| Italic Title: | (see above) --> |
| The Travels of Lao Can | |
| Author: | Liu E |
| Title Orig: | 老殘遊記 |
| Orig Lang Code: | zh |
| Country: | Late Qing Dynasty |
| Language: | Chinese |
| Native Wikisource: | 老殘遊記 |
The Travels of Lao Can is a novel by Liu E (1857-1909), written between 1903 and 1904[1] and published in 1907 to wide acclaim. Thinly disguising his own views in those of Lao Can, the physician hero, Liu describes the rise of the Boxers in the countryside, the decay of the Yellow River control system, and the hypocritical incompetence of the bureaucracy. Its social satire[2] showed the limits of the old elite and officialdom and gave an in-depth look into everyday life in the countryside in the late Qing period.
The first 13 chapters were serialized in the bi-weekly Xiuxiang Xiaoshuo(; Illustrated Fiction)from March 1903 to January 1904, in issues 9 through 18.It was published in the Tianjin Riri Xinwen Bao([3])in a 20 chapter version with a prologue.[4]
In the prologue Lao Can (T: 老殘, S: 老残; literally, "Old Decrepit"), a traveling medical practitioner, dreams of China being a sinking ship. After the dream ends, Lao Can goes on a journey to fix the problems experienced by China. In the story Lao Can attempts to correct injustices, change attitudes towards women, and engage in philosophical discussions about China's future.[4] Lao Can also acts as a detective in several small crime-related plots.[5]
The scholar Milena Doleželová-Velingerová writes that the integration of the detective subplots, "entirely dissimilar to its lyrical components," "makes the novel so innovative."[6] She remarks on the use of poetry and symbolism that "What sets this novel apart from the others is just this nonaction discourse, including the famous poetic descriptions of Chinese landscape, which are, however, meant to be understood not merely as images of natural beauty but as metaphorical statements about the condition of society."[6]
Donald Holoch argues that the entire book and not merely the prologue should be viewed as an allegory, and that if any other approach had been used, the novel would lack unity.[7] In particular he believes that the novel's characters and events illustrate a "complex conservatism" that concludes that technology instead of social change is the answer to the problems experienced by China. Cordell D. K. Yee's review of The Chinese Novel at the Turn of the Century, however, argues that "it is doubtful that all episodes conform" to the allegory concept.[8] Robert E. Hegel, in a review argues that Holoch's interpretation is persuasive and "makes a substantial contribution to the studies of the novel".[7]