Sacred king explained

In many historical societies, the position of kingship carried a sacral meaning and was identical with that of a high priest and judge. Divine kingship is related to the concept of theocracy, although a sacred king need not necessarily rule through his religious authority; rather, the temporal position itself has a religious significance behind it. The monarch may be divine,[1] become divine,[2] or represent divinity to a greater or lesser extent.[3]

History

Sir James George Frazer used the concept of the sacred king in his study The Golden Bough (1890–1915), the title of which refers to the myth of the Rex Nemorensis.[4] Frazer gives numerous examples, cited below, and was an inspiration for the myth and ritual school.[5] However, "the myth and ritual, or myth-ritualist, theory" is disputed;[6] many scholars now believe that myth and ritual share common paradigms, but not that one developed from the other.[7]

According to Frazer, the notion has prehistoric roots and occurs worldwide, on Java as in sub-Saharan Africa, with shaman-kings credited with rainmaking and assuring fertility and good fortune. The king might also be designated to suffer and atone for his people, meaning that the sacral king could be the pre-ordained victim in a human sacrifice, either killed at the end of his term in the position, or sacrificed in a time of crisis (e.g. the Blót of Domalde).

The Ashanti flogged a newly selected king (Ashantehene) before enthroning him.

From the Bronze Age in the Near East, the enthronement and anointment of a monarch is a central religious ritual, reflected in the titles "Messiah" or "Christ", which became separated from worldly kingship. Thus Sargon of Akkad described himself as "deputy of Ishtar", just as the modern Catholic Pope takes the role of the "Vicar of Christ".[8]

Kings are styled as shepherds from earliest times, e.g., the term applied to Sumerian princes such as Lugalbanda in the 3rd millennium BCE. The image of the shepherd combines the themes of leadership and the responsibility to supply food and protection, as well as superiority.

As the mediator between the people and the divine, the sacral king was credited with special wisdom (e.g. Solomon or Gilgamesh) or vision (e.g. via oneiromancy).

Study

Study of the concept was introduced by Sir James George Frazer in his influential book The Golden Bough (1890–1915); sacral kingship plays a role in Romanticism and Esotericism (e.g. Julius Evola) and some currents of Neopaganism (Theodism).The school of Pan-Babylonianism derived much of the religion described in the Hebrew Bible from cults of sacral kingship in ancient Babylonia.

The so-called British and Scandinavian cult-historical schools maintained that the king personified a god and stood at the center of the national or tribal religion. The English "myth and ritual school" concentrated on anthropology and folklore, while the Scandinavian "Uppsala school" emphasized Semitological study.

Frazer's interpretation

A sacred king, according to the systematic interpretation of mythology developed by Frazer in The Golden Bough (published 1890), was a king who represented a solar deity in a periodically re-enacted fertility rite. Frazer seized upon the notion of a substitute king and made him the keystone of his theory of a universal, pan-European, and indeed worldwide fertility myth, in which a consort for the Goddess was annually replaced. According to Frazer, the sacred king represented the spirit of vegetation, a divine John Barleycorn. He came into being in the spring, reigned during the summer, and ritually died at harvest time, only to be reborn at the winter solstice to wax and rule again. The spirit of vegetation was therefore a "dying and reviving god". Osiris, Dionysus, Attis and many other familiar figures from Greek mythology and classical antiquity were re-interpreted in this mold (Osiris in particular is conspicuous in this as he was a figure of Egyptian mythology). The sacred king, the human embodiment of the dying and reviving vegetation god, was supposed to have originally been an individual chosen to rule for a time, but whose fate was to suffer as a sacrifice, to be offered back to the earth so that a new king could rule for a time in his stead.

Especially in Europe during Frazer's early twentieth century heyday, it launched a cottage industry of amateurs looking for "pagan survivals" in such things as traditional fairs, maypoles, and folk arts like morris dancing. It was widely influential in literature, being alluded to by D. H. Lawrence, James Joyce, Ezra Pound, and in T. S. Eliot's The Waste Land, among other works.

Robert Graves used Frazer's work in The Greek Myths and made it one of the foundations of his own personal mythology in The White Goddess, and in the fictional Seven Days in New Crete he depicted a future in which the institution of a sacrificial sacred king is revived. Margaret Murray, the principal theorist of witchcraft as a "pagan survival," used Frazer's work to propose the thesis that many kings of England who died as kings, most notably William Rufus, were secret pagans and witches, whose deaths were the re-enactment of the human sacrifice that stood at the centre of Frazer's myth.[9] This idea used by fantasy writer Katherine Kurtz in her novel Lammas Night.

Examples

Monarchies carried sacral kingship into the Middle Ages, encouraging the idea of kings installed by the Grace of God. See:

In fiction

Many of Rosemary Sutcliff's novels are recognized as being directly influenced by Frazer, depicting individuals accepting the burden of leadership and the ultimate responsibility of personal sacrifice, including Sword at Sunset, The Mark of the Horse Lord, and Sun Horse, Moon Horse.[14]

In addition to its appearance in her novel Lammas Night noted above, Katherine Kurtz also uses the idea of sacred kingship in her novel The Quest for Saint Camber.[15]

See also

References

General

"English school"

"Scandinavian school"

External links

Notes and References

  1. This applies more particularly to the more mythical sovereigns, for example: the Chinese Yellow Emperor.Book: Jean Kuo Lee . 2022 . The Most Powerful Ruler . Huangdi: Yellow Emperor . Chinese Mythology . Minneapolis, Minnesota . ABDO . 5 . 9781098275150 . 5 August 2024 . In the land of mythical China, a Divine Emperor ruled part of the region. His name was Huangdi, or the Yellow Emperor..
  2. Book: Gilbert . Michelle . Cannadine . David . Price . Simon . Simon Price (classicist) . 23 April 1992 . 1987 . The person of the king: ritual and power in a Ghanaian state . Rituals of Royalty: Power and Ceremonial in Traditional Societies . Past and Present Publications, ISSN 1754-792X . Cambridge . Cambridge University Press . 298 . 9780521428910 . 5 August 2024 . That kings are sacred is an anthropological and historical truism, but they are not born so, and must be made sacred by those over whom they reign..
  3. Book: Hani . Jean . Jean Hani . Polit . Gustavo . 2011 . 1984 . Sacred Royalty . Sacred Royalty: From the Pharaoh to the Most Christian King . The Matheson monographs . London . The Matheson Trust for the study of comparative religion . 26; 28 . 9781908092052 . 5 August 2024 . The character of 'divine royalty' is not as marked in all traditions, and what can be seen is an approach by degrees towards another conception, that of 'royalty by divine grace'. This is what occurs in the Indo-European zone, in India and Iran, for example. [...] the sovereign is not personally 'divine'. In India, it is royalty that is divine, not the king as an individual. He is revered as a god only because his state and his role are divine..
  4. Book: Frazer, James George, Sir. The Golden Bough. New York: The Macmillan Co. 1922. Bartleby.com. http://www.bartleby.com/196/1.html.
  5. R Fraser ed., The Golden Bough (Oxford 2009) p. 651
  6. Book: Segal, Robert A.. Myth: A Very Short Introduction. limited. Oxford UP. 2004. Oxford. 61. 978-0-19-280347-4.
  7. Book: Meletinsky, Eleazar Moiseevich. The Poetics of Myth. Routledge. 2000. 0-415-92898-2. 117.
  8. Web site: CATHOLIC ENCYCLOPEDIA: Vicar of Christ. www.newadvent.org. 2017-08-23.
  9. Book: Murray, Margaret Alice. The Divine King in England: a study in anthropology. London, Faber & Faber. 1954. 9780404184285. British Library.
  10. Book: God and King : The Devaraja Cult in South Asian Art & Architecture . Sengupta, Arputha Rani (Ed.) . 2005 . National Museum Institute . 8189233262 . 14 September 2012 . 9 December 2012 . https://web.archive.org/web/20121209215215/http://easternbookcorporation.com/moreinfo.php?txt_searchstring=7306 . dead .
  11. Book: Gyula Kristó. Hungarian History in the Ninth Century. 1996. Szegedi Középkorász Műhely. 978-963-482-113-7. 136.
  12. Book: Даница Поповић. Под окриљем светости: култ светих владара и реликвија у средњовековној Србији. 2006. Српска академија наука и уметности, Балканолошки институт. 978-86-7179-044-4.
  13. Book: Sima M. Cirkovic. The Serbs. 2008. John Wiley & Sons. 978-1-4051-4291-5. 35.
  14. http://www.HistoricalNovels.info/Rosemary-Sutcliff.html Article about Rosemary Sutcliff at the Historical Novels Info website; paragraph 15
  15. Katherine Kurtz, The Quest for Saint Camber,, Ballantine Books, 1986, p 360-363.