Chikan (embroidery) explained

Chikankari (Hindi: चिकन की कढ़ाई, चिकनकारी) is a traditional embroidery style from Lucknow, India.Translated, the word means embroidery (using thread or wire), and it is one of Lucknow's best known textile decoration styles. The main market in Lucknow for Chikankari based products is Chowk. Production is mainly based in Lucknow and in the adjoining districts.

Origin

There are references to embroidery similar to chikan work in India as early as 3rd century BC by Megasthenes, who mentioned use of flowered muslins by Indians, but these embroidered patterns lacked the characteristic features of chikan, such as colour, ornamentation, or any notable embellishment.[1] According to Laila Tyabji, chikankari stems from the white-on-white embroidery of Shiraz came to India as part of a culture of Persian nobles at the Mughal court.[2] There is also a tale that mentions how a traveler taught chikan to a peasant in return of water to drink. The most popular origin story credits Noor Jahan, Mughal empress and wife of Jahangir, for introducing chikankari to India.[3] [4]

Chikan began as a type of white-on-white (or whitework) embroidery.[5]

Technique

The technique of chikan embroidery is known as chikankari (Hindi: चिकनकारी). Chikankari is a delicate and artfully done hand embroidery on a variety of textile fabrics like cotton, chanderi, muslin, georgette, viscose, silk, organza, net, etc. White thread is embroidered on cool, pastel shades of light muslin and cotton garments. Nowadays chikan embroidery is also done with colored and silk threads in colors to meet the fashion trends and keep chikankari up-to-date. Lucknow is the heart of the chikankari industry today and the variety is known as Lucknawi chikan.

Chikan work in recent times has adopted additional embellishments like Mukaish, Kamdani, Badla, sequin, bead, and mirror work, which gives it a rich look. Chikan embroidery is mostly done on fabrics like cotton, semi-Georgette, pure Georgette, crepe, chiffon, silk, and any other fabric which is light and which highlights the embroidery. The fabric cannot be too thick or hard, else the embroidery needle won't pierce it. Also, sheer fabric allows the part of the stitches on the reverse of the fabric to give a shadow effect, which is characteristic of the technique.

The piece begins with one or more pattern blocks that are used to block-print a pattern on the ground fabric. The embroiderer stitches the pattern, and the finished piece is carefully washed to remove all traces of the printed pattern.[6] The process of chikankari includes the following steps:

Stitches

The patterns and effects created depend on the stitches and the thicknesses of the threads used. Some of the stitches include backstitch, chain stitch and hemstitch. The result is an open work pattern, jali (lace) or shadow-work. Often the embroiderer creates mesh-like sections by using a needle to separate threads in the ground fabric, and then working around the spaces.[6] It consists of 32 stitches:[7]

GI status

Geographical Indication Registry (GIR) accorded Geographical Indication (GI) status for chikankari in December 2008, which recognized Lucknow as an exclusive hub of chikankari.[10]

In popular culture

The 1986 Indian film Anjuman directed by Muzaffar Ali and starring Shabana Azmi and Farooque Shaikh is set in Lucknow and deals with issues of chikan workers.[11] In fact, Farooque Shaikh was so charmed by this fabric and style that he wore chikan all his life and came to be identified as a brand ambassador of sorts of Lakhnavi chikankari.

Further reading

Notes and References

  1. Book: Manfredi, Paola. https://books.google.com/books?id=AKFN7hyH6OcC&q=There+are+many+different+stories+of+the+origin+of+chikankari%2C+but+there+is+no+clear+historical+evidence+supporting+any+of+them.+The+word+chikankari+in+Hindi+means&pg=PA264. Asian Embroidery. Dhamija. Jasleen. Chikankari of Lucknow. 2004. Abhinav Publications. 9788170174509. en.
  2. Book: Manfredi, Paola. https://books.google.com/books?id=AKFN7hyH6OcC&q=White+on+white+embroidery+of+Shiraz&pg=PA264. Asian Embroidery. Dhamija. Jasleen. Chikankari of Lucknow. 2004. Abhinav Publications. 9788170174509. en.
  3. Web site: Chikankari . Cultural India . 2013-08-11.
  4. Book: Wilkinson-Weber, Clare M. . Embroidering Lives: Women's Work and Skill in the Lucknow Embroidery Industry . registration . 1999 . 12–13 . State University of New York Press . 9780791440872.
  5. Book: Wilkinson-Weber, Clare M. . Embroidering Lives: Women's Work and Skill in the Lucknow Embroidery Industry . registration . 1999 . 24 . State University of New York Press . 9780791440872.
  6. Dusenbury, Mary M. (2004). Flowers, Dragons and Pine Trees: Asian Textiles in the Spencer Museum of Art. Hudson Hills Press. p. 42. .
  7. Web site: Stitches in Chikankari . Hand-embroidery.com . 2013-08-11 . https://web.archive.org/web/20100614053226/http://www.hand-embroidery.com/stitches-in-chikankari.html . 14 June 2010 . dead .
  8. Web site: Tepchi Stitch: Running Stitches In Chikankari . Utsavpedia . 25 October 2019 . 17 August 2015.
  9. Book: Brijbhushan . Jamila . Indian Embroidery . 2006 . Publications Division, Ministry of Information and Broadcasting, Government of India . 8123013698 . 46 .
  10. News: Chikankari GI a step towards international branding. https://web.archive.org/web/20140131113159/http://articles.timesofindia.indiatimes.com/2009-01-16/lucknow/28040361_1_geographical-indication-lucknow-gi-certification. dead. 31 January 2014. 10 July 2013. The Times of India. 16 January 2009.
  11. Book: Anuradha Dingwaney Needham. Rajeswari Sunder Rajan. The Crisis of Secularism in India. 28 December 2006. Duke University Press. 0-8223-8841-3. 235–236.

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