Gopi Explained

Type:Hindu
Gopis
Other Names:Krishnasakhi, Krishnapreyasi
Sanskrit Transliteration:Gopi
Devanagari:गोपी
Affiliation:Avatar of Radha,[1] Krishnaism, Vaishnavism
Abode:Goloka, Vrindavan, Barsana
Texts:Brahma Vaivarta Purana, Garga Samhita, Gita Govinda, Bhagavata Purana, Tiruppavai
Birth Place:Braj
Consort:Krishna
Festivals:Sharad Purnima, Kartik Purnima, Holi, Lathmar Holi
Gender:Female
Venerated In:Radha Vallabh Sampradaya, Nimbarka Sampradaya, Gaudiya Vaishnavism, Pushtimarg
Temple:Ashtasakhi Temple in Vrindavan
Region:Braj region

Gopi (Sanskrit: गोपी,) or Gopika in Hinduism are worshipped as the consorts and devotees of Krishna within the Vaishnavism and Krishnaism traditions for their unconditional love and devotion (Bhakti) to god Krishna as described in the Sanskrit scriptures like Bhagavata Purana and other Puranic literature.[2] Gopis are often considered as the expansion of goddess Radha, the chief consort of Krishna.[3] [4] The Raslila of gopis with Krishna has inspired various traditional performance art forms and literatures.[5]

According to Indian philosopher, Jiva Goswami, gopis are considered as the eternal beloved and manifestations of the internal spiritual potency of Krishna. Among the gopis, Radha is the chief gopi and is the personification of the bliss potency (hladini shakti) of Krishna.[6] She alone manifests the stage of mahabhava, or supreme love for Krishna, and holds a place of particularly high reverence and importance in a number of religious traditions.[7]

Etymology

Gopi (गोपी) is a Sanskrit word originating from the word Gopa. In Hinduism, the name Gopika or Gopi is especially used to refer the milkmaids of Braj region.[8] The word Gopis in the plural refers to the group of cowherd women who possess devotion toward Krishna. When it is used in the singular ("Gopi"), it generally refers to Radha, who was the Krishna's favourite gopi.[9]

Prominent gopis

The prominent gopis of Vrindavan are total 108 in numbers. They share the eternal intimate friendship with Radha Krishna. No one can equal or exceed the love they bear for the divine couple.[10] Out of 108 gopis, the primary eight gopis are considered as the foremost of Krishna's devotees after goddess Radharani who is considered as the chief of gopis. Their names are as follows:[11]

All the eight primary gopis are together called as the Ashtasakhis (eight friends) of Radha and Krishna.

Unconditional love

According to Hindu Vaishnava theology, the stories concerning the gopis are said to exemplify Suddha-bhakti which is described as 'the highest form of unconditional love for God (Krishna). Their spontaneous and unwavering devotion is described in depth in the later chapters of the Bhagavata Purana, within Krishna's Vrindavan pastimes and also in the stories of the sage Uddhava.

For Vaishnava traditions, the most important representation of the gopis' love and devotion for Krishna is a story in the Bhagavata Purana (10.29-33) by the name of Rasa Lila Panchadhyaya, which translates as "the five chapters on the story of the rasa dance". The bhakti or devotion that the gopis express in this story is believed by the Chaitanya tradition to exemplify the highest form of bhakti. In the story, Krishna's flute music attracts the gopis' attention, making them leave behind their families and homes so that they can enjoy devotion of Krishna:

Upon hearing that sweet music,

their passion for him swelling,

The young women of Braj whose

minds were captured by Krishna,

Unaware of one another,

ran off toward the place

Where their beloved was waiting,

with their earrings swinging wildly (Bhagavata Purana 10.29.4)

See also

References

  1. Book: Holy People of the World: A Cross-cultural Encyclopedia . Phyllis G. Jestice . ABC-CLIO . 2004 . 316–317 . 1576073556.
  2. Walters . Holly . 2016-12-01 . Playing God: Participant Frameworks in the Ras Lilas of Krishna . The Journal of Religion and Popular Culture . 28 . 2–3 . 135–144 . 10.3138/jrpc.28.2-3.3611 . 192161968 . 1703-289X.
  3. Book: Jestice, Phyllis G. . Holy People of the World: A Cross-cultural Encyclopedia . 2004 . ABC-CLIO . 2004 . 978-1-57607-355-1 . 316–317 . en.
  4. Book: Hawley, John Stratton . At Play with Krishna: Pilgrimage Dramas from Brindavan . 1992 . Motilal Banarsidass Publ. . 978-81-208-0945-1 . 17 . en . "Radha expresses herself in the multiple forms of gopis".
  5. Book: Mohapatra, J. . Wellness In Indian Festivals & Rituals . 2013 . Partridge Publishing . 978-1-4828-1690-7 . 164 . en.
  6. Mohanty . Prafulla Kumar . 2003 . Mask and Creative Symbolisation in Contemporary Oriya Literature : Krishna, Radha and Ahalya . Indian Literature . 47 . 2 (214) . 181–189 . 23341400 . 0019-5804.
  7. Book: Francis Bryant, Edwin. Krishna: A Sourcebook. Oxford University Press. 2007. 978-019-514891-6. United States of America. 382.
  8. Walters . Holly . 2016-12-01 . Playing God: Participant Frameworks in the Ras Lilas of Krishna . The Journal of Religion and Popular Culture . 28 . 2–3 . 135–144 . 10.3138/jrpc.28.2-3.3611 . 192161968 . 1703-289X.
  9. Book: Schweig, Graham M. . Krishna : a sourcebook . 2007 . Oxford University Press . 978-0-19-972431-4 . Bryant . Edwin . Oxford . 448–450 . Chapter 18: The Divine Feminine in the Theology of Krishna . 181731713.
  10. Web site: Gopis .
  11. Book: Ph.D, Lavanya Vemsani . Krishna in History, Thought, and Culture: An Encyclopedia of the Hindu Lord of Many Names: An Encyclopedia of the Hindu Lord of Many Names . 2016-06-13 . ABC-CLIO . 2016 . 978-1-61069-211-3 . United States of America . 107–108 . en.

External links