Rebus Explained

A rebus is a puzzle device that combines the use of illustrated pictures with individual letters to depict words or phrases. For example: the word "been" might be depicted by a rebus showing an illustrated bumblebee next to a plus sign (+) and the letter "n".

It was a favourite form of heraldic expression used in the Middle Ages to denote surnames. For example, in its basic form, three salmon (fish) are used to denote the surname "Salmon". A more sophisticated example was the rebus of Bishop Walter Lyhart (d. 1472) of Norwich, consisting of a stag (or hart) lying down in a conventional representation of water. The composition alludes to the name, profession or personal characteristics of the bearer, and speaks to the beholder Non verbis, sed rebus, which Latin expression signifies "not by words but by things"[1] (res, rei (f), a thing, object, matter; rebus being ablative plural).[2]

Rebuses within heraldry

Rebuses are used extensively as a form of heraldic expression as a hint to the name of the bearer; they are not synonymous with canting arms. A man might have a rebus as a personal identification device entirely separate from his armorials, canting or otherwise. For example, Sir Richard Weston (d. 1541) bore as arms: Ermine, on a chief azure five bezants, whilst his rebus, displayed many times in terracotta plaques on the walls of his mansion Sutton Place, Surrey, was a "tun" or barrel, used to designate the last syllable of his surname.

An example of canting arms proper are those of the Borough of Congleton in Cheshire consisting of a conger eel, a lion (in Latin, leo) and a tun (barrel). This word sequence "conger-leo-tun" enunciates the town's name. Similarly, the coat of arms of St. Ignatius Loyola contains wolves (in Spanish, lobo) and a kettle (olla), said by some (probably incorrectly) to be a rebus for "Loyola". The arms of Elizabeth Bowes-Lyon feature bows and lions.

Modern rebuses, word plays

A modern example of the rebus used as a form of word play is:

H + = Hear, or Here.By extension, it also uses the positioning of words or parts of words in relation to each other to convey a hidden meaning, for example:

p walk ark: walk in the park.

A rebus made up solely of letters (such as "CU" for "See you") is known as a gramogram, grammagram, or letteral word. This concept is sometimes extended to include numbers (as in "Q8" for "Kuwait", or "8" for "ate").[3] Rebuses are sometimes used in crossword puzzles, with multiple letters or a symbol fitting into a single square.[4]

Pictograms

The term rebus also refers to the use of a pictogram to represent a syllabic sound. This adapts pictograms into phonograms. A precursor to the development of the alphabet, this process represents one of the most important developments of writing. Fully developed hieroglyphs read in rebus fashion were in use at Abydos in Egypt as early as 3400 BCE.[5] In Mesopotamia, the principle was first employed on Proto-Cuneiform tablets, beginning in the Jemdet Nasr period (c. 3100–2900 BC).[6] [7]

The writing of correspondence in rebus form became popular in the eighteenth century and continued into the nineteenth century. Lewis Carroll wrote the children he befriended picture-puzzle rebus letters, nonsense letters, and looking-glass letters, which had to be held in front of a mirror to be read.[8] Rebus letters served either as a sort of code or simply as a pastime.

Rebus principle

In linguistics, the rebus principle is the use of existing symbols, such as pictograms, purely for their sounds regardless of their meaning, to represent new words. Many ancient writing systems used what we now term 'the rebus principle' to represent abstract words, which otherwise would be hard to represent with pictograms. An example that illustrates the Rebus principle is the representation of the sentence "I can see you" by using the pictographs of "eye—can—sea—ewe".

Some linguists believe that the Chinese developed their writing system according to the rebus principle,[9] and Egyptian hieroglyphs sometimes used a similar system. A famous rebus statue of Ramses II uses three hieroglyphs to compose his name: Horus (as Ra), for Ra; the child, mes; and the sedge plant (stalk held in left hand), su; the name Ra-mes-su is then formed.[10]

Sigmund Freud[11] posited that the rebus was the basis for uncovering the latent content of the dream. He wrote, "A dream is a picture puzzle of this sort and our predecessors in thefield of dream interpretation have made the mistake of treating the rebus as a pictorial composition: and as such it has seemed to themnonsensical and worthless."

Use in game shows

Canada

United Kingdom

United States

India

Historical examples

Both messages were rebuses in the French language: deux mains sous Pé à cent sous scie? "two hands under 'p' at [one] hundred under saw" = demain souper à Sanssouci? "supper tomorrow at Sanssouci?"); reply: Gé grand, A petit! "big 'G', small 'a'!" (= j'ai grand appétit! "I am very hungry!").

Japan

See also: Japanese rebus monogram.

In Japan, the rebus known as [17] was immensely popular during the Edo period.[18] A piece by ukiyo-e artist Kunisada was "Actor Puzzles" (Yakusha hanjimono) that featured rebuses.[19]

Today the most often seen of these symbols is a picture of a sickle, a circle, and the letter, read as, interpreted as, the old-fashioned form of . This is known as the, and dates to circa 1700,[20] being used in kabuki since circa 1815.[21] [22]

Kabuki actors would wear yukata and other clothing whose pictorial design, in rebus, represented their Yagō "guild names", and would distribute tenugui cloth with their rebused names as well. The practice was not restricted to the acting profession and was undertaken by townsfolk of various walks of life. There were also pictorial calendars called egoyomi that represented the Japanese calendar in rebus so it could be "read" by the illiterate.

Today a number of abstract examples following certain conventions are occasionally used for names, primarily for corporate logos or product logos and incorporating some characters of the name, as in a monogram; see Japanese rebus monogram. The most familiar example globally is the logo for Yamasa soy sauce, which is a ∧ with a サ under it. This is read as Yama, for (symbolized by the ∧) + .

Rebus puzzles on US beers

See also

External links

Notes and References

  1. Boutell, Charles, Heraldry Historical & Popular, London, 1863, pp. 117–120
  2. Cassell's Latin Dictionary, ed. Marchant & Charles
  3. Web site: Cryptic crossword reference lists > Gramograms. Highlight Press. 31 December 2016.
  4. News: How to Solve The New York Times Crossword. The New York Times. Deb Amlen. Deb Amlen. 12 December 2017.
  5. Fischer, Steven Roger, "A History of Writing", 2004, Reaktion Books,,, at page 36
  6. Book: DeFrancis . John . Visible Speech: The Diverse Oneness of Writing Systems . 1989 . University of Hawaii Press . Honolulu, Hawaii . 978-0-8248-1207-2 . 75 . en.
  7. Book: Woods . Christopher . Christopher . Woods . Visible language. Inventions of writing in the ancient Middle East and beyond . Oriental Institute Museum Publications . 32 . 2010 . University of Chicago . Chicago . 978-1-885923-76-9 . The earliest Mesopotamian writing . 33–50 .
  8. News: Lewis Carroll Centenary Article . Niles Daily Star . 3 January 1998 . Dawn Comer . https://web.archive.org/web/20070513102004/http://www.lewiscarroll.org/centenary/niles.html . 13 May 2007 . dead.
  9. The Languages of China. S. Robert Ramsey. Princeton University Press, 1987, p. 137.
  10. Book: The pharaohs. 2002. Thames & Hudson. Ziegler, Christiane.. 9780500051191. London. 50215544.
  11. Freud, S. (1900) The Interpretation of Dreams London: Hogarth Press
  12. Book: Danesi, Marcel . Marcel Danesi . The Puzzle Instinct: The Meaning of Puzzles in Human Life. 1st . 2002 . Indiana University Press . Indiana, USA . 61. 0253217083 .
  13. Web site: Manchester Celebrities – Philanthropy, Philosophy & Religion – Bishop Hugh Oldham . ManchesterUK . 2011-01-03 . Moss . John . dead . https://web.archive.org/web/20130116153116/http://manchester2002-uk.com/celebs/philanthropy1.html . 16 January 2013 .
  14. Web site: The Art Tribune – Jean-Pierre Dantan (1800–1869), Louis-Hector Berlioz, 1833 . Thearttribune.com . 2019-01-14.
  15. Web site: A Curious Hieroglyphick Bible . American Treasures of the Library of Congress . Library of Congress . 31 January 2015 . dead . https://web.archive.org/web/20151009020545/http://loc.gov/exhibits/treasures/tri014.html . 9 October 2015 .
  16. Mendieta, G. de (1971). Historia Eclesiastica Indiana[A religios History of the Indians]. Mexico, DF: Editorial Porrua (Original work published 1945)
  17. Book: Hepburn, James Curtis. A.D.F. Randolph. 1873. A Japanese-English and English-Japanese Dictionary .
  18. Book: Ihara, Saikaku. Morris. Ivan. Ivan Morris. Ihara Saikaku. The Life of an Amorous Woman: And Other Writings. A.D.F. Randolph. 1963. 978-0-8112-0187-2., p.348, note 456,
  19. Book: Izzard . Sebastian . Rimer . J. Thomas . Carpenter . John T. . Kunisada's world . Japan Society, in collaboration with Ukiyo-e Society of America . 1993 . 978-0-913304-37-2., p. 23
  20. Web site: 辞典・百科事典の検索サービス – Weblio辞書 . http://arquivo.pt/wayback/20160525003448/http://www.weblio.jp/content . dead . 2016-05-25 . Arquivo.pt . 2019-01-14.
  21. https://kotobank.jp/word/
  22. Web site: 旅から旅 文様事典 BBS . Tabikaratabi.pro.tok2.com . 2015-06-20.
  23. Web site: Alan J. Switzer. Puzzle Beer Caps. usurped. https://web.archive.org/web/20120922132249/http://www.jokelibrary.net/yyDrawings/bottle_caps.html. 2012-09-22. 2013-03-14. Jokelibrary.net.
  24. Web site: Rebus Puzzles . Narragansett Beer.