The is a role type in Chinese opera for dignified and respectable male characters such as Confucian scholars, nobles, or heads of households.[1] They may be portrayed by either male actors or actresses.
The has numerous subtypes. The two major subdivisions are the (older gentlemen) and (younger gentlemen), with another important subtype being the (martial men).[1] Peking opera troupes will always have a actor. A actor may be added to play roles fitting to his age. In addition to these main, the troupe will also have a secondary .[2]
The is a dignified older role, usually distinguished by a long, thin, three-part beard.[1] These characters have a gentle and cultivated disposition and typically wear long robes with water sleeves, high-soled boots, and fabric headdresses.[1]
A subcategory is, older generals who have combat skills. They wear armor and helmets instead of robes and fabric hats. Guan Yu, the Chinese god of sworn brotherhood, loyalty and righteousness, and Zhao Kuangyin, the first Song dynasty emperor, are the only two characters in the subcategory known as, a red-faced older male.
See main article: Xiaosheng. Young, beardless male characters are known as . They wear paler makeup than characters to show their youth.[1] characters are often involved with beautiful young women by virtue of the handsome and young image they project.[3] Depending on the character's rank in society, the costume of the may be either elaborate or simple.[4] In Peking opera, these characters sing in a high, shrill voice with occasional breaks to represent the voice changing period of adolescence.
The subcategories of are the and the . The roles possess martial skills and are frequently young generals. Often, their filigree helmets are appended with two long pheasant feathers known as .[1]
The is a martial character for roles involving combat. They are highly trained in acrobatics, and have a natural voice when singing. In Peking opera, is further divided into two subcategories based on the character's costume:[1]
In Yue opera, roles have been mainly portrayed by actresses. Actresses playing men is also common in some southern genres like Teochew opera and Taiwanese opera. It also appears in Ping opera.
In Peking opera, Meng Xiaodong was perhaps the first female superstar who specialized in roles.