Tögal Explained

In Dzogchen, tögal literally means "crossing, surpassing the skull." It is sometimes translated as 'leapover,' 'direct crossing,' or 'direct transcendence.' Tögal is also called "the practice of vision," or "the practice of the Clear Light" (od-gsal).

Definition

Vimalamitra's Great Commentary, defines tögal as "the practice of the direct perception of pristine consciousness" which is for "the diligent who gradually attain buddhahood through meditation." Chökyi Nyima Rinpoche glosses the term as "to proceed directly to the goal without having to go through intermediate steps." Jigme Lingpa follows Longchenpa in seeing the visionary practice of tögal as the highest level of meditation practice. Tögal is also called "the practice of vision", or "the practice of the Clear Light (od-gsal)".

Practice

Tögal is practiced in a completely dark setting or through sky gazing. The practices engage the subtle body of psychic channels, winds and drops (rtsa rlung thig le). These practices aim at generating a spontaneous flow of luminous, rainbow-colored images (such as thigles or circles of rainbow light) that gradually expand in extent and complexity. The meditator uses these to recognize his mind's nature. According to Hatchell, these visionary yogic techniques:

Four visions

The practice of tögal entails progressing through the "Four Visions" (snang ba bzhi), which are:

"The Absolute Nature Becoming Manifest" or "The Vision of Awareness' Immediacy" - This refers to initial visions of lights in the visual field, such as circles called thigle, and "linked chains of spots".
"The Experience of Increasing Appearances" or "The Vision of the Intensification of Experience" - According to Hatchell, in this stage "visionary experience becomes more intense. The number, shape, and size of the appearances increase, and they begin to assemble together in simple configurations."
"Awareness Reaching its Greatest Magnitude" or "The Vision of Awareness' Optimization" - Hatchell writes that "at this stage, the abstract lights begin to organize themselves, ultimately taking shape as a mandala of 100 peaceful and wrathful deities."
"The Exhaustion of Phenomena in Dharmata" or "The Vision of Exhaustion within Reality" - In this final vision, appearances dissolve back into the expanse and fade away.

References

Works cited

Book: Buswell . Robert . Lopez . Donald S. Jr. . 2014 . The Princeton Dictionary of Buddhism . Princeton University Press.
Book: Chökyi Nyima Rinpoche . Chökyi Nyima Rinpoche . 1994 . Union of Mahamudra and Dzogchen . Rangjung Yeshe Publications.
Book: Germano, David . 2005 . Dzogchen . Jones . Lindsay . Macmillan Encyclopedia of Religion . 4: Dacian Riders – Esther . MacMillan Reference USA.
Book: Hatchell, Christopher . 2014 . Naked Seeing The Great Perfection, the Wheel of Time, and Visionary Buddhism in Renaissance Tibet . Oxford University Press.
Book: Reynolds, John Myrdhin . 2005 . The Oral Tradition from Zhang-Zhung: An Introduction to the Bonpo Dzogchen Teachings of the Oral Tradition from Zhang-Zhung Known as the Zhang-zhung snyan-rgyud . Vajra Publications . 978-99946-644-4-3.
Book: Ricard, Matthieu . 2001 . The Life of Shabkar: The Autobiography of a Tibetan Yogin . Ithaca . Snow Lion Publications.
Book: Smith, Malcolm . 2016 . Buddhahood in This Life: The Great Commentary by Vimalamitra . Simon and Schuster.
Book: van Schaik, Sam . Sam van Schaik . 2004 . Approaching the Great Perfection: Simultaneous and Gradual Methods of Dzogchen Practice in the Longchen Nyingtig . Wisdom Publications.