| Season: | 18 |
| Episode: | 14 |
| Director: | Susie Dietter |
| Production: | JABF09 |
| Guests: | Peter Bogdanovich as psychologist Andy Dick as himself James Patterson as himself Meg Ryan as Dr. Swanson Stephen Sondheim as himself Marcia Wallace as Edna Krabappel |
| Couch Gag: | The couch is replaced by a vending machine filled with Simpsons characters. Ralph Wiggum uses it, retrieves a Homer figurine and bites its head off before leaving. |
| Prev: | Springfield Up |
| Next: | Rome-Old and Juli-Eh |
"Yokel Chords" is the fourteenth episode of the eighteenth season of the American animated television series The Simpsons. It originally aired on the Fox network in the United States on March 4, 2007. The episode was written by Michael Price and directed by Susie Dietter.
In this episode, Lisa tutors the Spuckler children while Bart is forced to see a psychiatrist. Meg Ryan and Peter Bogdanovich guest starred. Actor Andy Dick, author James Patterson and composer Stephen Sondheim appeared as themselves. The episode received mixed reviews and won an Annie Award for Outstanding Achievement for Music in an Animated Television/Broadcast Production.
Marge oversleeps, forcing Homer to make the children's lunch for the day, but he gives Lisa a drawing of a sandwich and gives Bart some of Grampa's medication. Without any food, Bart scares the students with a story about a cannibal cafeteria worker named Dark Stanley. At lunchtime, Bart pretends to be killed by Dark Stanley, leading all the students to run away while he eats their lunches. Bart is sent to a psychiatrist as punishment. Groundskeeper Willie fetches the students and brings back seven other children belonging to Cletus. Principal Skinner tells Superintendent Chalmers that the kids have been refused education in fear that they will lower test averages and cost the school federal funding. Lisa overhears them while reporting for the school newspaper, so they try to think of a way to stop her from reporting it.
They appoint Lisa to tutor the Spuckler children. Her initial efforts are unsuccessful, so she takes the children to downtown Springfield to introduce them to the culture of the world. However, her plans are diverted when Krusty sees the kids singing. He decides to use them as a musical act for his show and offers them a contract, which Cletus signs immediately. Lisa, however, is worried that Krusty and Cletus are exploiting the children. Meanwhile, Bart must spend five sessions with Dr. Swanson. Bart is dismissive, so she lets Bart play a violent video game with her while she secretly records his reactions while playing. They develop a bond, which gets Bart to have a breakthrough about Homer's alcoholism and other matters. When his sessions end, Bart becomes sad.
A worried Marge uses money she had been saving to get Bart one more session with Dr. Swanson. Bart uses the session to realize that he misbehaves so his parents will focus on him instead of fighting with each other. Happy with his mental state, Bart leaves the session early, which makes Dr. Swanson sad, so she goes to see her own psychiatrist. Meanwhile, because the Spuckler children spend so much time working, they have no time for their studies. Lisa tells Brandine, who is fighting as a soldier in Iraq, to come home. She tells Cletus to stop exploiting the children. Krusty argues that Cletus signed a contract, but Brandine says only the children who cannot perform well are his. The children thank Lisa, and Cletus and Brandine take them home.
After writer Michael Price wrote the episode "My Fair Laddy" the previous season, which was a parody of the musical My Fair Lady, executive producer Al Jean asked Price to consider writing another musical episode. He decided to make a parody of The Sound of Music with Lisa as the Maria character and the Spuckler children as the Von Trapp family.
Meg Ryan guest starred as Dr. Swanson. Peter Bogdanovich guest starred as a psychologist.[1] Price directed Bogdanovich for his appearance in this episode.[2] Actor Andy Dick and author James Patterson guest starred as themselves.[1]
Composer Stephen Sondheim also appeared as himself. As Price wrote the episode, he attended a birthday party in which screenwriter John Logan was also in attendance. Logan was working on the film adaptation of with Sondheim at the time. Price, a Sondheim fan, asked Logan if Sondheim would be interested in appearing in the episode. He advised Price to directly mail Sondheim a letter, and Sondheim replied with a letter accepting the offer. Price recorded Sondheim's part in New York over two days. Sondheim's lines were recorded on the first day. Because there was no piano in the studio that day, Sondheim returned the following day to perform the required music on the piano.[3]
The scene where Dr. Swanson goes to see a therapist is a reference to the television series The Sopranos, where Dr. Melfi, a therapist herself, is treated by Dr. Elliot Kupferberg. Actor Peter Bogdanovich, who plays Dr. Kupferberg on The Sopranos, is the voice of Dr. Swanson's psychologist in this episode.[4]
Bart plays a video game called Death Kill City II: Death City Stories, which is a parody of the Grand Theft Auto video game series.[5]
Bart's story of Dark Stanley is animated in the style of the opening sequence of the television anthology series Mystery! drawn by Edward Gorey.
The episode earned a 3.2 rating and was watched by 9.04 million viewers, which was the 41st most-watched show that week.[6]
Robert Canning of IGN gave the episode a 6.2 out of 10, stating,
Colin Jacobson of DVD Movie Guide liked the focus on the Spuckler family and the subplot involving Bart.[7]
Commenting on the different depiction of the Spuckler family in this episode, Matthew A. Henry wrote, "Cletus and Brandine are humanized in this episode in ways they have not been previously." The author compared their portrayal by Price, who has degrees from Montclair State University and Tulane University, versus those of the other Simpsons writers who are "products of the Ivy League."[8]
At the 35th Annie Awards, composer Alf Clausen and writer Michael Price won the Annie Award for Outstanding Achievement for Music in an Animated Television/Broadcast Production.[9]