| Silambam | |
| Aka: | Silambattam, Chilambam, Chilambattam |
| Focus: | Weapons |
| Hardness: | Semi-contact |
| Country: | India |
| Olympic: | No |
| Creator: | Traditionally Agastya |
Silambam is an Indian martial art originating in Tamil Nadu, a state in southern India.[1] This style is mentioned in Tamil Sangam literature.[2] The World Silambam Association is the official international body of Silambam.
References in the Silappadikaram and other works of the Sangam literature show that Silambam has been practiced since at least the 4th century BC.[3] It derives from the Tamil word silam, meaning hill. The term silambambu referred to a particular type of bamboo from the Kurinjimala (kurinji hills) in present-day Kerala. Thus silambam was named after its primary weapon, the bamboo staff.[4] It may have earlier used for self-defense and to ward off animals in the Kurinji hills and later evolved into the present-day martial art.[5] Bamboo staffs – as well as swords, pearls and armor – were in great demand from foreign traders.[6] [7]
The ancient city of Madurai formed as the point of focus of Silambam spreading. The Silambam staff was acquired by the Egyptians, Greeks and Romans and was spread back to the Middle East, Europe and North Africa. The Tamil Kingdom which encompassed Southern India and Sri Lanka spread it throughout the Southeast Asia.[8]
The Kings Puli Thevar and Dheeran Chinnamalai had armies of Silambam soldiers named "Thadii Pattalam." Veerapandiya Kattabomman, Chinna Maruthu and Periya Maruthu (1760–1799) relied mainly on their Silambam prowess in warfare against the British East India Company. Indian martial arts and other related martial arts practices suffered a decline after the British banned Silambam and promoted modern military training, which favored firearms over traditional weaponry.
The first stages of Silambam practice are meant to provide a foundation for fighting, and also preparatory body conditioning. This includes improving flexibility, agility, and hand-eye coordination, kinesthetic awareness, balance, strength, speed, muscular and cardiovascular stamina.[9] [10]
Silambam's main focus is on the bamboo staff. The length of the staff depends on the height of the practitioner. Ideally, it should just touch the forehead about three fingers from the head, typically measuring around 1.68 meters (five and a half feet). Different lengths may be used depending on the situation. For instance, the sedikuchi or 3-foot stick can be easily concealed. Separate practice is needed for staffs of different lengths. Listed below are some of the weapons used in Silambam.
a thrusting weapon made from deer (more accurately, Blackbuck) horns.
sickle, often paired.
whip.
native push-dagger with a H-shaped handle. Some are capable of piercing armor. The blade may be straight or wavy.
flexible sword.
Kuttu Varisai is the unarmed combat component of Silambam and also a stand-alone martial art. It contains animal forms.[11]
Silambam made its first historical appearance in the eyes of the world through the auspices of the committee of the United Nations Assembly, which recommended Silambam Asia for United Nations status. The inauguration was held at the United Nations Headquarters in New York, United States on 21 January 2019. However, the China-Taipei government representatives raised questions concerning border conflicts in ancient records pertaining to Silambam. A request was lodged for the organization of Silambam Asia to resolve with ratification of the raised problems by member states. On 30 January 2019, substantive work was completed and concluded for Silambam Asia with Special Status in the United Nations.[12]
In many M.G.Ramachandran (MGR) films from the 1950s and 1960s, MGR had incorporated silambam fighting scenes to popularize these ancient martial arts in the 20th century. MGR himself was a practitioner of silambam fighting, learning this martial art from Master Madurai Maadakulam Ravi. Some of these movies include Thaikkupin Tharam, Periya Idathu Penn, Mugaraasi and Thanipiravi.
| 1956 | Thaikkupin Tharam | Tamil | M. G. Ramachandran | |
| 1962 | Thayai Katha Thanayan | Tamil | M. G. Ramachandran | |
| 1963 | Periya Idathu Penn | Tamil | M. G. Ramachandran | |
| 1964 | Padagotti | Tamil | M. G. Ramachandran | |
| 1966 | Mugaraasi | Tamil | M. G. Ramachandran | |
| 1966 | Thanipiravi | Tamil | M. G. Ramachandran | |
| 1970 | Maattukara Velan | Tamil | M. G. Ramachandran | |
| 1971 | Rickshawkaran | Tamil | M. G. Ramachandran | |
| 1976 | Uzhaikkum Karangal | Tamil | M. G. Ramachandran | |
| 1978 | Thai Meethu Sathiyam | Tamil | Rajinikanth | |
| 1980 | Murattu Kaalai | Tamil | Rajinikanth | |
| 1982 | Thooral Ninnu Pochchu | Tamil | K. Bhagyaraj | |
| 1983 | Mundhanai Mudichu | Tamil | K. Bhagyaraj | |
| 1989 | Karagattakaran | Tamil | Ramarajan | |
| 1992 | Thevar Magan | Tamil | Kamal Haasan | |
| 1994 | Periya Marudhu | Tamil | Vijayakanth | |
| 1995 | Villadhi Villain | Tamil | Sathyaraj | |
| 1996 | Amman Kovil Vaasalile | Tamil | Ramarajan | |
| 2008 | Silambattam | Tamil | Silambarasan | |
| 2010 | Vamsam | Tamil | Kishore | |
| 2011 | 7aum Arivu | Tamil | Suriya | |
| 2015 | Tamil, Telugu | Prabhas | ||
| 2018 | Seemaraja | Tamil | Samantha Akkineni | |
| 2022 | Tamil | Karthi |