Erasure poetry explained

Erasure poetry, or blackout poetry, is a form of found poetry or found object art created by erasing words from an existing text in prose or verse and framing the result on the page as a poem.[1] The results can be allowed to stand in situ or they can be arranged into lines and/or stanzas.

Writers and visual artists have adopted this form both to achieve a range of cognitive or symbolic effects and to focus on the social or political meanings of erasure. Erasure is a way to give an existing piece of writing a new set of meanings, questions, or suggestions. It lessens the trace of authorship but also draws attention to the original text.

History

Doris Cross appears to have been among the earliest to utilize this technique, beginning in 1965 with her "Dictionary Columns" book art.[2] Other examples before 1980 include:

The poetic form gained new political purpose online in 2017.[4]

The tradition of concrete poetry and the works of visual artists such as d.a. levy have some relationship to this artform.

Use in representations of political or social themes

Government and military secrecy

Jenny Holzer's Redaction Paintings consists of enlarged, colorized silkscreen "paintings" of declassified and often heavily censored American military and intelligence documents that have recently been made available to the public through the Freedom of Information Act. The works are intended as reminders of the editing or erasure that goes on behind the scenes in the American military/political power system. Documents address counter-terrorism, prisoner abuse, and the threat of Osama bin Laden. Some of the documents are almost completely inked out, like Colin Powell's memo on Defense Intelligence Agency reorganization.[5]

Anthropologist Michael Powell writes: "While the literal act of redaction attempts to extract information and eradicate meaning, the black marker actually transforms the way we read these documents, sparking curiosity and often stirring skeptical, critical, and even cynical readings. As redacted government documents make their way from government bureaus into the hands of citizens, a peculiar transformation seems to take place, one that seems to create a paranoia within reason."[6]

Seven Testimonies (redacted)Nick Flynn's "Seven Testimonies (redacted)" in The Captain Asks a Show of Hands, is an erasure of the testimonies from prisoners at Abu Ghraib.

Holocaust

Jonathan Safran Foer's 2010 Tree of Codes is a book-length erasure of The Street of Crocodiles by Bruno Schulz. Schulz was killed by an officer of the Gestapo during the Nazi occupation of his hometown Drohobycz, after distributing the bulk of his life's work to gentile friends immediately prior to the occupation. All of these manuscripts have been lost. The Tree of Codes is Safran-Foer's attempt to represent the unrepresentable loss which occurred in the Holocaust by deleting text, rather than by writing another book about the Holocaust as a historical subject or context for a work of fiction.[7] Safran-Foer's approach to the Holocaust as an "unrepresentable subject" recalls the use of negative space in the poetry of Dan Pagis.[8] [9]

Freedom and Slavery

Poet Laureate Tracy K. Smith has written several erasure poems, including "Declaration" (drawn from the Declaration of Independence) and "The Greatest Personal Privation" (from letters about slaveholding).[10]

Poet Nicole Sealey wrote The Ferguson Report: An Erasure, a book length erasure [11] of the Ferguson Report [12] which comments on the Killing of Michael Brown and the subsequent Ferguson unrest. Her poem "Pages 22–29, an excerpt from the book, won a Forward Prize for Poetry in October 2021.[13]

Indigenous erasure poetry

Poets such as Jordan Abel and Billy-Ray Belcourt have engaged in erasure poetry to mirror the erasure of Indigenous peoples from history.[14] Through working to erase existing texts such as Treaty 8[15] in "NDN Coping Mechanisms" by Billy-Ray Belcourt and "Totem Poles" by Canadian ethnographer Marius Barbeau in "The Place of Scraps" by Jordan Abel these two poets "make and unmake texts" the way Indigenous histories have been made and unmade by colonialist influences.

Other examples

See also

External links

Notes and References

  1. Web site: Absent Things as if They Are Present. Jeannie Vanasco. The Believer. January 2012. Longform Reprint. 2017-03-30. 2017-03-31. https://web.archive.org/web/20170331121112/http://reprints.longform.org/absent-things-as-if-they-are-present. dead.
  2. Web site: Who Is Doris Cross?. Xu. Lynn. 2 July 2022 .
  3. Book: Johnson, Ronald. Radi Os. Flood Editions. 1977. 978-0974690247.
  4. The Trump-Era Boom in Erasure Poetry. Stone. Rachel. October 23, 2017. The New Republic.
  5. News: Smith. Roberta. Art in Review, Jenny Holzer. 12 December 2013. New York Times. June 9, 2006.
  6. Powell. Michael. Blacked Out:Our cultural romance with redacted documents. The Believer. June 2010.
  7. Book: Safran-Foer, Jonathan. Tree of Codes. Visual Editions. 2010. 9780956569219.
  8. Web site: WRITTEN IN PENCIL IN THE SEALED RAILWAY-CAR. Pagis. Dan. 12 December 2013. 8 March 2022. https://web.archive.org/web/20220308211945/http://www.poetryinternationalweb.net/pi/site/poem/item/18706. dead.
  9. Book: Pagis, Dan. The Selected Poetry of Dan Pagis. October 22, 1996. University of California Press. 978-0520205390.
  10. News: Tracy K. Smith, America's Poet Laureate, Is a Woman With a Mission. Franklin. Ruth. April 10, 2018. The New York Times.
  11. Book: Sealey . Nicole . The Ferguson Report: An Erasure . 2023-08-15 . Knopf . 978-0593535998.
  12. Web site: Investigation of the Ferguson Police Department . United States Department of Justice Civil Rights Division . 15 August 2023 . https://web.archive.org/web/20230811053256/https://www.justice.gov/sites/default/files/opa/press-releases/attachments/2015/03/04/ferguson_police_department_report.pdf . 2023-08-11 . pdf . 2015-03-04.
  13. Kennard, Femi and Sealey win Forward Prizes for Poetry. The Bookseller. Sian. Bayley. 25 October 2021. 25 October 2021.
  14. 'Split With the Kind Knife': Salvage Ethnography and Poetics of Appropriation in Jordan Abel's The Place of Scraps. Karpinski. Max. . Vancouver . 230/231. Autumn 2016. 65–84.
  15. Web site: NDN Coping Mechanisms. CBC Books. CBC Books.
  16. Book: Bervis, Jen. Nets. Ugly Duckling Press. 2003. 978-0972768436.
  17. Web site: Constance Alexander: Terena Bell compels readers to focus with latest work 'Tell Me What You See' NKyTribune . 2023-04-13 . en-US.