Bhashya Explained

Bhashya is a "commentary" or "exposition" of any primary or secondary text in ancient or medieval Indian literature. Common in Sanskrit literature, Bhashyas are also found in other Indian languages such as Tamil. Bhashyas are found in various fields, ranging from the Upanishads to the Sutras of Hindu schools of philosophy, from ancient medicine to music.[1] [2] [3]

The Indian tradition typically followed certain guidelines in preparing a Bhashya. These commentaries give meaning of words, particularly when they are about condensed aphoristic Sutras, supplementing the interpreted meaning with additional information on the subjects.[1] A traditional Bhasya would, like modern scholarship, name the earlier texts (cite) and often include quotes from previous authors.[4] The author of the Bhasya would also provide verification, acceptance or rejection of the text as interpreted, with reasons, and usually include a conclusion.[1] The title of a commentary work sometimes has the title of the text commented on, with the suffix "-Bhashya".[5]

Among the earliest known Bhashya are the Maha-bhashya of Patanjali from the 2nd century BCE,[6] and Sabara Bhashya of the Mimamsa school of Hinduism, dated to have been likely composed between 100 BCE and 200 CE, but no later than the 5th century.[7] An example of Buddhist literature Bhashya is Vasubandhu's Abhidharmakośa-Bhāṣya.[8]

Etymology

The term bhashya literally means "speaking, talking, any work in the current, vernacular speech". The term also refers to, states Monier-Williams, any "explanatory work, exposition, explanation, commentary" that brings to light something else.[9] A bhashyakrit is the author, and these words are related to the root bhash which means "speak about, describe, declare, tell".[9] (Cf. the productive ending -ology in English, which derives from the Greek verb λεγῶ (legō), meaning "speak".) Bhashya is known as urai in the Tamil literary tradition, which literally means "prose".

Discussion

A typical Bhashya would be an interpretation of a Sutra or other classical work word by word.[10] It can also consist of word by word translations and the individual viewpoint of the commentator or Bhashyakara.

There are numerous Bhashyas available on various Sanskrit and non-Sanskrit works. A few examples are Brahma Sutra Bhashya by Madhvacharya[11] and Adi Shankara,[12] Gita Bhashya and Sri Bhashya[13] by Ramanuja and Mahabhashya by Patañjali.[14]

Tamil literary tradition

See main article: Commentaries in Tamil literary tradition. Following the Sanskrit literary tradition, commentaries to literary works remain one of the most important and telling aspects of the Tamil literary tradition. Commentaries to ancient Tamil works have been written since the medieval period and continue to be written in the modern era.[15] Many ancient Tamil works continue to remain in comprehension chiefly due to exegesis or commentaries written on them. The most famous examples of such works are the Tolkappiyam and the Tirukkural,[15] with the latter remaining the most reviewed work in the Tamil literature.[16] According to K. Mohanraj, as of 2013, beginning with Manakkudavar from the Medieval era, there were at least 497 Tamil commentaries on the Tirukkural written by 382 scholars of whom at least 277 scholars have written commentaries for the entire work.[17]

Nakkeerar, Ilampooranar, Senavaraiyar, Paerasiriyar, Deivachilaiyar, Nacchinarkkiniyar, Manakkudavar, Paridhiyar, Parimelalhagar, Kalladar, and Adiyarkku Nallar are some of the most celebrated commentators in the history of Tamil literature, all of whose works are praised on par with the original works to which they wrote exegeses.[15]

See also

External links

Notes and References

  1. Richa Vishwakarma and Pradip Kumar Goswami (2013), A review through Charaka Uttara-Tantra, International Quarterly Journal of Research in Ayurveda, Volume 34, Issue 1, pages 17–20
  2. Karin Preisendanz (2005), The Production of Philosophical Literature in South Asia during the Pre-Colonial Period (15th to 18th Centuries): The Case of the Nyāyasūtra Commentarial Tradition, Journal of Indian Philosophy, Volume 33, pages 55–94
  3. PV Kane (2015 Reprint), History of Sanskrit Poetics, Motilal Banarsidass,, page 29
  4. Elisa Freschi (2012), Proposals for the Study of Quotations in Indian Philosophical Texts, Religions of South Asia, Vol 6, No 2, pages 161, also 161-189
  5. GC Pande (2011), Life and Thought of Śaṅkarācārya, Motilal Banarsidass,, pages 93-107
  6. A Datta (2009), Encyclopaedia of Indian Literature, Volume 2, Sahitya Akademi,, page 1338
  7. Othmar Gächter (1990), Hermeneutics and Language in Purva Mimamsa: A Study in Sabara Bhasya, Motilal Banarsidass,, page 9
  8. Lodrö Sangpo (Translator, 2012), Abhidharmakośa-Bhāṣya of Vasubandhu, Motilal Banarsidass,
  9. Monier Monier-Williams (2002), A Sanskrit-English Dictionary, Etymologically and Philologically Arranged to cognate Indo-European Languages, Motilal Banarsidass, page 755
  10. Book: Gopal, Madan. India through the ages. 1990. 77. K.S. Gautam. Publication Division, Ministry of Information and Broadcasting, Government of India.
  11. Web site: References about Srimad Ananda Tirtha . 2008-06-16 . 2020-07-02 . https://web.archive.org/web/20200702124557/http://www.dvaita.org/madhva/AnandaT_6.html . dead .
  12. http://www.advaita-vedanta.org/articles/adhyasa_bhashyam.htm Brahma Sutra Bhashya
  13. http://www.ramanuja.org/sv/acharyas/ramanuja/sribhashya.html Sribhashya
  14. Encyclopedia: Philosophical elements in Patañjali's . Encyclopedia of Indian philosophies . K. Kunjunni Raja . . K. Kunjunni Raja . 5 (The Philosophy of the Grammarians) . 115 . Motilal Banarsidass Publ . 81-208-0426-0 .
  15. Book: R. Mohan and Nellai N. Sokkalingam . உரை மரபுகள் [Conventions of Commentaries] . 2011 . Meiyappan Padhippagam . Chidambaram.
  16. Book: M. V. Aravindan . உரையாசிரியர்கள் [Commentators] . 2018 . Manivasagar Padhippagam . 8 . Chennai.
  17. Book: M. G. Kovaimani and P. V. Nagarajan . திருக்குறள் ஆய்வுமாலை [Tirukkural Research Papers] . 2013 . 1. Tamil University . Tanjavur . ta. 978-81-7090-435-9.