015.[16] [17] Tickets for the production sold out.[18] The show was directed by Diane Paulus,[19] with choreography by Chase Brock,[20] set design by Scott Pask, costume design by Suttirat Anne Larlarb, lighting design by Kenneth Posner, musical direction by Nadia DiGiallonardo, and sound by Jonathan Deans.[21] The cast featured Jessie Mueller as Jenna, Drew Gehling as Jim, Joe Tippett as Earl, Jeanna de Waal as Dawn, Keala Settle as Becky, Dakin Matthews as Joe, Jeremy Morse as Ogie, and Eric Anderson as Cal.[22] Mueller notably won the IRNE Award for Best Actress in a Musical for her performance in a season dominated by Natasha, Pierre & The Great Comet of 1812.[23]
Broadway previews began on March 25, 2016, at the Brooks Atkinson Theatre, with the official opening on April 24,[24] just in time for the April 28 Tony Awards cut-off date.[25] Lorin Latarro replaced Brock as choreographer[26] and Christopher Akerlind replaced Posner as lighting designer. For the Broadway production, elements of the book were rewritten, new choreography developed, and a new song written by Bareilles.[27] Manhattan baker Stacy Donnelly and Small Business Owner Dawn Mayo of Everythingdawn were hired to ensure that the baking scenes were realistic. Donnelly taught the cast how to work and roll pie dough, as the role of Jenna required Mueller to crack eggs, sift flour, and roll out dough on stage. Mayo created all of the prop pies used in the show.[28]
To help immerse audiences, real pies are warming as they enter the theater, creating the aroma of a pie shop; slices of pie are for sale.[29] Cast changes included Nick Cordero taking over the role of Earl, Kimiko Glenn as Dawn, and Christopher Fitzgerald, who took part in the New York workshop, as Ogie.[30] During previews, the production set a new box-office record for a single performance at the Brooks Atkinson Theatre, taking in $145,532.[31] The production had required an initial investment of $12 million.[27] During a technical halt at a preview performance, composer and lyricist Sara Bareilles performed two songs, including "Down at the Diner", previously cut from the production.[32]
Waitress made history on Broadway with the four top creative spots in a show being filled by women (Bareilles, Nelson, Latarro, and Paulus).[33] In addition, the costume designer and musical director were women.[34] Bareilles said she was proud to be part of an all-female team: "It's really fun to be an example of the way it can look. We're a bunch of women who are deeply committed to finding a way to build a unified vision."[35] Only the 1978 Broadway musical Runaways had a similar history, with book, music, lyrics, choreography and direction all by Elizabeth Swados.[34]
Notable cast replacements include Bareilles, Betsy Wolfe, Katharine McPhee, Nicolette Robinson, Shoshana Bean, Alison Luff, and Jordin Sparks as Jenna. Jason Mraz, Gavin Creel, Joey McIntyre, and Jeremy Jordan as Dr. Pomatter. Will Swenson and Joe Tippett as Earl. Bill Nolte as Joe, June Squibb as Josie (A female version of Joe), and Larry Marshall reprising the role of Joe from the US tour.[36] Eddie Jemison reprised his role of Ogie from the film[37] and Al Roker has played the role of Joe twice since 2018.[38]
The production closed on January 5, 2020, after 33 previews and 1,544 regular performances.[24]
On May 5, 2021, Barry Weissler announced that a remount of the original production, once again starring Bareilles, would open following the reopening of Broadway theatres.[39]
The show returned in a limited engagement on September 2, 2021 at the Ethel Barrymore Theatre, making it the first musical on Broadway to begin performances following the COVID-19 shutdown.[40] The primary reason for its return was to record the production for a future public release, with STEAM Motion + Sound producing the film. Several returning cast members star in the production, including Bareilles as Jenna, Gehling as Dr. Pomatter, Tippett as Earl, Dawson as Becky, Houlahan as Dawn, Matthews as Joe, Fitzgerald as Ogie, and Anderson as Cal.[41] [42] The run concluded on December 22, 2021, two weeks earlier than planned due to a spike of COVID-19. The closing cast starred Joshua Henry as Pomatter and Ciara Renée as Jenna.[43]
The first U.S. national tour, with Desi Oakley as Jenna, Lenne Klingaman as Dawn, Charity Angel Dawson as Becky, and Bryan Fenkart as Dr. Pomatter, began at Playhouse Square in Cleveland on October 20, 2017, and closed on August 18, 2019.[44] The second non-equity national tour, starring Bailey McCall as Jenna, Kennedy Salters as Becky, Gabriella Marzetta as Dawn, and David Socolar as Dr. Pomatter, opened on November 12, 2019, and closed on June 12, 2022.[45] Because of the 2020 COVID-19 pandemic, many performances were cancelled or rescheduled.[46]
A third U.S. national tour did not tour as a usual touring production would, with just two engagements in Charlotte (from April 19 to May 22, 2022) and Cleveland (from May 26 to June 26, 2022).[47]
The production opened in London's West End on March 7, 2019, following previews which began on February 8, at the Adelphi Theatre and featured Katharine McPhee, who had previously played the role on Broadway, as Jenna and Jack McBrayer as Ogie.[48] [49] [50] Lucie Jones took over the role of Jenna on June 17, 2019.[51] Desi Oakley made a return to the show in London as Jenna after playing the role on the U.S. tour for a two-week period beginning January 13. This was when Jones as well as her understudies, Sarah O’Connor and Olivia Moore, were ill and therefore unable to perform. Bareilles and Gavin Creel reunited in London on January 28, 2020.[52] Though set to have an eight-week engagement, they left London after their performance on 14 March due to travel restrictions imposed during the COVID-19 pandemic.[53]
The production was scheduled to end on July 4, 2020, but it closed on March 14, when West End theatres shut down due to the COVID-19 pandemic; the producers later announced the show would not re-open. Jones was due to return following Bareilles's run.[54]
Following the West End run, the production was scheduled to tour the UK and Ireland beginning in November 2020, however due to the ongoing COVID-19 pandemic, the tour began on 4 September 2021 at the New Wimbledon Theatre, running until 20 August 2022 at the Theatre Royal, Norwich. Lucie Jones, Sandra Marvin and Evelyn Hoskins reprised the roles of Jenna, Becky and Dawn from the West End production. Matt Willis also starred as Dr Pomatter, with Christopher D Hunt as Cal and Jenna played by Chelsea Halfpenny from 2022.[55]
The first international production, produced by Atlantis Theatrical Entertainment Group, debuted in November 2018 at the Carlos P. Romulo Auditorium in Manila, Philippines, featuring Joanna Ampil as Jenna.[56] It was the show's first non-replica production.[57]
A Spanish language production (locally translated as Spanish; Castilian: Camarera) debuted in Buenos Aires, Argentina, at the Metropolitan Sura Theatre on April 17, 2019, and featured Josefina Scaglione, Tony Awards nominee for the 2009 West Side Story Broadway revival, as Jenna (locally translated to Gina).[58] The Spanish translation was done by Lily Ann Martin and Pablo del Campo.[59] The production closed on August 4, 2019.[60]
The Gordon Frost Organisation is planning a production to open in 2020 at the Lyric Theatre in Sydney. Casting and dates are to be announced.[61] Another production is planned to play in the Netherlands featuring Willemijn Verkaik as Jenna and Jonathan Demoor as Dr. Pomatter. It was planned to open in 2020, however due to the ongoing COVID-19 pandemic, it was postponed to a not-yet-decided date.[62] Refunds have been issued to ticket holders.[63] The production is then planned to tour across the country.[64] [65]
Sponsored and produced by Toho, Fuji Television and Kyodo Tokyo, a Japanese production of Waitress the Musical premiered in Tokyo, Japan on 9 March 2021 at the Nissay Theatre. It is the first production to open since the global lockdown of COVID-19 pandemic.[66] The show stars Mitsuki Takahata as Jenna and Mamoru Miyano as Dr. Pomatter and plans on touring in 3 other Japanese cities until May 2021.[67] Due to COVID-19 restrictions, part of the show's creative team travelled to Japan and quarantined before the start of the rehearsal process, while others worked remotely.[68]
A Danish-language production was set to open at the Det Ny Teater in Copenhagen in March 2021, starring Maria Lucia Rosenberg as Jenna and Lars Mølsted as Dr. Pomatter.[69] Due to COVID-19 pandemic, the show has been delayed to April 2021 and is set to close in May 2021. The show was translated to Danish by renowned translator Kenneth ThordalIt.[70] The Danish production will be the third non-replica production.[71]
On July 3, 2020, Teatr Muzyczny Roma in Warsaw, Poland, announced the Polish production in 2020/2021 season. It will be the fourth non-replica production worldwide, and Polish is the third language into which the show will be translated. Translated by Michał Wojnarowski, the production was scheduled to open in April 2021 but was postponed due to COVID-19 pandemic. The opening night was on May 30, 2021.[72] [71]
On May 24 2023, the Cameri Theater in Tel-Aviv, Israel announced the Israeli production in the 2023/2024 season.It will be the fifth non-replica production worldwide, and Hebrew is the fourth language into which the show will be translated.
Waitress will be adapted and performed in French for the first time during the summer of 2024. Produced by ComediHa! this French-speaking world-premiere of Waitress is a replica production, starring Marie-Eve Janvier. Translated by Joëlle Bond and Elizabeth Cordeau-Rancourt, the show will be presented at the mytic Théâtre St-Denis in Montreal and Salle Albert-Rousseau in Quebec City. [73]
The 2021 Broadway production starring Bareilles and Gehling was recorded for a future public release, with STEAM Motion + Sound producing the film. The film held its world premiere at the Tribeca Film Festival on June 12, 2023,[74] [75] [76] and was released theatrically on December 7, 2023 by Bleecker Street and Fathom Events.[77]
Waitress features an original score, with music and lyrics by American singer-songwriter Sara Bareilles.[78] In a rare practice for a Broadway musical, the orchestrations were created by Bareilles in collaboration with the orchestra. Nadia DiGiallonardo conducted the original Broadway orchestra. The musical uses a six-member orchestra consisting of keyboard, piano, cello, guitar, bass, and drums.[79] In addition to the show's musical numbers, Bareilles also recorded the "turn off your cellphone" message, rewriting part of her original song "Cassiopeia".[80]
*Not included on Original Broadway Cast Recording.
‡ When June Squibb entered the cast of Waitress on Broadway in 2018, she was announced to be playing "Josie" (the gender-modified character name of "Joe"). In return, the song title and all frequent uses of the word "Man" was changed to "Ma'am" for her performance run.
Bareilles recorded her fifth studio album, , featuring songs from the musical. It was released through Epic Records on November 6, 2015.[82] The album debuted at number ten on the U.S. Billboard 200 chart with 30,000 equivalent album units in its first week of release, giving Barellies her fifth top-ten album.[83] The lead single from the album, "She Used to Be Mine", was released digitally on September 25, 2015.[84] Speaking about the release of the album, Bareilles stated that her decision to record an album of the songs came because it "proved impossible for me to imagine handing over the songs to the show before selfishly finding a way to sing them myself."[85]
The original Broadway cast recording was released as a digital download on June 3, and the physical release followed on July 1, 2016.[86] The album was produced by Bareilles with Neal Avron and recorded by DMI Soundtracks.[87]
| Character | Workshop | American Repertory Theater | Broadway | 1st US tour | West End | 2nd US tour | Broadway | UK/Ireland tour |
|---|---|---|---|---|---|---|---|---|
| 2014 | 2015 | 2016 | 2017 | 2019 | 2021 | |||
| Jenna | Jessie Mueller | Desi Oakley | Katharine McPhee | Bailey McCall | Sara Bareilles | Lucie Jones | ||
| Dr. Pomatter | Bryce Pinkham | Drew Gehling | Bryan Fenkart | David Hunter | David Socolar | Drew Gehling | Matt Willis | |
| Becky | Keala Settle | Charity Angél Dawson | Marisha Wallace | Kennedy Salters | Charity Angél Dawson | Sandra Marvin | ||
| Dawn | Barrett Wilbert Weed | Jeanna de Waal | Kimiko Glenn | Lenne Klingaman | Laura Baldwin | Gabriella Marzetta | Caitlin Houlahan | Evelyn Hoskins |
| Joe | Dakin Matthews | Larry Marshall | Shaun Prendergast | Michael R. Douglass | Dakin Matthews | Michael Starke | ||
| Ogie | Christopher Fitzgerald | Jeremy Morse | Christopher Fitzgerald | Jeremy Morse | Jack McBrayer | Brian Lundy | Christopher Fitzgerald | George Crawford |
| Earl | Andy Karl | Nick Cordero[88] | Nick Bailey | Peter Hannah | Clayton Howe | Joe Tippett | Tamlyn Henderson | |
| Cal | Eric Anderson | Ryan G. Dunkin | Stephen Leask | Jake Mills | Eric Anderson | Christopher D. Hunt | ||
| Nurse Norma | Amber Iman | Charity Angél Dawson | Maiesha McQueen | Kelly Agbowu | Jerica Exum | Anastacia McCleskey | Scarlet Gabriel | |
The show garnered generally mixed-to-positive reviews in both runs. Frank Rizzo, reviewing the Boston production for Variety, wrote: "...making Earl so relentlessly horrible makes Jenna's inability to leave him not just indecisive but something more worrisome... Meanwhile, there's little evidence for the good doctor being Jenna's lost soulmate, despite his loving bedside manner... Mueller's performance transcends the show's imperfections. She's funny, frisky and likable. She sings Bareilles' songs beautifully... director Diane Paulus fills the production with clever touches – a scalloped pie-crust proscenium, a fluid and easygoing flow and a natural truthfulness in the performances."[99]
For the Broadway production, many critics found Bareilles' score and Mueller's performance to be the highlights of the show. Charles Isherwood of The New York Times gave a mixed review of the show, but called Mueller's performance "a high point of the Broadway season".[100] Time Out New York gave the production four stars and said, "Waitress has an excellent ratio of sweet to tart; supporting characters who provide crustiness (Dakin Matthews's grumbly store owner) and flakiness (Christopher Fitzgerald's loony admirer of another waitress); and cooked-to-perfection staging by Diane Paulus. The whole dish is—please forgive me—love at first bite."[101] David Rooney of The Hollywood Reporter said, "...the material is anchored at every step by Bareilles' melodious pop score and Mueller's supremely natural performance as Jenna. While the stock characters that surround her may be familiar, they're a winsome bunch played by sterling performers".[102]
| Year | Award Ceremony | Category | Nominee | Result | Ref | |
|---|---|---|---|---|---|---|
| 2016 | Tony Awards | Best Musical | [103] | |||
| Best Original Score | Sara Bareilles | |||||
| Best Performance by a Leading Actress in a Musical | Jessie Mueller | |||||
| Best Performance by a Featured Actor in a Musical | Christopher Fitzgerald | |||||
| Outstanding Musical | [104] | |||||
| Outstanding Actress in a Musical | Jessie Mueller | |||||
| Outstanding Featured Actor in a Musical | Christopher Fitzgerald | |||||
| Outstanding Book of a Musical | Jessie Nelson | |||||
| Outstanding Music | Sara Bareilles | |||||
| Outstanding Lyrics | ||||||
| Drama League Award | Outstanding Production of a Broadway or Off-Broadway Musical | [105] | ||||
| Distinguished Performance Award | Jessie Mueller | |||||
| Outer Critics Circle Award | Outstanding New Broadway Musical | [106] | ||||
| Outstanding Actress in a Musical | Jessie Mueller | |||||
| Outstanding Featured Actor in a Musical | Christopher Fitzgerald | |||||
| Outstanding New Score (Broadway or off-Broadway) | Sara Bareilles | |||||
| 2017 | Grammy Award | Best Musical Theater Album | [107] | |||
| Year | Award Ceremony | Category | Nominee | Result | Ref |
|---|---|---|---|---|---|
| 2020 | Laurence Olivier Awards | Best New Musical | [108] | ||
| Original Score or New Orchestrations | Sara Bareilles | ||||