The closed change is a Pre-Bronze, or newcomer waltz figure, performed in closed position.[1] Changes may start of the right foot or left foot, moving forward or backward. This makes four different types of closed changes. Combining two changes results in a box step.In right changes the man starts from the right foot, while in left ones the man starts from the left foot.
The figures are called "changes" because they allow dancers to change from natural turn to reverse turn (i.e., left to right turn) and vice versa. For example, a basic practising variation in waltz goes as follows:
Other change steps include the hesitation change and the outside change, described below.
The man steps forward on right foot while the lady steps backward on the opposing (i.e., left) foot. They will then step to the side (and possibly slightly forward, in relation to the man) on the other foot, and conclude the figure by closing the first foot beside the second. Each step takes up a full beat of the music.
A turn of up to is optional. There will be slight contra body movement (CBM) on 1, and sway on 2,3.
| Beat | Foot position | Alignment | Amount of turn | Footwork |
|---|---|---|---|---|
| 1 | Right foot forward | Facing diagonal center | None | Heel – toe |
| 2 | Left foot side, slightly forward | Facing diagonal center | None | Toe |
| 3 | Right foot closes to left foot | Facing diagonal center | None | Toe – heel |
| Beat | Foot position | Alignment | Amount of turn | Footwork |
|---|---|---|---|---|
| 1 | Left foot back | Backing diagonal center | None | Toe – heel |
| 2 | Right foot side, slightly back | Backing diagonal center | None | Toe |
| 3 | Left foot closes to right foot | Backing diagonal center | None | Toe – heel |
The closed change from reverse to natural turn is the mirror image of the move just described. Backward changes start with the leader stepping back and the follower stepping forward.
The hesitation change is a Bronze syllabus figure. The first 3 steps are identical to the natural turn. The last 3 steps comprise the "hesitation". The leader's heel pull allows time to change directions or pause for floor craft.[2]
| Beat | Foot position | Alignment | Amount of turn | Footwork |
|---|---|---|---|---|
| 1 | Right foot forward | Facing diagonal wall | Start to turn right | Heel – toe |
| 2 | Left foot to side | Backing diagonal center | between 1 and 2 | Toe |
| 3 | Right foot closes to left foot | between 2 and 3 | Toe – heel | |
| 1 | Left foot back | Backing line of dance | Start to turn right | Heel |
| 2 | Right foot to side small step (heel pull) | Facing diagonal center | between 4 and 5 | Inside edge of foot, whole foot |
| 3 | Left foot closes to right foot without weight | Facing diagonal center | Inside edge of toe (left foot) | |
The outside change is a Bronze syllabus figure. It has regular waltz rise and fall over the three beat phrase.[2]
| Beat | Foot position | Alignment | Amount of turn | Footwork |
|---|---|---|---|---|
| 1 | Left foot back | Backing diagonal center | Toe – heel | |
| 2 | Right foot back | Backing diagonal center | Starts to turn left | Toe |
| 3 | Left foot to side and slightly forward | between 2 and 3, body turns less | Toe – heel | |
| 1 | Right foot forward in contra body movement position, outside partner position | Facing diagonal wall | Heel | |
| Beat | Foot position | Alignment | Amount of turn | Footwork |
|---|---|---|---|---|
| 1 | Right foot forward | Facing diagonal center | Heel – toe | |
| 2 | Left foot forward | Facing diagonal center | Starts to turn left | Toe |
| 3 | Right foot to side and slightly back | between 2 and 3, body turns less | Toe – heel | |
| 1 | Left foot back in contra body movement position | Backing diagonal wall | Toe | |