| Zango | |
| Type: | studio |
| Artist: | Witch |
| Cover: | Zango.jpg |
| Studio: | DB Studios (Lusaka, Zambia)[1] |
| Genre: | Zamrock |
| Label: | Desert Daze Sound, in partnership with Partisan Records |
| Prev Title: | Kuomboka |
| Prev Year: | 1984 |
Zango is the eighth studio album by Zambian band Witch. It was released on 2 June 2023 on Desert Daze Sound in partnership with Partisan Records, nearly 40 years after Witch's previous studio album, 1984's Kuomboka. It is also the band's first album since 1976 to feature frontman and co-founder Emmanuel "Jagari" Chanda.[2]
After disbanding in 1985, Witch reunited in 2012, with bandleader Emmanuel "Jagari" Chanda and keyboardist Patrick Mwondela newly joined by European musicians Jacco Gardner, Nico Mauskoviç, Stefan Lilov, and JJ Whitefield.[3] [4] The band's revival was sparked in part by a renewed interest in Zamrock in the United States and Europe, especially among crate diggers, leading to the reissue of Witch's discography in 2012, their subsequent world tour, and the release of the documentary We Intend to Cause Havoc about the band in 2019.
The album's title Zango literally translates to "meeting place"; as the band explained, "Every village [in Zambia] will have this central place, where villagers meet to prepare for work, where youngsters go to learn, where the young ones learn from the elder folks, and where the visitors come and converge."[5]
The album's track "Avalanche of Love" features Zambian rapper Sampa the Great, who said she was drawn "to the defiance and the edginess" of Witch's music and had previously collaborated with Witch on her 2022 album As Above, So Below.
Zango was released to critical acclaim. At Metacritic, the album received an aggregate score of 84 based on 4 reviews, indicating "universal acclaim".[6]
Writing for Pitchfork, Brad Sanders praised the album for evolving Witch's sound while also adhering to their classic Zamrock roots, writing: "Zango is rooted in classic Zamrock, and it builds on the inherent malleability of the genre's sound. The band slinks seamlessly between passages of Fela Kuti-style Afrobeat, spacey psych-pop, and stomping, Sabbathian proto-metal." In a four-star review for Mojo, David Hutcheon complimented the band's "rough edges" on the album, writing that "with two veteran members and four younger, European additions, they are even more noisily rebellious now than they were in the 1970s." Jack Doherty of Loud and Quiet called the album "a far groovier monster than anything from their extensive back catalogue," noting its funk and psychedelic rock influences.
Musicians
Guest musicians