I Wonder Where My Easy Rider's Gone? | |
Cover: | I Wonder Where My Easy Rider's Gone cover.jpg |
Caption: | Sheet music cover (1913) |
Published: | 1913 |
Genre: | Ragtime |
"I Wonder Where My Easy Rider's Gone?" is a ragtime/blues song written by Shelton Brooks in 1913. Sometimes categorized as hokum,[1] it led to an answer song written in 1915 by W.C. Handy, "Yellow Dog Rag", later titled "Yellow Dog Blues". Lines and melody from both songs show up in the 1920s and 1930s in such songs as "E. Z. Rider", "See See Rider", "C. C. Rider", and "Easy Rider Blues".
Written for the vaudeville stage, the lyrics tell of a Susie Johnson who bets on a horse race using a tip from Jockey Lee, who subsequently runs off with her money.
First verse:
Chorus:
"I Wonder Where My Easy Rider's Gone?" was first popularized on the vaudeville stage by Sophie Tucker. It is most noted for its performance in a 1933 movie, She Done Him Wrong, in which Mae West sang it in a suggestive manner. It is perhaps this performance which gave it its hokum reputation.[2]
Yellow Dog Rag | |
Cover: | Yellow-Dog-Rag-1915.jpg |
Caption: | Sheet music cover (1915) |
Published: | 1915 |
Genre: | Ragtime |
In 1915, W.C. Handy wrote an answer song to "I Wonder Where My Easy Rider's Gone?" which he called "Yellow Dog Rag."[3] "Yellow Dog Rag" sold poorly. In 1919, he retitled it "Yellow Dog Blues" to take advantage of the popularity of blues, after which it sold moderately well.[4] His song explains what became of Jockey Lee.
The version quoted is how Bessie Smith sang it in her well-known 1925 recording:
First verse:Chorus:
(1) (Rural Free Delivery or RFD as it was popularly called was a service by the post office to deliver mail directly to rural farm families)
(2) a "side door Pullman car" was hobo slang for a box car with the cargo door open which made it easy to "bum" a ride.
The "Yellow Dog" was the local name for the Yazoo Delta Railroad; the "Southern" is the much larger Southern Railway.
"Yellow Dog Blues" has been recorded a number of times, mostly as an instrumental, and has become a traditional jazz standard.Berl Olswanger and the Berl Olswanger Orchestra included its instrumental version on their album Berl Olswanger Orchestra with the Olswanger Beat (1964).