New acoustic music explained
New acoustic music is a music genre that blends influences from folk, bluegrass, jazz and world music and uses only acoustic instruments. Beginning in the 1970s, it has been developed by artists such as Béla Fleck, Leo Kottke, Tim Ware, Tony Rice, Mike Marshall, Darol Anger and others.[1] [2] [3] [4] [5]
See also
References
- Neil V. Rosenberg (1992) Review: From the Sound Recordings Review Editor: Bluegrass Today The Journal of American Folklore, Vol. 105, No. 418, pp. 458–470
- Adam Stetson (2006) Expressing Identity in Colorado Bluegrass Music Sub-Culture: Negotiating Modernity in the American West through Music, Humor and Shared Experience.University of Colorado http://centerwest.org/wp-content/uploads/2011/01/stetson.pdf
- Phil Hood (1986) Artists of American folk music : the legends of traditional folk, the stars of the sixties, the virtuosi of new acoustic music. New York : Quill, ©1986.
Notes and References
- http://www.allmusic.com/style/ma0000011947 New Acoustic - AllMusic
- http://www.modernmandolinmusic.com/contemporary-mandolin.html Modern Contemporary Mandolin Music | Tim Ware Group
- http://home.comcast.net/~mharneyma/na.html Mike Harney: New Acoustic Music
- Web site: New Acoustic Music Festival XVIII edizione . July 16, 2010 . vastesi.com. June 1, 2015. Italian.
- http://articles.sfgate.com/2001-03-08/music/17587074_1_blind-joe-death-michael-hedges-john-fahey A Legend Passes / John Fahey redefined American guitar music