Chalanata Explained

Chalanata

Chalanata (pronounced chalanāta) is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 36th Melakarta rāgam in the 72 melakarta rāgam system of Carnatic music. It is one of the few rāgams referred by the same name in Muthuswami Dikshitar school of Carnatic music.[1]

Structure and Lakshana

It is the 6th rāgam in the 6th chakra Rutu. The mnemonic name is Rutu-Sha. The mnemonic phrase is sa ru gu ma pa dhu nu.[2] Its structure (ascending and descending scale) is as follows (see swaras in Carnatic music for details on below notation and terms):

The notes used in this scale are shadjam, shatsruthi rishabham, antara gandharam, shuddha madhyamam, panchamam, shatsruthi dhaivatham and kakali nishadham. As it is a melakarta rāgam, by definition it is a sampurna rāgam (has all seven notes in ascending and descending scale). It is the shuddha madhyamam equivalent of Rasikapriya, which is the 72nd (last) melakarta.

Janya Rāgams

Chalanāta (also pronounced Chalanāttai) has two popular janya rāgams (derived scales) associated with it, namely Nāta (Nāttai) and Ghambheeranāta (Gambheeranāttai). Nāta ragam compositions are sung often in concerts and it overshadows Chalanāta.[3] See List of Janya Rāgams for list of janya rāgams associated with Chalanāta.

Compositions

A few compositions set to Chalanāta are:

Film songs

SongMovieComposerSinger
Ventriduven Unnai(Ragamalika opening portion only)AgathiyarKunnakudi VaidyanathanT. M. Soundararajan, Sirkazhi Govindarajan
Maanikkka Theril MaragathaThedi Vandha MappillaiM. S. ViswanathanT. M. Soundararajan, P. Susheela
MahaganapathimSindhu BhairaviIllayarajaK.J. Yesudas
Mettioli Katrodu

(more of Jog)

MettiIllayaraja, S. Janaki(Humming only)
Kavithai Kelungal(Ragamalika)Punnagai MannanVani Jairam
Aala AsathumKanni RasiS. P. Balasubrahmanyam, Vani Jairam
Isai Paadu NeeIsai Paadum ThendralS. Janaki
Oh Oh Oh Kaalai KuyilgaleUnnai Vaazhthi Paadugiren
Holi HoliRaasukuttiS. P. Balasubrahmanyam, S. Janaki
Innum Ennai (Gambeeranattai with Tilang)Singaravelan
Podu ThanthanathomNalla Naal
Panivizhum Malar Vanam (in Chalanattai)Ninaivellam NithyaS. P. Balasubrahmanyam
Nan Deva deviThangakkiliMano, Swarnalatha
Oru PattampochiKadhalukku MariyadhaiK.J. Yesudas, Sujatha
Naan Ondru KettalIlayaragamArunmozhi, K.S. Chitra
Peigaley NambatheyMahanadhiKamal Haasan, Shanmugasundari
Sandhosha KannireUyireA. R. RahmanA. R. Rahman
SpidermanNewKunal Ganjawala, Sadhana Sargam
Narumugaiye NarumugaiyeIruvarP. Unnikrishnan, Bombay Jayashree
Vennila VennilaAsha Bhosle
Thom ThomAlli Thandha VaanamVidyasagarHariharan, K.S. Chitra
Thangamagan IndruBaashhaDevaK.J. Yesudas, K.S. Chitra
Devi DeviSantharpamS. P. Balasubrahmanyam, Uma Ramanan
Mudhalam SanthippilCharlie ChaplinBharaniP. Unnikrishnan, Swarnalatha
Solaigal EllamPookkalai ParikkatheergalT. RajendarS. P. Balasubrahmanyam, K.S. Chitra
Uyire UyireVaanam VasappadumMahesh MahadevanHariharan, Ganga
Iyengaru Veetu AzhageyAnniyanHarris JayarajHariharan, Harini
Chennai Senthamizh (inspired from Mahaganapathim)M. Kumaran Son of MahalakshmiSrikanth DevaHarish Raghavendra
JingunamaniJillaD. ImmanRanjith, Sunidhi Chauhan
AmmukuttiyeGemini Ganeshanum Suruli RaajanumPradeep Kumar

Related rāgams

This section covers the theoretical and scientific aspect of this rāgam.

Chalanata's notes when shifted using Graha bhedam, yields a major Melakarta rāgam Shubhapantuvarali. Graha bhedam is the step taken in keeping the relative note frequencies same, while shifting the shadjam to the next note in the rāgam. For further details and an illustration refer Graha bhedam on Chalanata.

Notes and References

  1. Sri Muthuswami Dikshitar Keertanaigal by Vidwan A Sundaram Iyer, Pub. 1989, Music Book Publishers, Mylapore, Chennai
  2. Ragas in Carnatic music by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications
  3. Raganidhi by P. Subba Rao, Pub. 1964, The Music Academy of Madras