| Lovers in the City | |
| Type: | studio |
| Artist: | Tanita Tikaram |
| Cover: | Tanita tikaram lovers in the city.jpg |
| Released: | 13 February 1995 |
| Recorded: | July 1993 – May 1994 |
| Studio: | Groove Masters (Santa Monica), Angel Recording Studios, Mayfair Studios (London) |
| Genre: | Rock/pop/folk |
| Length: | 51:53 |
| Label: | East West Records 4509-98804-2 |
| Producer: | Thomas Newman, Tanita Tikaram |
| Prev Title: | Eleven Kinds of Loneliness |
| Prev Year: | 1992 |
| Next Title: | The Best of Tanita Tikaram |
| Next Year: | 1996 |
Lovers in the City is the fourth studio album by Tanita Tikaram, released by East West Records in 1995. Jennifer Warnes provided backing vocals on four tracks on the album. One of these songs, "I Might Be Crying", was released as lead single. A video for this single was filmed in Vietnam. The album reached No. 75 in the UK charts. "I Might Be Crying" was the first single to be released from the album, and peaked at number 64 in the UK. "Wonderful Shadow" was the second single to be released and peaked at number 198 in the UK. "Yodelling Song" was the third and last single to be released and then only in some countries in continental Europe.
Lovers in the City saw Tikaram co-produce and work with film score composer Thomas Newman. She told Music Week in 1995, "Working with Thomas was really different because he's a film writer and he's really interested in sounds and structure, which is very different from me."[1]
Upon its release, John Harris of NME praised Lovers in the City as "shockingly decent", with Tikaram "coming out of it looking like someone who's worthy of sharing lunch with Tori, Bjork or Kate Bush". He commented on how Tikaram had "binned most of the forced intellectualism that made her sound like an eternal undergraduate" and "turned her straining, fractured baritone into something of an asset". He also noted the involvement of Thomas Newman, who "takes most of [the album] into the realms of jarring strangeness". Music Week called it a "brooding, downbeat" album from the "husky songstress" which "lightens up with the introduction of some classical string arrangements".[2] Sarra Manning of Melody Maker was critical, remarking that Tikaram's music was "plummeting to depths known only to champion potholers" with an album of "funereal dirges" where "the only mild exception is 'Yodelling Song', a determinedly uptempo exercise accompanied by the worst words in the world". She added that Tikaram's voice "veers from mawkish mumble to monotonal meandering" and "manages to convey her emotional extremes: depressed, very depressed, and even more depressed with PMT thrown in".[3]
All tracks composed by Tanita Tikaram.[4]
| Peak position | |
| Australian Albums (ARIA)[5] | 158 |