Qun Explained

C:
P:Qún
Piccap:A style of Han Chinese qun, Qing dynasty, 19th century, from the collection of the Metropolitan Museum of Art
C3:
Tp2:Cháng
L:Skirt
L2:Skirt/ lower garment
Lang1 Content:Apron
Lang1:English
Also Known As:Qun
Altname3:Chang
J:kwan4

, referred as prior to the Han dynasty,[1] and ,[2] and sometimes referred as an apron,[3] is a generic term which refers to the Chinese skirts used in, especially those worn as part of, and in .

The and its predecessor, the, along with the upper garment called and the trousers called, are all indigenous clothing of the, which conformed to the fashion style of the Chinese civilization in ancient times.[4] Both the and the, were both typically in the form of a wrap-around skirt like an apron. However, throughout Chinese history, the eventually evolved into the ; and the evolved in diverse shapes, styles, and construction throughout the succeeding dynasties.[5] The continued to exist even in the Republic of China.[6]

Several forms of ancient-style regained popularity in the 21st century following the Hanfu movement; this also inspired the development of new styles of qun with modern aesthetics and shapes.[7]

Terminology

In a broad sense, the Chinese character 《》is a synonym for the word ; both of these are generic words for skirts in China.

In ancient China, the Chinese character 《》can refer to "lower garments," which included both the trousers called and the skirt also called which also use the same character《裳》. The term with the Chinese character《》also referred to skirt .[8] According to the, the 《帬》was called 《》in the area of Wei and Chen; it was also called 《》by some people from the east of the Pass.[9] The also explains that the term which uses the character《帬》is the same as the term which uses the characters《 》.[10] It also explains that the, which uses the Chinese character《》, is a skirt by using the term with the characters《 》.[11] [12]

There are also specific terms which are related to the, such as and . The is a generic term which refers to unlined skirts.[13] The is a generic term which typically refer to a form of inner skirt.

History

See main article: Hanfu.

In the ancient times, the was referred as and existed even prior to the creation of the trousers called . The appeared on unearthed artifacts dating as early as the Shang dynasty; the eventually evolved into what became known as the .

Warring states period and Qin dynasty

In the Warring States period, men could also wear short skirts similar to a kilt.[14]

Han dynasty

Several wrap-over were found in the Han dynasty tombs. The first appeared in the Eastern Han dynasty. According to the story, however, the wearing of short skirts with pleats first appeared in the Western Han dynasty when Feng Wufang saved Zhao Feiyan from falling; but while saving her, her skirt had been ripped.[15] This led to the creation of a long excessively pleated-style, called, which was inspired by the ripped skirt of Zhao Feiyan and became popular.[16]

Song dynasty

After the Sui and Tang dynasty, the pleats which were used in the increased in numbers, from a few dozens to over one hundred forming the . The tomb of Huang Sheng contains various forms of, such as the and the .[17]

Yuan dynasty

The continued to be worn in the Yuan dynasty.

Qing dynasty

The continued to be worn in the Qing dynasty. In this period, the worn by the Han Chinese were often which featured pleats and embroideries at the panels and decorative borders. The late Qing dynasty were also heavier compared to those worn in the earlier times as they were weighted by the embroideries and pleats.

Republic of China

During the early period of the Republic of China, people in Beijing continued to wear the clothing worn in the Qing dynasty. Women continued to wear the ; however, the had evolved in style and had become shorter.

Types and styles in

The can also have specific names based on the styles, design and constructions, the number of pleats and colours. In, the can be used in set of attire, such as the,, . In some dynasties, the could be found very long and was tied under the armpits either below or above the bust regions; for example, in the . In other dynasties, the could be tied at the waist level.

are a form of which are made out of several panel of fabric sewn together instead of using a single piece of cloth, similar to a gore skirt.

and

See also: Maweiqun. In the Qin and Han dynasties, the were made out of four panel of fabrics which were sewn together. The upper parts were narrower than the lower parts; and there were also two pieces in the middle were also narrower than those which were found at the sides of the . It was most often found with a belt attached to it; however some women preferred to use a separate belt.

The four-panel, as the one found in the Mawangdui tomb No.1 dating from the Western Han dynasty, was used as a form of and was usually worn over the or under the . This form of also had a waist belt which was sewed at the upper part of the skirt and both ends of the waist belt would extend to form the ties.[18]

are a form of made of alternative strips of fabric of two different colours sewn together.[19] Its structure can be traced back to the late Northern Wei dynasty and continued to be used until the Five dynasties and Ten kingdoms period.[20] This form of skirt was high-waist during the Sui and the Tang dynasties and were characteristics clothing for women during this time period. The evolution process of the reflects the multiculturalism context, the cultural exchange, and the cultural integration which occurred between the Han Chinese, the northern ethnic minority culture, and the culture of the Western regions which occurred from the late Northern Wei dynasty to the Sui and Tang dynasties. The design of the skirt thus reflects the gradual integration of and .

Pleated skirts are called .[21] There are several forms of, such as the, and the .

is a form of wrap-around skirt which was tied at the waist level; it consisted of over 100 pleats in numbers. Each pleats were fixed to the waistband of the skirt and each pleats had the same width.

and its variant

See main article: Mamianqun.

The was a wrap-around skirt composed of two overlapping panels of fabric which was tied at the waist level. It was characterized with a flat front and pleats on the two sides. The was a variant of the and featured small pleats which gave a ripple effects. The early prototypes of the was the and the . A derivative of the is the skirt used in the, which is also called .

See main article: Traditional Chinese wedding dress and Mangfu.

The skirt, sometimes literally translated as "Dragon skirt" in English, was a skirt decorated with Chinese dragons and/or Chinese phoenixes or with .[22] The could typically vary in colour; however, red and green were the most common colours used. The was typically paired with the jacket.

During the Qing dynasty, the was worn by Han Chinese women; it was typically worn by the wives of Chinese noblemen or wives of high-ranking Qing officials as part of their quasi-official formal clothing attire on ceremonial occasions when their husband would be wearing the Qing dynasty court robe attire. Wives of the Qing dynasty officials also wore the as part of their wedding attire and as their burial attire.

The was a red skirt which was especially popular in the Tang dynasty.

Imperial and court attire

Types and styles in

The was also used as a costume item in . There are several forms of which are used as by performing Chinese opera actors, which include the:

Similar forms

See also

References

  1. Web site: 2022 . Smoke-colored lined pleated skirt of thin gauze . 2022-06-23 . Hunan Museum.
  2. Web site: 2022 . Juanqun . zh:绢裙 . 2022-06-23 . Hunan Museum . Chinese.
  3. Web site: Skirt (China) . 2022-06-22 . Cooper Hewitt, Smithsonian Design Museum . en-us.
  4. Xu . Rui . Sparks . Diane . 2011-01-01 . Symbolism and Evolution of Ku-form in Chinese Costume . Research Journal of Textile and Apparel . 15 . 1 . 11–21 . 10.1108/RJTA-15-01-2011-B002 . 1560-6074.
  5. Book: Dusenberry, Mary M. . Flowers, dragons and pine trees : Asian textiles in the Spencer Museum of Art . 2004 . Hudson Hills Press . Carol Bier, Helen Foresman Spencer Museum of Art . 1-55595-238-0 . 1st . New York . 55016186.
  6. Web site: 2008 . Traditional Beijing Costumes . 2022-06-20 . en.chinaculture.org . 2–3.
  7. Web site: 2020-03-17 . How to Choose a Slim Hanfu? - 2022 . 2022-06-24 . www.newhanfu.com . en-US.
  8. Book: Cheung, Kam-Siu . The Routledge Encyclopedia of the Chinese Language . 2016-04-14 . Taylor & Francis . 9781317382492 . Chan . Sin-Wai . 30. Lexicography . 10.4324/9781315675541.
  9. Web site: Fang Yan :《第四》 . 2022-06-24 . ctext.org . zh-TW.
  10. Web site: Shuo Wen Jie Zi : 卷八 : 巾部 . 2022-06-24 . ctext.org . zh-TW.
  11. Book: Carr . David . Space, Time, and Culture . Cheung . Chan-Fai . Springer Netherlands . Canhui Zhang, Chan-Fai Cheung, David Carr . 18 October 2004 . 9781402028236 . Dordrecht. 853261045 .
  12. Book: Michael, Thomas . Philosophical Enactment and Bodily Cultivation in Early Daoism In the Matrix of the Daodejing . Bloomsbury Publishing . 2021 . 9781350236677.
  13. Book: Zang . Yingchun . Zhongguo chuan tong fu shi . 臧迎春. . 2003 . Wu zhou chuan bo chu ban she [五洲传播出版社] . 李竹润., 王德华., 顾映晨. . 7-5085-0279-5 . Di 1 ban . Beijing . zh:中国传统服饰 . Chinese traditional costumes and ornaments . 55895164.
  14. Book: Xu, Zhuoyun . China : a new cultural history . 2012 . Columbia University Press . Timothy Danforth Baker, Michael S. Duke . 978-0-231-15920-3 . New York . 730906510.
  15. Book: Milburn, Olivia . The Empress in the Pepper Chamber Zhao Feiyan in History and Fiction . University of Washington Press . 2021 . 9780295748764 . Seattle. 1238129666 .
  16. Book: Yao, Ping . Women, gender and sexuality in China : a brief history . 2022 . 978-1-315-62726-7 . First . Abingdon, Oxon . 1273727859.
  17. Book: 5000 years of Chinese costumes . 1987 . China Books & Periodicals . Xun Zhou, Chunming Gao, 周汛, Shanghai Shi xi qu xue xiao. Zhongguo fu zhuang shi yan jiu zu . 0-8351-1822-3 . San Francisco, CA . 19814728.
  18. Web site: Thin silk skirt . 2022-06-24 . Hunan Museum.
  19. Book: China : dawn of a golden age, 200-750 AD . 2004 . Metropolitan Museum of Art . James C. Y. Watt, Prudence Oliver Harper, Metropolitan Museum of Art . 1-58839-126-4 . New York . 55846475.
  20. Web site: Shi . Meihua . 2018 . 窄袖高腰间色裙源流考--《陕西师范大学》2018年硕士论文 . 2022-08-18 . cdmd.cnki.com.cn . 陕西师范大学.
  21. Web site: 2022 . Yanse chanzhihehualuo zhejianqun . zh:烟色缠枝荷花罗褶裥裙 . Smoke-colored lined pleated skirt of thin gauze . 2022-06-23 . Hunan Museum . Chinese.
  22. Book: Garrett, Valery . Chinese Dress : From the Qing Dynasty to the Present. . 2012 . Tuttle Pub . 978-1-4629-0694-9 . New York . 794664023.
  23. Book: Ye, Tan . Historical dictionary of Chinese theater . 2020 . Rowman & Littlefield Publishers . 978-1-5381-2064-4 . Second . Lanham . 1128888776.