Flat (music) explained

In music, flat means lower in pitch. It may either be used generically, meaning any lowering of pitch, or refer to a particular size: lowering pitch by a chromatic semitone. A flat is the opposite of a sharp which raises pitch by the same amount that a flat lowers it.

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The flat symbol is used in two ways: It is placed in key signatures to mark lines whose notes are flattened throughout that section of music; it may also be an "accidental" that precedes an individual note and indicates that the note should be lowered temporarily, until the following bar line.

Pitch change

The flat symbol,, is a stylised derived from Italian be molle for "soft B" and German blatt for "planar, dull". It indicates that the note to which it is applied is played one semitone lower, or in modern tuning exactly 100 cents.[1] [2]

In traditional and modern microtonal temperaments the size of sharps or flats (chromatic semitones) is normally smaller than the size of the diatonic semitones found between or In those tuning systems, the size of the shift made by the symbol usually conforms to the smaller-sized lowering of pitch; however, for some tuning systems it may instead be replaced by a different symbol for raising and lowering pitch, depending on the author's preference and the intricacy of any microtuning involved.

Flats used in key signatures

align=center colspan=3Order of flats in key signatures
Number
of flats
Major key Flat notes Relative
minor key
0 A minor
1 B D minor
2 B majorB, EG minor
3 E majorB, E, AC minor
4 A majorB, E, A, DF minor
5 D majorB, E, A, D, GB minor
6 G majorB, E, A, D, G, E minor
7 C majorB, E, A, D, G,, A minor

The order of flats added onto the key signature is

B, E, A, D, G, C, F.The corresponding order of keys is off by one:

F, B, E, A, D, G, C.Starting with no sharps or flats (C major), adding the first flat (B) indicates F major; adding the next (E) indicates B major, and so on, backwards through the circle of fifths.

Some keys (such as C major with seven flats) may be written as an enharmonically equivalent key (B major with five sharps in this case). In rare cases, the flat keys may be extended further:

F → B → E → A → D → G → C requiring double flats in the key signature. These are called theoretical key signatures, based on the impracticality of their use, rather than the simpler, equivalent key in This principle applies similarly to the sharp keys.

Key signature example

The staff below shows a key signature with three flats (E major or its relative minor C minor), followed by a note with a flat preceding it: The flat symbol placed on the note indicates that it is a D.

In 12 tone equal temperament lowering a note's pitch by a semitone results in a note that is enharmonically equivalent to the adjacent named note. In this system, B and A are considered to be equivalent. In most tuning systems, however, this is not the case.

As a temporary accidental

When used as a temporary accidental sign, the flat symbol is placed to the left of the note head. Temporary accidentals apply to the note on which they are placed, and to all subsequent similar notes in the same measure and octave. In modern notation they do not apply to notes in other octaves, but this was not always the convention. To cancel an accidental signature later in the same measure and octave, another accidental such as a natural (♮) or a sharp (♯) may be used.

Related symbols

A double flat lowers a note by two semitones, or a whole step.

A quarter-tone flat, half flat, or demiflat indicates the use of quarter tones; it may be marked with various symbols including a flat with a slash or a reversed flat sign . A three-quarter-tone flat, flat and a half or sesquiflat, is represented by a demiflat and a whole flat .

The symbols,,, among others, represent comma flat or eighth-tone flat, or a quarter of a flat (not to be confused with the larger quarter tone).

Although very rarely used, a triple flat can sometimes be found.[3] It lowers a note three semitones, or a whole tone and a semitone.

The symbol of a quadruple flat, or beyond, could be used but would be extremely rare in ordinary temperament.[4]

Unicode

The Unicode character ♭ (U+266D) can be found in the block Miscellaneous Symbols; its HTML entity is Other assigned flat signs are as follows:

Other notation and usage

  • Historically, raising a double flat to a flat would be notated using a natural and flat sign (♮♭) or vice-versa (♭♮) instead of the conventional flat sign (♭). In modern notation the leading natural sign is often omitted.

  • To allow extended just intonation, composer Ben Johnston uses a flat as an accidental to indicate a note is lowered 70.6 cents.[5]
  • In environments where the symbol is not supported, or in specific text notation, a double flat is sometimes written as ♭♭,, etc. Likewise, a triple flat can also be written as ♭♭♭, etc.

External links

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Notes and References

  1. Book: Benward . Saker . amp . 2003 . Music in Theory and Practice . 1 . 6 . McGraw-Hill . 7th . Flat lowers the pitch a half step. .
  2. Flat . Glossary . . 2015-02-06 . 2021-07-15 . https://web.archive.org/web/20210715002810/https://www.naxos.com/mainsite/NewDesign/fglossary.files/bglossary.files/Flat.htm . dead .
  3. Web site: Byrd . Donald . October 2018 . Extremes of conventional music notation . Bloomington, IN . . luddy.indiana.edu .
  4. Wen . Eric . 2011 . E-quadruple flat: Tovey's whimsy . Zeitschrift der Gesellschaft für Musiktheorie . 8 . 1 . de . 77–89 . 10.31751/612 . free.
  5. John Fonville . J. . Fonville . Summer 1991 . Ben Johnston's extended just intonation – a guide for interpreters . . 29 . 2 . 106–137 . ... the is the sharp ratio ... this raises a note approximately 70.6 cents. .