Immersive learning explained

Immersive learning is a learning method which students being immersed into a virtual dialogue, the feeling of presence is used as an evidence of getting immersed. The virtual dialogue can be created by two ways, the usage of virtual technics, and the narrative like reading a book. The motivations of using virtual reality (VR) for teaching contain: learning efficiency, time problems, physical inaccessibility, limits due to a dangerous situation and ethical problems.[1]

Types of immersive learning

Technical aspect

Most of the immersive learning activities are supported by virtual tools including augmented reality (AR), virtual reality (VR), and virtual learning environment (VLE). Immersive VR here specifically refers to the occasions where participants feel "being there" in a virtual place.[2] For educational purpose, the most mentioned virtual projects include Second Life,[3] [4] CAVE VR system,[5] AET Zone[6] are being used in a wide range of disciplines.

Among all the technical tools supporting immersive learning, the CAVE, which defined as a room-like environment with projection screens is well discussed. The CAVE was first studied by the University of Illinois's Electronic Visualization Lab in 1992,[7] which allows huge screens to involve a large number of audiences. Sherman and Craig[8] define CAVE as a theater-like VR venue, which is visually created by computer-generated imagery. Most of the CAVEs today contain 3-6 walls (including ceiling and floor), shaped as a cube or cylinder. It is supported with multisensory channels for human-content interaction, mainly visual, also produces other sensory engagements such as tactile, audio and smell.[9] At this stage, visual and spatial audio appear to be the most-used combination to achieve a certain level of immersion.

Cognitive aspect

The term textual immersion is used to describe this kind of cognitive immersion, as everyone has the so-called daydream, to image themselves actually being in the story and become the protagonist. This phenomenon is described as getting lost, involved, or drawn into a story, by imagination or other media engagement such as literature and film.

Immersion is also considered by Murray[10] as an experience that create a more than reality world, which is structured by the audience's own cognition. Also, within Ryan's[11] book, the cognitive immersion created by narrative is categorized into three kinds: spatial immersion, temporal immersion and emotional immersion.

Sensory simulations play an essential role to achieve mental immersion, with the combination of primary and secondary senses. The audio engagement within visual stories is welcomed as a way to achieve presence (telepresence), as music helps to arouse emotional factors such as happiness and anger, peacefulness and intense.

Areas of applications

For educational purposes, simulations start to engage as a teaching tool to convey knowledge in an immersive way.[12] They take advantage from the characteristics belongs to simulations such as engaging and entertaining, to teach art, history, geography and zoology. Among the purposes of learning, the educational theories vary from constructivist, constructionist, and situated.

All the three types of learning are well served by simulations, as they support a wide range of free exploration and construction. In general, simulations could also improve knowledge retention and student motivation.

Skill training

Skill training here refers to the training with a certain level of professional skills for adults. Immersive learning supports the simulation of being in a dangerous or unusual environment, as a safe and effective way for training employees. For forklift truck training,[13] the research team built an immersive CAVE-based VR to simulates the accidents. For the operator training,[14] some plant scenarios such as routine operations and emergency response can be trained within the same CAVE-like space, it also allows multi-players to do the teamwork.

Medication

Immersive learning usually appears to simulate the accident which need immediate medical support, including heart attack and syncope. Practical studies can be found both in universities and medication agencies, in 3D stereo anatomy teaching,[15] an immersive environment to learn anatomy is built for medical students. Instead of the boring 2D textbook, students are allowed to move the real human parts modelling with a monitor, the visual display also allow zoom-in to browse more details. Further related studies could be found in several research agencies including Harvardmedsim,[16] Autism Treatment[17] and Healthy Simulation.[18]

Art and design

The needs of teaching art and design ask for a lower level of real-scene simulation, but a higher demand of emotional context and atmosphere. Virtual technics could benefit the teaching and learning activity as it provides essential support for exploration-based learning. Art exploration, which transforms the static art to dynamic art, see VR as a media of expression, also as an open place allow discussion and teamwork. Particularly, studies could be found in the area of innovative teaching to use VR as the tool.

Business

Business simulations allow students to apply textbook theories in a lifelike entrepreneurial environment. These simulations primarily operate as complex computer games wherein students start and run their own businesses. Many business simulations allow students to compete against each other, creating a unique and unpredictable market. Students learn how to research customer preferences, build brands, anticipate their competitors actions, and adjust strategies and tactics as they go. Immersive business simulations have been shown to improve engagement and knowledge integration.

Effectiveness of learning

The effectiveness of immersive learning appears in several ways:

The immersive learning activity has a high level of compatibility, to allow complex teaching tasks including role-playing, free-exploration, narrative and after-course evaluation.[21] In some occasions like medication and skill training, physical tool engagements are also functional to better simulate a real scene, such as use patient models in first aid period.

Online immersive tools

Narrative website

Narrative website is one of the typical online tools to support immersive learning. It usually appears in the area of visual storytelling, display page of exhibition and historical websites. The storytelling is well-designed to answer the needs of information dissemination and emotional resonance, usually with the support of visual, audio and dynamic design.

For such use case, the Openlearn[22] virtualized a story to enhance the user's sense of substitution by making choices, the Awge[23] simulated a platform of game boy to get visitors immersed. And the Active Theory[24] produces a controllable 3D modeling which could interact with the mouse.

Interactive video

Within immersive learning, interactive video usually remains as an instrument to make one website or platform interactive and fun. Under some educational purpose, interactive video could function as increasing learning interest and reducing the learning costs. Through clicking and dragging, the interactive video splits complex tasks into small and simple operations, the logic between small tasks is usually build through narrative. Typical examples could be found within the interactive video which introduce Virus,[25] and the art study in Nexus studios.[26]

See also

Further reading

Notes and References

  1. Freina . Laura . Ott . Michela . A literature review on immersive virtual reality in education: state of the art and perspectives . The International Scientific Conference Elearning and Software for Education . 11th International Conference eLearning and Software for Education . April 2015 . 1 . 133–141. 10.12753/2066-026X-15-020 . 17385833 .
  2. Jennett . Charlene . Cox . Anna L. . Anna Cox. Cairns . Paul . Dhoparee . Samira . Epps . Andrew . Tijs . Tim . Walton . Alison . Measuring and defining the experience of immersion in games . International Journal of Human-Computer Studies . September 2008 . 66 . 9 . 641–661 . 10.1016/j.ijhcs.2008.04.004. 1462839 .
  3. Honey . L.L. Michelle . Diener . Scott . Connor . Kelley . Veltman . Max . Bodily . David . Teaching in virtual space: Second Life simulation for haemorrhage management . 26th Annual ASCILITE International Conference . 2009 . 6–9.
  4. Okutsu . Masataka . DeLaurentis . Daniel . Brophy . Sean . Lambert . Jason . Teaching an aerospace engineering design course via virtual worlds: A comparative assessment of learning outcomes . Computers & Education . January 2013 . 60 . 1 . 288–298 . 10.1016/j.compedu.2012.07.012.
  5. Ritz . Leah T. . Teaching with CAVE virtual reality systems: Instructional design strategies that promote adequate cognitive load for learners . SMTC Plan B Papers . 2015 . 5.
  6. Bronack . Stephen . Sanders . Robert . Cheney . Amelia . Riedl . Richard . Tashner . John . Matzen . Nita . Presence pedagogy: Teaching and learning in a 3D virtual immersive world . International Journal of Teaching and Learning in Higher Education . 2008 . 20 . 1 . 59–69.
  7. Cruz-Neira . Carolina . Sandin . Daniel J. . DeFanti . Thomas A. . Kenyon . Robert V. . Hart . John C. . The CAVE: audio visual experience automatic virtual environment . Communications of the ACM . 1 June 1992 . 35 . 6 . 64–72 . 10.1145/129888.129892. 19283900 . free .
  8. Book: Sherman . William R. . Craig . Alan B. . Understanding virtual reality : interface, application, and design . 2018 . Morgan Kaufmann . 978-0128010389. 2.
  9. Muhanna . Muhanna A. . Virtual reality and the CAVE: Taxonomy, interaction challenges and research directions . Journal of King Saud University - Computer and Information Sciences . July 2015 . 27 . 3 . 344–361 . 10.1016/j.jksuci.2014.03.023. free .
  10. Book: Murray . Garold . Narrative inquiry . Qualitative research in applied linguistics . Palgrave Macmillan . London . 2009 . 45–65.
  11. Book: Ryan . Marie-Laure . Narrative as virtual reality 2 : revisiting immersion and interactivity in literature and electronic media . 2015 . JHU Press . 978-1421417974 . Second.
  12. Burdea . Grigore . Coiffet . Philippe . Virtual Reality Technology . Presence: Teleoperators and Virtual Environments . December 2003 . 12 . 6 . 663–664 . 10.1162/105474603322955950. 60307652 .
  13. Yuen . K. K. . Choi . S. H. . Yang . X. B. . A Full-immersive CAVE-based VR Simulation System of Forklift Truck Operations for Safety Training . Computer-Aided Design and Applications . January 2010 . 7 . 2 . 235–245 . 10.3722/cadaps.2010.235-245. free .
  14. Web site: eonreality . Operator training . eonreality.
  15. Web site: EON Reality . Learn anatomy . EON Reality.
  16. Web site: Center for Medical Simulation . Harvardmedsim Medical study .
  17. Matsentidou . Skevi . Poullis . Charalambos . Immersive visualizations in a VR cave environment for the training and enhancement of social skills for children with autism . 2014 International Conference on Computer Vision Theory and Applications (VISAPP) . 3 . 230–236.
  18. Web site: HealthySimulation . HealthySimulation . www.youtube.com.
  19. de Freitas . Sara . Jarvis . Steve . Serious games?engaging training solutions: A research and development project for supporting training needs . British Journal of Educational Technology . May 2007 . 38 . 3 . 523–525 . 10.1111/j.1467-8535.2007.00716.x.
  20. Freitas . Sara de . Neumann . Tim . The use of 'exploratory learning' for supporting immersive learning in virtual environments . Computers & Education . February 2009 . 52 . 2 . 343–352 . 10.1016/j.compedu.2008.09.010.
  21. News: 2022 Top Tech Trends That Will Transform K-12 Education. en. 2021-12-08.
  22. Web site: A Support Net . learning.elucidat.com.
  23. Web site: AWGE, a creative agency founded by A$AP Rocky. . www.awge.com.
  24. Web site: Active Theory / Creative Digital Experiences . Active Theory . en.
  25. Web site: Virus, the Beauty of the Beast . Virus, the Beauty of the Beast.
  26. Web site: Solace: An Interactive Animated Film by Evan Boehm . www.rememberspook.com.

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