Chamber play explained
A chamber play is a play of usually three acts which can be performed with a small cast and practically no sets or costumes in a small space. The form became popular in the early 20th century, with leading exponents being Max Reinhardt and August Strindberg.[1] The first cinema adaptation was Kammerspielfilm in the 1920s, and the format was later adapted for cinema by Ingmar Bergman[2] and Carl Theodor Dreyer.[3]
The name is derived from the term chamber music.[4]
See also
Notes and References
- Book: Styan, J. L. . Modern Drama in Theory and Practice. Volume 3. Expressionism and Epic Theatre . 1981 . Cambridge University Press . 31 . 0-521-29628-5.
- Book: Tornqvist, Egil . Between Stage and Screen. Ingmar Bergman Directs . 1995 . Amsterdam University Press . 16 . 90-5356-171-4.
- News: Carl Dreyer's "Michael": Digitalization and the Rediscovery of a Classic . Larson . Stephen . 2017 . Kosmorama . 270 .
- Book: Tornqvist, Egil . Strindberg's Ghost Sonata. From Text to Performance . 2000 . Amsterdam University Press . 23 . 90-5356-454-3.