Hippogriff Explained

The hippogriff or hippogryph (from Greek, Modern (1453-);: ἵππος + Greek, Modern (1453-);: γρύψ) is a legendary creature with the front half of an eagle and the hind half of a horse.

It was invented at the beginning of the 16th century by Ludovico Ariosto in his Orlando Furioso. Within the poem, the hippogriff is a steed born of a mare and a griffin—something considered impossible.[1] It is extremely fast and is presented as being able to fly around the world and to the Moon. It is ridden by magicians and the wandering knight Ruggiero, who, from the creature's back, frees the beautiful Angelica. Astolfo also borrows the hippogriff from Bradamante to go search for Roland's wits.

Sometimes depicted on coats of arms, the hippogriff became a subject of visual art in the 19th century, when it was often drawn by Gustave Doré.

Etymology

The word hippogriff, also spelled hippogryph,[2] is derived from the Greek, Ancient (to 1453);: ἵππος, meaning "horse", and the Italian grifo meaning "griffin" (from Latin gryp or gryphus), which denotes another mythical creature, with the head of an eagle and body of a lion, that is purported to be the father of the hippogriff. The word hippogriff was adopted into English shortly before 1615.[3] The Hippogypians mentioned in Vera Historia, a fantastic travelogue written by the Roman author Lucian of Samosata in the Second Century A.D. suggest another likely source for the word. However, in that text, the term is used to refer to a race of moon-dwelling riders that employ gigantic three-headed vultures as steeds.

Description

Of the heraldic representations of the hippogriff, Arthur Charles Fox-Davies states that hybrid fantastical creatures' depictions are "ugly, inartistic, and unnecessary. Their representation leaves one with a disappointed feeling of crudity of draughtsmanship."[4] John Vinycomb states that the hippogriff is not used in the British heraldic tradition.[5] Ludovico Ariosto's poem, Orlando furioso (1516) contains the following description (canto IV):

According to Thomas Bulfinch's Legends of Charlemagne:

Beliefs and symbolism

According to Vidal, a Spanish historian, this creature was supposed to live near Céret, in the County of Roussillon of modern-day France, during the Middle Ages. Claw marks were found on a rock near Mas Carol. The belief in the existence of the hippogriff, such as Ariosto describes, is fiercely attacked in a scientific essay on religion in 1862, which argues that such an animal can neither be a divine creation, nor truly exist. The Book of Enoch quite clearly details how Satan and his fallen angels created various hybrids by admixture. The Sphinx is the best known such hybrid. The hippogriff is supposed to be a mixture of several animals and the author notes that in order to support its weight, the wings would be so heavy that flight would be impossible, which proves—without question—that it does not exist.

In some traditions, the hippogriff is said to be the symbol of love, as its parents, the mare and griffin, are natural enemies.[6] In other traditions, the hippogriff represents Christ's dual nature as both human and divine.[7]

Modern representations

See also

References

Works cited

Notes and References

  1. Web site: Hippogriff legendary animal. 2020-10-14. Encyclopedia Britannica. en.
  2. Book: Complément du Diction sire de l'Académie française. fr. Française. Académie. 1843.
  3. Web site: Webster's Revised Unabridged Dictionary. dead. https://web.archive.org/web/20110228193149/http://www.websters-online-dictionary.org/definitions/Hippogriff?cx=partner-pub-0939450753529744%3Av0qd01-tdlq&cof=FORID%3A9&ie=UTF-8&q=Hippogriff&sa=Search#906. 2011-02-28.
  4. Book: Fox-Davies, Arthur Charles. A Complete Guide to Heraldry. 31 May 2015. 2007. Skyhorse Publishing Inc.. 9781602390010. 232–.
  5. Book: Vinycomb, John. Fictitious and Symbolic Creatures in Art With Special Reference to Their Use in British Heraldry. 31 May 2015. 1969. Library of Alexandria. 9781465552556. 123–.
  6. Book: Paulin. Poulin. Qu'est-ce que l'homme ? Qu'est-ce que Dieu ? Solution scientifique du problème religieux. A. Lacroix, Verboeckhoven. 1862. 223. fr. etal.
  7. Book: Sax, Boria. Imaginary Animals: The Monstrous, the Wondrous and the Human. 31 May 2015. 2013-10-15. Reaktion Books. 9781780232133. 195–.
  8. Book: Morton, Dr Marsha. Max Klinger and Wilhelmine Culture: On the Threshold of German Modernism. 31 May 2015. 2014-07-28. Ashgate Publishing, Ltd.. 9781409467588. 34–.
  9. Book: Radford. Benjamin. Nickell. Joe. Lake monster mysteries: investigating the world's most elusive creatures . 2006 . University Press of Kentucky . 101–109 . 9780813123943.
  10. Book: Briggs, Julia. A Woman of Passion: The Life of E. Nesbit. 31 May 2015. 2000-11-07. New Amsterdam Books. 9781461636229. 220–.
  11. Book: Weinstock, Professor Jeffrey. The Ashgate Encyclopedia of Literary and Cinematic Monsters. 31 May 2015. 2014-01-08. Ashgate Publishing, Ltd.. 9781409425625. 329–.
  12. Book: . Doug Stewart . Doug Stewart (game designer) . 190 . . 1993.
  13. Book: Dungeons & Dragons Art & Arcana: a visual history . Witwer . Michael . Newman . Kyle . Peterson . Jonathan . Witwer . Sam . Manganiello . Joe . October 2018 . 9780399580949 . . 1033548473 . 20–21, 27.
  14. News: Behind the Magic of 'Harry Potter'. Roker. Al. NBC News. 2004-06-11. 2013-10-24.
  15. Book: Heilman, Elizabeth E.. Critical Perspectives on Harry Potter. 1 November 2013. 2008-08-05. Taylor & Francis. 9780203892817. 201–.
  16. Book: Miller, Laura Lea. Frommer's Walt Disney World and Orlando 2012. 1 November 2013. 2011-10-20. John Wiley & Sons. 9781118168042. 273–.
  17. Web site: Ariosto, Harry Potter and Hippogriffs: Weaving textual webs .