Gates of Baghdad explained

The gates of Baghdad (Arabic: أبواب بغداد) are the several bab, meaning gate in Arabic, connected by walls surrounding the city of Baghdad. The gates and the walls were designed to protect the city from foreign incursions. Some of the components date back to the Abbasid era, while others were preserved and renovated during the Ottoman era.

History

The Round city of Baghdad was constructed by the Abbasid Caliph Abu Ja’far al-Mansur during 762–768, surrounded by enclosures with four gates, namely Bab al-Kufa ("gate of Kufa"), Bab al-Sham ("gate of al-Sham or Damascus"), Bab al-Khorasan ("gate of Khorasan"), and Bab al-Basra ("gate of Basra").[1] However, these four gates were eventually destroyed. Today the area is the neighborhood of Karkh in Mansour district, which located in southwest Baghdad.

During the late Abbasid era, the 28th caliph, al-Mustazhir, laid out a plan to expand the enclosure with additional walls, gates, moats and obstructions against invaders. The expansion plan was carried out during the reign of the succeeding Caliph al-Mustarshid, and additional four gates were constructed, namely Bab al-Muadham, Bab ash-Sharqi, Bab al-Talsim and Bab al-Wastani. These four gates remained long after the fall of the Abbasid Caliphate.[2]

Gates

Main gates

An inscription ran on the wall above the gate, mentionning the caliph as “the imām, to whom the whole of humanity has to submit,” as well as “the caliph who is initiated by the master of the world and who is a proof for Allāh of the entirety of beings”.[9]

Other gates

Notes and References

  1. Book: Curatola. Giovanni. The Art and Architecture of Mesopotamia. 2007. Abbeville Press Publishers. New York, N.Y.. 9780789209214. 156. 1st.
  2. http://www.narjesmag.com/news.php?action=view&id=2230 الباب الوسطاني حكاية بغداد المدوّرة وأقدم مدفع عراقي
  3. http://www.ankawa.com/forum/index.php?topic=238228.0 الكشف عن أقدم أبواب بغداد العباسية
  4. Langenegger, Felix. Beiträge zur kenntis der baukunst des Irâq (heutiges Babylonien) Bautechnik,/b baukonstruktionen und aussehen der baugegenstände unter teilweiser bezugnahme auf die baukunst der vergangenheit des landes sowie auf die gesamte baukunst des Islâm, 88-90. Dresden, G. Kühtmann, 1911.
  5. Le Strange G. Baghdad During the Abbasid Caliphate, 291-292. Greenwood Press. Connecticut, 1983.
  6. Web site: Archnet > Site > Bab al-Talsim . www.archnet.org.
  7. Pancaroğlu . Oya . The Itinerant Dragon-Slayer: Forging Paths of Image and Identity in Medieval Anatolia . Gesta . January 2004 . 43 . 2 . 160 . 10.2307/25067102 .
  8. Book: Kuehn . Sara . The dragon in medieval East Christian and Islamic art . 2011 . Brill . Leiden . 978-90-04-18663-7 . 126 . The associated royal charisma may moreover be rooted in the celestial, and possibly astrological, realms. Hartner sees in the central figure “the new-born child – symbol of the new moon.” However on account of the confronted seated lions in profile, which are carved in relief onto the imposts below the arch, the central figure could also be interpreted as a personification of the Sun whose house is in Leo..
  9. Book: Kuehn . Sara . The dragon in medieval East Christian and Islamic art . 2011 . Brill . Leiden . 978-90-04-18663-7 . 126 . The inscription, which refers to the caliph as "the imām, to whom the whole of humanity has to submit," as well as "the caliph who is initiated by the master of the world and who is a proof for Allāh of the entirety of beings”.
  10. الروضة الندية فيمن دفن من الأعلام في المقبرة الوردية - د. محمد سامي ابراهيم الزبيدي - بغداد 2016 - صفحة 7.