Yasmin and the Serpent Prince explained

Yasmin and the Serpent Prince is a Persian folktale published in 1974 by author Forough Hekmat. It is related to the international cycle of the Animal as Bridegroom or The Search for the Lost Husband, in that a human princess marries a supernatural husband or man in animal form, loses him and has to seek him out.

According to scholarship, many variants of the cycle are reported to exist in Iran, and the usual form of the animal husband is that of a snake or serpent.

Summary

Long time ago, in a Persian city, a merchant named Hajji Muhammad lives with his five daughters, the youngest, named Yasmin, the one he loves best of all. One day, he has to go on a journey, and asks his daughters what they want as gifts. The four elders want extravagant garments and shoes, but the youngest asks for a clustered bunch of grape-like pearls and a starred, two-pointed diamond.

Hajji Muhammad goes on his journey and, after doing his business, buys the presents for his four elder daughters, but has trouble finding Yasmin's request. His quest is interrupted by a violent storm, so he takes shelter in a castle in the middle of a plain. He enters the castle and notices that the garden is full of silver and gold trees.

This mysterious garden seems like a vision of paradise: flowers made of precious gems, stream of milk and honey flowing from the trees, and many melodies coming from the trees. He ventures deep into the garden and finds the branch of pearls and diamonds. He goes to pluck it, but a roar behind him interrupts his action. The merchant turns around and sees a large snake, of a bright green colour.

The merchant explains to the green snake that the branch is supposed to be a present for his youngest daughter, Yasmin. Noticing that the merchant seems too interested in the branch from his garden, the green snake makes a deal with him: he shall get the branch, but, in return, his youngest daughter is to be given to the serpent as his wife. The merchant is a bit alarmed by the proposal about his daughter, about any potential danger. The snake assuages his fears and they seal a written pact.

The merchant returns home with the branch, jewels and presents for his daughters. Time passes, and he forgets about his promise to the snake, until one day, a knock is heard at the door. It is the snake, come to take his wife, as promised. The merchant goes inside to tell Yasmin about his promise. Yasmin agrees that promises must be kept, but, hoping to delay - and even discourage - the snake about the marriage proposal, she says the snake must prepare a feast for 40 days, where the finest dishes and drinks are to be served, and every guest must be showered with gems.

The animal agrees with the conditions and takes a three day leave for wedding preparations. The snake returns after three days on a golden coach and takes them to the wedding feast, in the same garden where Hajji Muhammad found the pearl-and-diamond branch. Yasmin, the bride, stays silent all the time.

After the feast ends and the guests rest, the snake and Yasmin retire to a spacious apartment. Yasmin, then, breaks her silence and asks the snake about his true identity, since it cannot be a mere animal, due to his magical powers. The serpent makes her promise not to tell his secret, and, casting a spell on himself, sheds its snakeskin. He reveals that he is Prince Baharam, son of the Shah of Demons, who has come from the World of Darkness to the world of man, interested in the good qualities of human people (justice, learning, love for one another), in contrast to the wickedness and base interests of the demons.

They live as husband and wife for two years, him a snake by day and a prince by night. However, she begins to miss home, and longs to show that her husband is truly human. One day, she asks Baharam about how to destroy his snakeskin. She insists to know and he tells that the skin needs to be burned with shells of pistachio nut. She delights at the answer, but feels torn between keeping his secret and destroying the snakeskin.

Some time later, she decides to visit her family, and her husband warns her not to reveal his secret. Her sisters inquire her about her life in the snake's castle, and a gossiping aunt begins to pry more and more into her life, so much so that she reveals the snake is human underneath. Her aunt suggests she burns the snakeskin, so that he remains human at all times, and gives her some pistachio nuts.

Yasmin goes home to her husband. While Baharam is asleep, she leaves the bed, gets the snakeskin from a chest, and takes it to kitchen to burn it with the shells of pistachio nuts. The next morning, Baharam awakes and asks his wife about the snakeskin. Yasmin answers that she burned it. He despairs at the fact and tells that he needed his scaly disguise, but now he has to return to the Realm of Darkness, back to his people. Yasmin throws herself at his feet and begs for forgiveness. He chastises her, and says that, to find him again, she has to walk towards the West, for 7 years, in 7 iron suits, 7 iron shoes, and with 7 iron canes. Baharam goes to the garden, chants a spell and vanishes, the castle and everything along with him, leaving Yasmin lost in a desert.

Despite the hunger and thirst, Yasmin traverses the desert back to her father's house. He welcomes her and lets her grieve for her lost husband. After six months, she decides to begin her arduous quest toward the Realm of Darkness. Her father commissions the iron garments and the iron canes, and she sets out. For seven years, she walks and walks, wanders high and low, until the seventh iron dress and the seventh iron shoes are worn, and the seventh iron cane is nothing but a stump in her hands. Tired of the long journey, and not knowing if she has arrived, she lies down to sleep.

After a whole day and night, she wakes up and notices she is in a meadow, full of animals of a black colour. Even the trees and flowers are black, and light does not seem to reach that land. She asks a passing man with black horns on his head whose meadow it is. The horned man says it belongs to Prince Baharam, the son of the Shah of Demons. She goes to drink a bit of the black water, and sees a slave-girl coming to get water.

The slave-girl says she is fetching water for her master, the prince. Yasmin sees a nearby castle made of black stone, and has an idea: she asks for the slave-girl to drink a bit of the water, and drops her wedding ring in it. Inside the castle, the slave-girl drops the water on Prince Baharam's hands and the ring falls out of the jug. He recognizes it and asks the slave-girl if anyone was outside. She says a woman is resting by a tree when she left to fetch water. Baharam goes outside and finds his wife Yasmin. They embrace, after seven long years, and rejoice in each other's presence. Baharam warns her of the danger the demons pose, and suggests he changes her appearance to keep her safe, until they find a chance to escape.

Baharam turns her into a golden needle and brings her home with him to the castle. Despite the magic disguise, the prince's stepmother smells a "Child of Adam" (a human) in their castle. Afraid of being found out, Baharam changes the needle into a broom, then into a piece of wood, and lastly into a spray of flowers to throw her off the human's scent, but to no avail. He then decides to introduce Yasmin to his stepmother, the Queen of Demons, as a weary traveller from the world of man. The queen of demons begrudgingly accepts her as a guest.

The next day, the Queen of Demons gives two pieces of cloth to Yasmin, and orders her to wash the white one black and the black one into white. Baharam chants a spell to change the colours. The next task is for her to fill seven clays jars with a sieve - her husband casts a spell on the sieve to fill the holes. The third task is for her to separate a heap of mixed seeds (wheat, rice, lentils, millet, poppy and vetch) - Baharam summons a swarm of ants to separate the grains.

The last task is for Yasmin to go to the stepmother's sister and get from her the "Give-and-Take-Box". Baharam advises her to compliment a thorny branch by saying it is a rosebush; to compliment a dirty river by saying it is rosewater; to give the animals their correct fodder (straw for the donkeys, bones to the dogs), open all closed doors and shut all open ones in his step-aunt's house, get the box and do not open it, and escape. Yasmin follows the instructions to the letter, gets a little black box from the step-aunt, and hurries back to the castle of the Queen of Demons. The step-aunt commands the doors, the dogs, the donkeys, the river and the thorns to stop her, but, due to her kind actions, she leaves unscathed.

Now at a safe distance, she tries to peer into the box. The lid opens up and a swarm of flies escape from it. Baharam appears to her, casts a spell and the flies go back to the box. On their journey back to the castle, Baharam tells her that his stepmother planned his wedding to his cousin, and the castle will be swarmed with demons that will kill Yasmin, so they must hurry and escape that night. He then asks her to get them a bag of needles, a box of salt and a jar of water.

That night, the demons are coming to the castle to Baharam's wedding. At midnight, Baharam excuses himself and goes to see Yasmin. They sneak out to the stables and ride his horse away from the castle. The next morning, the Queen of Demons discovers the pair's flight and commands an army of giants to go after them.

Baharam and Yasmin are riding on the prince's black horse and hear the approach of the giants. Yasmin throws the bag of needles behind them, which turn into a forest of thorns to deter the giants. Next, they throw the box of salt, turning the desert into a sea of salt. Lastly, they pour out the contents of the water jug, and a vast sea appears between them and the coming giants. The pursuers try to cross the sea to get them, but sink and drown in it.

Now safe at last, the prince and Yasmin ride to the city where her father trades as a merchant, and spend the rest of their lives in happiness.[1]

Analysis

Tale type

The compilers compared the Iranian tale to Armenian tale Habrmani and to the Graeco-Roman myth of Cupid and Psyche,[2] stories that belong to the international cycle of the "Animal Bridegroom". According to Inge Höpfner, Iran registers many ("vielen") variants of the cycle.[3]

In his Catalogue of Persian Folktales, German scholar classified the tale as his type AaTh 425B, Der Tierbräutigam: Die böse Zauberin ("The Animal Bridegroom: The Evil Sorceress").[4] Marzolph's typing corresponds to type ATU 425B, "The Son of the Witch", of the international Aarne-Thompson-Uther Index. Type 425B is considered by scholarship to correspond to the ancient Graeco-Roman myth of Cupid and Psyche, that is, the supernatural husband's mother forces the heroine, her daughter-in-law, to perform difficult and impossible tasks for her.[5]

Motifs

One of the heroine's tasks is to sort out a heap of mixed grains. According to Swedish scholar, this motif appears in Mediterranean and Near Eastern variants of type ATU 425B, "The Witch's Tasks".[6]

According to Swahn's study on Animal as Bridegroom tales, a characteristic motif that occurs in the "Indo-Persian" area is the heroine using a ring to signal her arrival to her husband, when she finds his location.[7]

The heroes' magic flight

The heroine and her supernatural husband escape in a Magic Flight sequence, that is, the characters either throw magic objects to delay their pursuers, or change into other forms to deceive them. Although this episode is more characteristic of tale type ATU 313, "The Magic Flight", some variants of type ATU 425B also show it as a closing episode.[8] German literary critic Walter Puchner argues that the motif attached itself to type 425B, as a Wandermotiv ("Wandering motif").[9]

According to Marzolph's index, Iranian type 425B concludes with the episode the "Magic Flight": by throwing objects behind them, the heroes create magic obstacles, e.g., a pack of needles becomes a field of needles, salt creates a plain of salt, and the water creates a sea or a river.[10]

Variants

Iran

Sabzkaba and Shakarkhava

In an Iranian tale published by professor with the title "Сабзкаба и Шакархава" ("Sabzkaba and Shakarkhava"), a poor woodcutter finds a snake near a sack of flour. He wants to kill it, but the snake introduces himself as Sabzkaba ("Green Kaftan"), and wishes to become his son. One day, Sabzkaba asks his father to ask for the hand of the governor's daughter, Shakarkhava. Her father demands his prospective son-in-law arrive with a great wedding retinue. He does and the governor consents to their marriage. Sabzkaba takes off his snake skin and shows himself to his wife as human, warning her that no one must burn his skin, otherwise she might not see him again. One day, Shakarkhava is visited by her relatives, and one of her sisters burns the snakeskin. Shakarkhava, in despair, sees her husband disappear, so she commissions seven pairs of iron shoes, seven iron dresses and seven iron canes, and goes on a quest for him. She passes by seven springs, where she meets many girls complaining that their father Sabzkaba has disappeared because of Shakarkhava's fault and wishing harm on her. On the seventh spring, she asks for a bit of water to drink and tosses her ring inside the jug. Her husband Sabzkaba recognizes the ring and brings his wife to his house, where he warns her his family is made of divs. He convinces her to suckle on his div mother's breast to warm up to her. The div mother forces her to cry on the floor and sweep it; to wash a black cloth white; and to take a sieve to the div's sister. One day, the div family organizes a wedding and forces both Sabzkaba and Shakarkhava to hold one candle on each of their fingers during the ceremony. Later that night, they kill the wedding couple and escape in a Magic Flight sequence, as they are pursued by Sabzkaba's relatives, his uncle, his father and lastly his mother: they first turn into a broom (him) and a bundle of sticks (her), then into a garden (her) and a garden-keeper (him); thirdly, a mill (her) and a miller (him) and finally into a cypress tree (her) and a dragon coiled around it (him). Sabzkaba's mother reaches them and threatens his wife with a sword, but he kills her before she does any harm to the human girl.[11] Marzolph sourced this tale from Khorasan,[12] and, according to Osmanov, the tale was collected in Morad[13] (modern day South Khorasan).

The Akhund

In a variant from Luristan with the title The Akhund (Luri language: Axun), collected from teller Khudâbas of Bahârvand, an akhund finds a cucumber floating in the river, brings it home and eats it. The man becomes pregnant and gives birth to a turtle. After some time, the animal pleads his human father to ask for the hand of the princess in marriage. Despite some reservations, the akhund goes to the king's palace and the vizier welcomes him. The man declares his intentions, and the king, advised by his vizier, asks the turtle suitor performs some tasks first: to provide seven camels loaded with gold and jewels. He does and he marries the princess. After the wedding, the turtle husband takes off his turtle shell and becomes a handsome man, but insists to his wife that she can never tell anyone. One day, the human wife wants to visit his family, so he transforms her into a needle, pins it into his hat, becomes a dove and flies away to his relatives. In the case they are found out, the husband instructs the girl to press his mother's breast and to force her to swear on mother's milk and father's pain not to harm her. She does exactly that, but his mother forces her to do impossible tasks: she sends her to his aunt to get a mortar (since his aunt did not make the same oath she has) to crush some kashk and to wash a blackboard white. She accomplishes it with her husband's guidance and help: he warns his wife the task is a trap, and gives her a sleeping potion to throw at his relatives at his aunt's house. Lastly, the turtle prince's mother betroths her son to another bride and prepares their wedding. The youth tricks his family by killing the bride, and putting his human wife in her place with the false bride's clothes. The couple turn into a pair of doves and escape. His family discovers the body of the false bride and pursue the couple. To distract them, the princess and her husband shapeshift into a calf (her) and a shepherdess (him), and a flower and a tree. Finally, the turtle prince delivers his wife to his father-in-law and becomes a pomegranate growing on the back of his hand, as a final trick on his aunt and mother.[14] The collector noted that The Akhund was essentially "the same [tale] as" the Iranian tale Le Sultan Serpent,[15] also of type ATU 425 and collected from Khorassan by Adrienne Boulvin.[16]

The Serpent Sultan

Researcher Adrienne Boulvin published an Iranian variant from Meched (Mashhad, formerly in the Khorasan province, modern day Razavi Khorasan province). In this tale, titled Le Sultan Serpent (Persian: Shâhzâdeh-mâr,[17] English: "The Serpent Sultan"), a poor thorn-gatherer lives with his three daughters in a village in Iran. He earns his living by gathering thorns and selling them in the village. One day, the man goes to the desert to gather thorns, when a large serpent appears to him. The serpent introduces himself as "Serpent Sultan", who has fallen in love with the thorn-gatherer's youngest daughter and demands her as his bride, or it will kill the man. The thorn-gatherer returns home and explains the situation to his youngest daughter. She decides to go with the serpent to save her father, and accompanies the serpent to the desert. The serpent guides the girl to a hole; she enters and sees a grand mansion. They live together as husband and wife, but, in the nights, the serpent gives the girl a soporific drink to make her sleep. Some time later, the girl complains to the serpent that she misses her family. The serpent allows her to visit her family, but warns against listening to any words her sisters say. The girl is happy to visit her sisters, who also advise her to avoid drinking the potion she is offered. That night, she returns to the underground mansion and is given the drink. She pretends to drink and, pretending to be asleep, sees that her serpent husband takes off the serpent skin to become a handsome man. The next morning, the girl asks the serpent how to burn his snakeskin. He tells her the skin can be burnt with onion peels and garlic peels, but warns her that if his skin is burnt, she will have to wear seven iron shoes and walk with seven iron canes. In a certain afternoon, while her husband is away, the girl burns the snakeskin. She waits him to return, but he never does, so she goes after him with iron shoes and iron canes.

She walks for years until she comes across a stream flowing through a verdant meadow, and some chickens and roosters nearby. Feeling hungry, she asks a hen-keeper for some eggs, but he refuses her request, on the basis that none shall eat the Serpent Sultan's eggs. She sees some cows nearby and asks the cowherd for some of their milk, but the cowherd also refuses. Finally, the girl sees a maidservant coming to fetch water and asks for some to drink, but the servant refuses. The servant brings the water to her master and tells him about the thirst girl at the fountain, and Serpent Sultan orders the servant to go back and fulfill the girl's request. The servant obeys and gives the girl water to drink, and the girl secretly places her ring inside the water jug. The Serpent Sultan recognizes the ring and brings his wife in. He warns her his family is composed of divs which may devour her once they learn he married a "descendant of Adam" (a human), so he will pass her off as a servant.

Serpent Sultan's div-mother suspects something is amiss with the newest servant, and begins to hound her. First, the div-mother gives the girl a piece of black felt and orders her to wash it white. With her husband's help, the girl delivers a whitened piece to the div-mother. Next, she orders the girl to pay a visit to the div's sister and get a box from her. Serpent Sultan intercepts his wife and advises her how to traverse the way to his aunt: his wife is to close open doors and open closed doors; give the correct fodder for two animals (straw for a camel, bone for a dog); open a closed bed and close an open bed; ask his aunt for the box, then, while the aunt is away in the kitchen with a butcher's knife, the girl is to get the box and escape. The girl follows the instructions to the letter and escapes from the aunt's house with the box, despite the aunt commanding the dog, the camel, the beds and the doors to stop her.

Lastly, the div-mother marries Serpent Sultan to his cousin. As a last task, the div-mother orders the girl to wash the carpet with her tears and sweep it with her eyelashes. The Serpent Sultan also fulfills this task. Later, she orders her to serve as living chandelier for the ceremony, as the div guests eat pieces of her flesh. Serpent Sultan spreads a dough around the girl's body to protect her from the candles and the voracious div-guests. During the ceremony, the Serpent Sultan feels sorry for the girl, seeing her in that state, and decides to escape with her that same night. He kills his cousin, takes the girl, and both ride away on horses. His div-family goes after them; Serpent Sultan throws behind him some needles and prays to God for the desert to be filled with needles. Next, he throws behind a bit of salt, and prays that it covers the whole desert. At last, he throws behind a water jug and creates a lake between him and his wife and the div-family. His div-mother asks him how they can cross the lake. Serpent Sultan replies that they just have to step on the reflection of the moon and the stars on the surface of the lake. The div-family believe his words, step on the lake and sink to the bottom of the lake. Serpent Sultan and the girl return to their mansion and live happily.[18] [19]

The Daughter of the Woodcutter and her Serpent Husband

Russian Iranist collected in Shiraz, in the Sivandi language, a tale he translated as "Дочь дровосека и её жених-змей" ("The Daughter of the Woodcutter and her Serpent Husband").[20] In this tale, a poor and old woodcutter has three daughters. One day, he prepares to find some firewood, so he takes off his shoes to go to the oven, and when he turns around, a snake is lying on his shoes. The woodcutter asks the snake to get off his shoes, but the snake tells the man to give him one of his daughters. The woodcutter goes back home and tells his daughters about the situation. The elder two refuse to marry the snake, but the youngest offers herself. The snake gives him means to buy better clothes for his daughter; he buys a fine dress, then gives her away to the snake. The snake and the girl go down a tree hole and enter a beautiful patio, then the snake takes off the snakeskin and becomes a handsome youth named Шафѝ Гýли Зард ("Shafi Guli Zard"). Some time later, the nameless heroine wants to visit her family. She goes back home and shows her sisters the belt from her husband's snakeskin kaftan. Her sisters suggest to burn it. The girl returns to her husband and, while he is in the bath, she tries to burn the snakeskin. Her husband smells the burning and stops her actions, warning her that, to find him again, she is to walk in seven pairs of iron shoes.

Some days later, the girl repeats her action: she throws the snakeskin in the fireplace and burns it. Shafi Guli Zard comes out of the bath and tells his wife that they will be separated now. Suddenly, an eagle flies into the patio, and says that Shafi Guli Zard's aunt awaits for him. The youth jumps onto the eagle's wings and flies bacl to his aunt. When he arrives, his aunt tells him she expects him to marry a person named "Фатма Ханум" (Fatma-Khanum). Shafi Guli Zard chooses to follow his aunt's orders, since she is a div and might eat him.

Meanwhile, his wife, who has been following the eagle's shadow, reaches the castle of Shafi Guli Zard's aunt and cries a bit near a fountain, when she sees a servant fetching water. She asks for some and drops her ring into the jar. Her husband takes her in and passes her off as another maid. She is given the mocking name of Fatma-Pleshak, and made to be the servant of the false bride. Shafi's aunt takes the girl to a yard and orders her to water the yard with her tears. She goes to Shafi to tell him about the task. Her husband reproaches her, but prays to God and invokes Solomon's help to command a wind to sweep the floor and a cloud to rain on the yard. Next, the div-aunt gives a shater to the girl and orders her to wash it in the oven until it becomes white. Shafi repeats his magic command and fulfills the task.

Lastly, the girl is to go to the house of the div-aunt's sister and ask for the self-cutting scissors and the self-playing tambourine. Her husband instructs her to compliment the crooked and twisted scenery on the way there, and to give the animals their correct food. Finally, his aunt sets the heroine as candleholder to Shafi Guli Zard's wedding to Fatma-Khanum. She cries out that her hands are burning, and Shafi Guli Zard answers that his own body is burning. After the ceremony, his aunt conspires with her sister to devour the human girl, Fatma-Pleshak, the next morning. Shafi Guli Zard and the false bride enter the bridal chambers. At midnight, he puts some cotton on the wedding bells to muffle them, goes to Fatma-Pleshak (his true wife) and they escape in the dark of night.

The div aunt and her sister devour the wrong person, and the wedding bells alert them that the couple have escaped. They race after the couple to enact their revenge. Back to the couple, as soon as they see the divs after them, Shafi Guli Zard prays to God and calls out to Solomon for a forest of thorns to appear behind them to hurt their pursuers, then a salt swamp and for the salt to penetrate their wounds, and finally for a vast sea to appear behind them to separate the couple from their pursuers. After the sea appears, the divs on the other side ask him how he traversed it. Shafi Guli Zard tells them to place some millstones around their necks and to wade until they reach the other margin. The divs take the millstones, enter the sea and sink to the bottom. Shafi Guli Zard stays a bit longer to check if they indeed drowned; murky, dirty water begins to pool at the surface. Shafi Guli Zard and his wife celebrate that their pursuers are no more and return home.[21]

The Box of Strike and Dance

In an Iranian tale titled "قوطی بزن و برقص" ("The Box of Strike and Dance"), a man in the city of Saba has three daughters, each living their lives. His middle daughter is married to a person named Malik Ibrahim, who is the son of the king of demons and slept in dragon skin (" اژدها", "aždahâ", in the original) at night. One day, her sisters convince her to ask her husband how to destroy the dragonskin. The girl goes to ask her husband the question. In a fit of fury, he slaps her so hard she passes out. When she wakes up, Malik Ibrahim answers her: burn the dragonskin in onion peels and garlic peels, with a sprinkle of salt. Her sisters, who were eavesdropping on their conversation, follow the man's words and burn the dragonskin the next day. When Malik Ibrahim comes home the next day, he cannot find it, and chastises his wife, telling her she will only find him after she wears down seven iron canes, seven iron shoes, seven iron veils, and seven iron boxes, then disappears. After he vanishes, the girl cries for her loss, then buys the iron objects and begins her quest. The girl finds a demon on the way, and a mysterious voice advises her to toss an iron box to the demon and flee. This happens successively with six other demons, until her iron garments are finally worn out, and the girl reaches a village next to a river.

She sees an old woman fetching water near a garden and a mansion, and asks for some to drink. The old woman gives her the jar to drink, and she secretly drops her husband's ring inside it. The old woman brings the water to Malik Ibrahim, who recognizes the ring as the one he gave to a girl in the city of Saba, and fears for her, since she may be eaten by the demons. He exits the house and meets his wife. The girl kneels at his feet and asks for his forgiveness, since she was fooled by her sisters' envy. Malik Ibrahim turns her into a pin and hides it in his clothes, then goes back home. Despite his attempt to hide his wife, his demon family can sense a human's scent, so he turns the pin back into a human, and make his relatives promise not to harm her.

Despite making them promise, his demon family plan to kill the human girl, but know that Malik Ibrahim would come to her rescue. Since Malik Ibrahim is set to be married to his cousin, another demoness, they will celebrate the wedding for a whole week. During this time, his human wife cries copiously for her situation, until one day, his mother orders the girl to take a box called "box of strike and dance" to his aunt's and ask for a similar one from her. Malik Ibrahim advises her how to procceed: open a closed door and keep it ajar with a rock, exchange the fodder of two animals (oats and straw for a horse, bones for a dog), enter his aunt's house, get the box near a window and underneath a bowl, flee the house, and do not open the box. The girl begins to walk toward to his aunt's house and decides to take a peek inside the box: she opens the lid; small-sized dancers and musicians spring out of it and begin to dance and play music. She repeats a magic spell her husband taught her, and Malik Ibrahim appears to her. He commands the dancers and musicians back into the box, and chastises her.

After the incident, the girl walks to the aunt's house, by following her husband's orders, and reaches the door. Malik Ibrahim's aunt welcomes the girl and enter into another room to sharpen her teeth. While the aunt is distracted, the girl sights the second box, steals it and flees from the house. The aunt notices the girl escaped and commands the animals and the door to stop her, to no avail. The girl delivers the second box to her mother-in-law; the demon family is surprised she survived, and realize Malik Ibrahim was behind it. Finally, their wedding happens, and Malik Ibrahim marries his demoness cousin. On the wedding night, he kills her, takes his human wife and some jewels and changes them both into a cloud and part of the sky. The next morning, the demon family notice Malik Ibrahim and his cousin are sleeping late, and open their door: his cousin is there, dead, while he and the human girl are nowhere to be seen, so they chase after them through the air, but cannot finds them, save for a cloud and a piece of the sky. Realizing the cloud and the sky were the couple, the demon family send another duo to scout for the fleeing couple. This time, Malik Ibrahim turns himself into a fountain and his wife a drinking cup. Again, his demon relatives cannot find them. At last, Malik Ibrahim and his wife reach a city, and spend their lives there.[22]

Shams-e-Qamar

In an Iranian tale collected from Qaen (Ghayen) with the title Shams-e-Qamar, an old man cuts firewood for a living. One day, he sees a snake on his axe who demands the man gives him one of his daughters. The old man returns home and tells the tale to his three daughters, and only the youngest, Bibi Sarvar, agrees to marry the snake. After they marry, Bibi Sarvar's sisters spy on her, curious about how she can live with a snake: they find that the snake becomes a youth. They later try to convince her to destroy her husband's snakeskin. Bibi Sarvar tries to burn the snakeskin at first, but it resists the flames. The girl asks her husband, Shams-e-Qamar, about the correct way to do it; he tells her it can be burnt with garlic and onion, but warns her against it. Following his instructions, she burns the snakeskin. Shams-e-Qamar wakes up and admonishes his wife, telling her she will find him after she wears down seven iron garments and seven pairs of iron shoes. He vanishes. She puts on the iron garments, and begins her quest. On her journey, she passes by herds of cows, camels and sheep, and a garden - all part of her husband's dowry. Realizing she must be near, she stops by a fountain to rest, where a servant of her husband is fetching water for her master, Shams-e-Qamar. Bibi Sarvar asks for some water to drink, and drops her ring inside the water jug. Shams-e-Qamar finds his ring when he is washing his hands, and finds his wife outside. They reunite, and he explains that, to survive in "the land of the Barzangis", she must do the opposite of what she is told to do. Shams-e-Qamar brings her inside as a servant, and his mother, a man-eating creature, forces difficult tasks on her: first, to eat a whole bowl; next, to clean the yard; thirdly, to wash a black piece white. With her husband's help, Bibi Sarvar accomplishes the tasks. Later, his mother asks her to get to her sister and fetch some dough - a trap, since the sister is also a man-eating creature. Shams-e-Qamar advises his wife how to proceed: compliment a crooked wall, compliment a pool of dirty water, exchange the fodder of two animals (a dog and a camel). She gets the dough and escapes from her husband's aunt's house. Finally, Shams-e-Qamar's mother betrothes her son to his cousin, and forces Bibi Sarvar to hold candles on her fingers during the ceremony. To protect his human wife, Shams-e-Qamar spews some saliva on her hands, and she also recites verses to hold off a new attempt by her mother-in-law and her sister. That same night, Shams-e-Qamar asks Bibi Sarvar to fetch some needles, a bit of salt and a water jug, for they will escape the same night. His man-eating family realizes they escaped, and go after her. On the road, Shams-e-Qamar and Bibi Sarvar throw behind them the needles to create a forest of thorns, the salt to create a mountain, and the water jug to create a sea. Freed from his mother and aunt, Shams-e-Qamar and Bibi Sarvar live happily.[23]

Seven Pairs of Iron Shoes, Seven Iron Canes

Author Samad Behrangi published a tale from Azarbaijan in his book "" ("Legends of Azarbaijan") with the title "هفت جفت کفش آهنی، هفت‌ تا عصای آهنی" ("Seven Pairs of Iron Shoes, Seven Iron Canes"). In this tale, three princesses send their father, the king, three melons of varying states of ripeness as analogy to their marriageability. The king interprets it is past time to marry his daughters, and assembles a crowd of suitors for each princess to throw apples at their husbands of choice. The youngest princess's apple lands near a snake, and she marries the animal. At night, the snake takes off its skin to become a youth. Some time later, the princess's sisters convince her to destroy the snakeskin by burning it, which she does, causing her husband to disappear. After a while, the princess decides to look for him walking with seven pairs of iron shoes and with seven iron canes. After a long quest of seven years, she finally reaches a fountain, where she sees a servant fetching water for her husband. The princess asks for some water to drink and secretly drops her ring inside the water jug. Her husband finds the ring and goes to meet his wife outside, then changes her into an apple to hide her from his man-eating Div-mother. Despite the trick, the Div-mother still senses the smell of a human nearby, and the snake husband changes the princess back to human form. Later, the creature forces the princess to perform difficult tasks: first, to sweep the floor with her eyebrows; next, to fill jars with her tears; thirdly, to gather bird feathers - which she accomplishes with her husband's help. Lastly, the Div-mother orders the princess to fetch something for her son's upcoming wedding - a trap, since the Div-mother's sister is another man-eating creature. The princess's husband intercepts her and advises her how to proceed on the way to his aunt: she is to compliment a pool of dirty water, compliment a thorny bramble, exchange the correct fodder for animals (bones for a dog, hay for a horse), open a closed door and shut an open one, then meet with his aunt, take the thing and escape as soon as possible. The princess follows his words to the letter, gets the object then runs back, and the Div-aunt commands the objects and the animals to stop her. Finally, the Div-mother weds her son to his cousin. However, the snake prince kills his cousin and escapes with his true wife, the human princess. His mother learns of this and goes after them, but the princess and her husband throw objects behind them to stop the Divs: a blade creates a mountain of swords, a bit of salt creates a salt marsh, and finally a water jug creates a river behind them. The Devs manage to cross it, and the princess and her husband change into a melon orchard and a gardenkeeper. The Devs are fooled and stop their pursuit. The princess and her husband are free to live their lives and return home.[24] [25] [26]

Bibinegar and Maysaskabar

In another Persian tale published by Osmanov with the title "Бибинегар и Майсаскабар" ("Bibinegar and Maysaskabar"; Persian: "بی بی نگار و می‌سس قبار", "Bibi Nagar and Mises Qabar"), a childless woman promises her unborn child to a tree stump. A girl is born and given the name Bibinegar. A voice emerges from the tree stump to remind her mother to give what it is owed. Bibinegar cries but decides to sit beside the tree stump. A man comes out of it with a grand retinue, introduces himself as Maysaskabar and gives the girl a coat. He tells her that she can never part with the coat, lest he will disappear. Bibinegar's aunt burns the coat in order to get rid of him and to marry the girl to her son. The man disappears, his only memento a turquoise ring. Bibinegar decides to seek him out, and passes by a flock of sheep, a caravan of camels and a herd of cows - all presents from Maysaskabar to Bibinegar. She reaches a fountain where a boy is getting water. She begs for a drink and the boy refuses, and she curses the water the boy is carrying to become pus and blood. The boy returns to fetch water again and she drops his ring inside it. Maysaskabar notices the ring and gets the maiden to a house of divs. He convinces the divs to take her as a servant. He plans to escape with her that night after he kills the wife he was forced to marry. They escape in a "Magic Flight" sequence as the man's mother pursues them. She is killed, but lets a drop of blood drip on the ground and become a gazelle. Maysaskabar decides to take the gazelle as a pet, but once he is away the animal attacks Bibinegar. One night, the gazelle becomes human, hides everyone in bottles and prepares a cauldron of boiling water to drop Bibinagar in. Bibinegar tricks the woman and goes to the roof to pray, to buy herself some time, and a fairy appears. The fairy tells the girl to break the bottle Maysaskabar is in. She does and he is released. The man tosses the gazelle into the cauldron, reveals it is all a setup by his aunt and sends Bibinegar with a bottle with his aunt's life inside to his aunt. He advises her to feed the dog and the camel with the correct food, water the garden, clean the rug and the bed, and to delouse his aunt when she asks for it. She follows through with the instructions, slams the aunt's head against the floor and runs away. The dog attacks Maysaskabar's aunt. Bibinegar returns to her beloved, now human.[27] Mazolph located its source from Kermān.[28]

Sabzqaba

In an Iranian tale published by author Moniro Ravanipour with the title "سبزقبا" ("Sabzqaba"), a couple has no children. One day, the wife goes to the spring to fetch water and sees a tree with a green trunk, which she promises to deliver her daughter to if one is born to her. So it happens, and the woman forgets her promise. One day, when the girl is playing with other children, the girl hears a voice coming from the tree, which tells the girl to remind her mother of the promise. The girl goes home and tells her mother about the voice in tree. The woman, remembering her vow, prepares her daughter and takes her to the green trunk, despite the girl's pleas. The girl is left near the green trunk, in tears, when, suddenly, the trunk opens up, revealing an emerald palace inside it, and a youth comes out of it. He introduces himself as her husband and makes her promise not to tell anyone about this secret. Life goes on for her: during the day, she sits by the tree trunk, and at night, it opens up for her. She is asked about it by her friends, even her mother, who, one day, begins to cry for her daughter's fate. Moved by her mother's tears, the girl reveals her husband's secret, then goes to the tree trunk to wait for her husband. Realizing he will not appear, she remembers his words: if she told anyone about him, she would have to search for him for seven years in iron garments and iron shoes. She begins her quest and walks over seven mountains, until she wears down the seventh pair of shoes near a spring, and she stops to rest for a moment. She then sees a woman fetching water, and discovers that she is her husband's, Sabzqaba, servant. The girl secretly drops her ring in the woman's jar, which she brings to Sabzqaba. The youth recognizes the ring and brings his wife inside, but warns her his family is made of demons and will devour her, so he turns her into a pin and places it around his neck. Despite his magic, his demoness mother still senses a human nearby. Sabzqaba changes his wife back into a human, and introduces her as a servant he found for them. Still playing with her husband's charade, the girl is forced to fulfill tasks for the demoness: first, she is to separate a mixed heap of grains (peas, beans and rice) in the barn, which her husband helps her do; next, she is to empty a pond with her eyelashes. Over the impossibility of this task, she sits down and weeps, but Sabzqaba appears to her and chants a spell: water comes out of the pond and waters the yard. Thirdly, the demoness orders the girl to take a box to the demoness's sister and trade for a thing, and warns her the box is not to be opened. On the way there, the girl opens the box; and dancers leap out of it and begin dancing to drums. Sabzqaba appears to his wife and commands the dancers back into the box, then advises the girl how to proceed: open a closed door and close an open one; exchange the fodder for animals (grass for a horse, bone for a dog); enter his aunt's house and compliment a pool of pus and blood, give her the box and flee. It happens so: the girl escapes back to the demoness's house, despite the aunt commanding the pool, the animals and the doors to stop her. Finally, Sabzqaba's mother betroths him to her niece. During the wedding night, Sabzqaba changes his wife into a broom and places her in a corner, and secretly stashes a pack of needles and pins and a water bottle, and saddles two horses. After he marries, he kills his cousin and places her head in a chest, changes his human wife back to human shape and both flee from his demon relatives. The next morning, the demonesses discover the cousin's head and go after the couple on their horses with a demon retinue. Sabzqaba and his wife throw behind them the needles and pins (that become a field of them), a grain of salt (that becomes a lake) and finally the water in the bottle (which creates a sea between them). With each passing obstacle, the number of demons decrease, until they reach the sea and some of them drown, making them cease their chase. At a safe distance, Sabzqaba creates a palace for him and his wife, and brings his mother-in-law to live with them.[29]

Suz Al-Hawa Beidar Qaba

In an Iranian tale titled "متیل سوز الهوا بی‌در قبا" or "سوزالهوا بی در قبا" ("Suz Al-Hawa Beidar Qaba"), an old woman has no children, and goes to a tree to pray for one, making a deal with it: if a boy, he will be its servant; if a girl, its bride. Some time later, a girl is born to the old woman. When she is old enough, she passes by the tree and a voice tells her to remind her mother of her promise, which is overheard by a passing shepherd. The shepherd tells the girl's mother about it, and she decides to fulfill her deal by delivering her daughter to the tree. After the old woman leaves, a handsome man appears out of the tree, and explains he is Suz Al-Hawa Beidar Qaba, a man with holy powers who has come from a family of "infidels". The girl and the man of the tree live together, but he warns her that she is not to tell anything to anyone, not even her mother, for she will have to search for him wearing fifty pairs of iron shoes in orders to find him again. Eventually, the girl accidentally reveals the truth to her mother, causing Suz Al-Hawa Beidar Qaba to disappear. Following his instructions, the girl begins a long quest towards him, by wearing down fifty pairs of iron shoes, until she finds him again with his infidel family. They meet again, and she follows his instructions in order to survive his family's attempts against her.[30]

Literary versions

Author Behzad Sohrabi published the tale The Man in Green Robe, retold from an "ancient fairy tale of Iran", with similar plot points. In this tale, the king prepares a suitor selection test with his daughters: each is to take a trained falcon and release it; wherever it lands, if there is a suitor nearby, she is to marry him. Princess Golnar, the third and youngest daughter of the king, releases hers and it flies beyond the castle's walls, to a desolate place. She releases it twice again and it still lands in the same place. She eventually marries a mysterious "Man in Green Robe". After the wedding, he warns her against a prohibition imposed on him. She disobeys, he disappears and she has to find him in a distant city, by wearing down seven pairs of iron shoes and carrying an iron cane. When she reaches her destination, she meets her mother-in-law, and begs her to promise not to harm her on her son's name. Her husband, the Man in Green Robe, is set to be married to his cousin, and her mother-in-law forces her to do some chores for her, including bearing a letter to his aunt with a command to kill the princess. Before Golnar visits the woman, her husband intercepts her and exchanges the letter for another with a request for a pair of "scissors that cut and sew by themselves". Having failed the first time, the mother sends her again with another letter, and again the Man in Green Robe replaces the command with a simple request for a musical instrument ("the tambourine that sings and dances"). As his wedding ceremony approaches, the Man in Green Robe dispatches his human wife to the wilderness and instructs her to wait for him with ten candles on her fingers, while he deals with the false bride. After ruining his wedding, he meets Golnar and they escape from his parents by transforming into different things. After the dust settles, they regain human form and create a kingdom for themselves with his magic powers. Some time later, his father-in-law visits them and names Golnar's husband as his successor.[31]

Other regions

Dagestan

Lezgin people

In a variant from the Lezgin people titled "Сад-Эскендер" ("Sad-Eskender"), collected in Dagestan, a poor man lives with his three daughters, Gul-Khanum, Guzel-Khanum and Tavat-Khanum. One day, he goes to the open fields and says his prayers there, when a snake slithers from beneath a stone and asks to marry one of the man's daughters. The man returns home and tells his daughters about it, the elder two cursing their father for a preposterous proposal, but the youngest, Tavat-Khanum, agrees to become the snake's wife. Serpents come to take the girl to their master and descend a hole to a chamber. She waits there for her spouse and the snake comes. The snake asks the girl to step lightly on its skin; a human youth appears and reveals his name is Sad-Eskender. They live as a married couple for some time, until one day, Tavat-Khanum meets an old woman. The woman tells the girl to ask her husband how to burn his snakeskin. Tavat-Khanum does exactly that twice, and is slapped each time. The third time, Sad-Eskender suspects his wife might destroy the skin and warns her against it, but reveals it can be burned in onion peels. The girl burns it and her husband disappears. She wanders for three years in search for him, until she stops by a spring, where three women are fetching water. The girl asks for some water, the youngest woman gives her a jug to drink from and Tavat-Khanum drops her ring in it. Inside a nearby house, Sad-Eskender finds the ring and orders the woman to bring Tavat-Khanum in. Sad-Eskender explains that the house belongs to an azhdaha who wants to marry him to her daughter, and thus Tavat-Khanum becomes her servant. After a month, Sad-Eskender asks Tavat-Khanum to get them a (saddlebag) with razors, salt, barley and a jar of water. They escape on a magical horse in the dark of night. The next day, the azhdaha knocks on her daughter's room, sees her dead body and notices that Sad-Eskender escaped with the servant. The azhdaha mounts a horse and goes after the pair. The couple throws the objects behind them, the razors, the salt and the barley becoming mountains, but the azhdaha passes through the obstacles. Lastly, they throw the jug of water, which becomes a vast lake before them. With their magical horses, the couple flies over the lake to the other margin. Azhdaha arrives at the lake and tries to ride her horse across it, but they sink to the bottom. The couple reaches a city and Sad-Eskender leaves Tavat-Khanum in the cemetery, while he looks for a job. After some misadventures, they find each other again and live happily.[32]

Kumyk people

In a variant from the Kumyks, collected in Dagestan with the Kumyk title "Йыланхан" (transliteration: "Yılankhan"; Russian: Змей-хан|translit=Zmey-khan|lit=Serpent King), an old man has three daughters and goes to the mosque to pray ("namaz", in the original text). One day, after his prayers, the man goes to put on his shoes and finds a curled up serpent in one of them. The man tries to shoo the animal away, but the serpent demands one of the man's daughters. The man goes home and talks to his three daughters about it: the elder two refuse to have a snake for a husband, but the youngest agrees to be the snake's bride. The snake tells the man he will be at a shabby barn at the edge of the village, and his future bride shall come there after dark. Once there, the girl fears the snake, but the animal takes off its skin and becomes a handsome man, and the barn changes into a palace. The next morning, the man gives the girl a golden ring and turns back into a snake, and warns her not to tell her sisters about the secret hole. After he leaves, the palace turns back into a barn. One day, her sisters visit her and are told everything. Now, jealous of the youngest's good fortune, they prepare a trap for the snake bridegroom the next time they meet: both women hide some blades near the hole through which the snake slithers. He comes through the hole, but is hurt by the blades. Badly injured, he disappears from view. The next day, the girl sees the blood and the blades and remembers his warning. She then decides to seek him out. After a long search, the maiden reaches a fountain, where two maidservants come to fetch water for their master, the Serpent King ("Zmey-khan"), who injured himself when he went to the "upper world". The maiden begs for a drink of water, and drops her ring as a token, so that her husband may notice her. The servants take the jug to the Zmey-khan, and he recognizes the ring. He orders the servant to bring the maiden inside the castle, and tells his wife that his family (mother and aunt) are both azhdaha, evil draconic-like beings, and they have set him up with another bride. His mother notices the strange connection between the youth and the maiden, and decides to force her to do chores for her. First, the maiden is to sweep the road between the mother's house and the aunt's. Zmey-khan summons a wind to sweep the road. Next, the maiden is to bring yeast from the aunt's house. Zmey-khan advises his human wife to compliment the thorns and dirty rivers on the way there, to give the correct food to a dog and a horse, take the yeast and flee as soon as possible. At last, the azhdaha family takes the serpent youth to marry the false bride they have chosen for him. He kills the bride, takes his former wife and both escape from the azhdaha family. The creatures go after the pair, and Zmey-khan throws objects behind them to create a dense forest, a salt marsh, and two tall trees. Lastly, he throws behind two spindle heads that he magics to become two millstones to crush his mother and aunt.[33]

Dargin people

In a variant from the Dargins, collected in Dagestan with the title "Агайхан" ("Agaykhan"), a famous plowman lives in a village with his three daughters. He earns his living by sowing the fields and harvesting the grain. One day, he goes to check on the fields and sees that a large snake surrounds it, "like a ring". The snake demands one of the man's daughters in marriage, otherwise it will destroy the fields. The man asks his three daughters if anyone offers herself to the snake, but only the youngest agrees to fulfill the snake's proposal. The man questions the snake about his daughter's fate, and it answers it will come in three days, build a splendid palace in front of his house, where they shall celebrate the wedding. The snake reveals a human shape and his name: Agaykhan. Some time later, her sisters come to visit her and become jealous of her good fortune. Inquiring about the snake husband, the girl reveals he sheds his snake skin to become a man. While they sweep the palace, the sisters find the snake skin and burn it. To the girl's horror, the snake husband disappears into a hole in the ground. She decides to venture into the hole to bring her husband back to the upper world. Down there, she reaches a fountain near a palace, where a young servant is fetching water. She drops her ring into the jug that is taken to Agaykhan and he recognizes the token. The prince takes the girl inside and reveals his past: he is the son of bloodthirsty Wakhig; he wanted to go to the upper world to find a bride there, but his mother tried to dissuade him, since no one would marry a snake. He then warns her that his mother will force her to perform difficult chores for her. First, Wakhig orders the girl to clean her house using needles. Agaykhan summons a wind to sweep the house. Next, she is to thatch the roof with bird feathers and to go behind the mountains to get a zurna and drums for Agaykhan's wedding to another bride. The snake husband advises her on all three tasks, but on the third the girl must drink from a river of blood and bile and praise it, to give hay to the horse and a bone to the dog, close an open door and open a closed one, get the instruments and escape. At last, Agaykhan's wedding happens, but he kills his second bride and escapes with the human wife by shapeshifting into pigeons.[34]

Uzbekistan

In an Uzbek tale collected by folklorist Mansur Afzalov with the Uzbek title "Илон ога" (transliteration: "Ilon oga"; Russian: Змей господин|translit=Zmey gospodin|lit=Serpent Master), an old man lives with his wife and three daughters. One day, he plans to go to the market and asks his three daughters what he can bring them. The elder asks for a piece of satin, the middle one for a bridegroom, and the youngest for an apple. He finds the satin and a fiancé, but not the apple. A hermit tells the man to harvest in his garden an apple. The man goes to the hermit's orchard to get an apple, and a serpent coils around the tree. The animal asks the man to whom he plans to give the apple. The man says it is for his daughter, and the serpent asks for the man's daughter, for he will give a xurjin (a saddlebag) of apples. Thinking nothing of the deal, he agrees and gets a bag full of apples. Back home, the man and his family are greeted by the serpent's matchmakers, but the man refuses to give up his daughter. The matchmakers tell their master of the man's refusal, and the serpent promises to make the man and his family so poor he will have to give up his daughter. The serpent fulfills his promise and the man agrees to deliver his daughter to the serpent. The serpent is brought to the man's daughter under a cloth. Her mother cries over her youngest daughter's fate. After the matchmakers and the mother leave, the snake becomes a handsome youth and tells his bride to close every door and window, and warns her not to take out his snake scales from under the pillow, lest he disappears and she will have to seek him out with an iron cane, an iron veil and iron shoes. One of the women comes to the bride and convinces her to burn the snake scales. The maiden takes the scales and burns it in the fireplace. The serpent master smells the burning and reminds his bride of his warning, then turns into a moth and flies away. The maiden asks her father to prepare iron garments for her long, 40 days journey to find him. She passes by a herd of camels, a herd of horses and a herd of deers, and each servant tells her the herds belong to "Brother Snake". She reaches his house, but does not enter it, instead waiting by a fountain. A boy servant comes to fetch water, and tells the maiden the water is for his master, "Brother Snake". The maiden asks for a drink and tosses her ring into the jug. The boy servant takes the jug back to the serpent master, he finds the ring and goes outside. He warns his mother is "Baba-Yaga" (in the Russian translation), who may devour her, so he will hide his human bride into a chest before the witch comes. He also teaches her that his mother will ask her to go to his aunt to fetch some items to wash her hair. The serpent master does exactly that. His mother, "Baba Yaga", comes like a whirlwind and smells a human scent. The serpent master introduces his bride to her. The witch orders her human daughter-in-law to go to the witch's sister and fetch from there spoiled milk, a mirror, a comb, a bar and black and white threads. Following her husband's previous advice, the maiden eats a piece from a clay fence and compliments it, drinks a sip from a basin of foul water and compliments it, gently opens a gate, enters the aunt's palace and gives a bone to the dog and hay to the horse, and delouses his aunt. While the aunt is distracted, the maiden ties her hair to some trees, gets the items and flees. She meets her husband next to a horse and both escape. The aunt and the mother run after them, but the serpent master throws behind the spoiled milk to create an icy surface, a comb to create thickets, and a mirror to create a lake to delay them. From the other side of the lake, the aunt and the mother ask how the serpent master crossed it, and he says he put some stones in his clothes and swam. The witches follow his suggestion and drown. The serpent master and the maiden return home.[35] [36] [37] [38]

Turkey

Turkish folklorist collected the tale Sır Saklamayan Padişah Kızı ("The Padishah's Daughter Who Cannot Keep a Secret") from the region of Gümüşhane, which was translated Into German by Adelheid Uzunoğlu-Ocherbauer as Die Prinzessin, die kein Geheimnis für sich behalten konnte ("The Princess who could not Keep a Secret"). In this tale, a poor couple have no children, and the old woman asks her husband to bring them a son, even if it is a snake. The old man earns their living by gathering firewood and selling it in the market. One day, the man brings home a bundle of firewood with a snake inside. Thanking God for having a son, the old couple feed and take care of the animal, and wherever the snake sleeps, a gold bar appears. Time passes, and the snake tells his father to go to the Sultan and ask for his eldest daughter in marriage with Mindilhava (the snake's name). The old man goes to the sultan's palace and sits on a stone reserved for suitors. The sultan takes the old man in and agrees with the proposal, but sets as a condition that a certain mountain must be moved next to the castle. Mindilhava fulfills the task; the sultan's eldest daughter is guided to a room, where she waits for her bridegroom: a snake comes into the room, but she returns to her father's palace. The sultan then says she should have waited a bit more. The snake then asks his father to go for the sultan's middle daughter; this time, the sultan orders that the river Tschoruh must flow next to his palace. The snake fulfills the second task; but the middle daughter also rejects her snake bridegroom. Finally, the snake asks for the sultan's youngest daughter, and this time he has to provide seven camels carrying loads of gold. The snake does and the third princess is guided to the room. She accepts the snake as her destiny, and shares the bed with the snake for three nights. On the fourth night, the snake takes off its skin and becomes a handsome youth, so handsome the sultan's daughter passes out. After six months, her elder sister suggests they invite their sister to see if she is still alive. The princess goes, and her father summons a jirit tournament, to which his snake son-in-law is invited. The snake, in human form, tells his wife he will take part in the festivities, but she must not tell anyone about his true identity. On the first day, he rides a fiery red horse with red clothes; on the second day, a black horse with black clothes; and on the third a white horse on white clothes. The princess's sisters mock her for her snake husband and admire the jirit rider, but on the third day she reveals the secret; a sudden storm rages and her husband disappears. She wears iron shoes and walks with an iron cane. On her journey, she meets a dervish who tells her she will reach a spring at the end of the way, where her husband's sister will come fetch water, and she must drop his ring on the water jug. It happens as the dervish advises: her husband recognizes the ring and goes to the fountain to get his wife. He explains that his mother is a Dev, with breasts fallen over her shoulders, so she should suckle his mother's breasts to avoid being devoured. His dev-mother believes the princess is just a girl who lost her way, and suggests to her son they should take her a goose-herd. Meanwhile, Mindilhava (the man) has been betrothed to his cousin, and the Dev-mother orders the princess to go to his aunt to fetch instruments for the upcoming wedding. Mindilhava advises his human wife to go there and fetch a sooty box over the stove, and flee as quickly as she can. The princess gets the box, but, on the way, she opens the box and the instruments escape. Mindilhava comes and orders the instruments to return to the box. Next, the Dev-mother orders the princess to fetch bird feathers for a blanket. Mindilhava takes the princess to the top of a mountain and summons all the birds for them to give their feathers. Lastly, during the wedding, the Dev-mother dips the princess's body in wax and places ten candles on her fingers, and takes her to Mindilhava's room. The princess utters to herself for her fingers to "burn with love" for Mindilhava, and he hears it. He takes the candles and places them in his cousin's fingers, then takes the princess, two razors and flees with her on a horse. His aunt chases after them, and the pair throws behind the razors to delay her. Next, his sister comes after them, and Mindilhava shapeshifts the princess into a tree and himself into a dervish to trick her. Lastly, his own Dev-mother goes after them; Mindilhava creates a lake and turns himself and the princess into ducks. The Dev-mother comes and asks the ducks how they got there, and the ducks answer that she should tie two millstones around her neck and swim. The Dev-mother does that and drowns. The princess and Mindilhava go back to the Sultan's realm.[39]

Azerbaijan

In an Azeri tale published by Azeri folklorist with the title "Шамси-Камар" ("Shamsi-Kamar" or "Sun-Moon"),[40] by analysing the ripeness of three melons, the king notices it is past time to marry his three daughters, so he organizes a contest: his daughters should cast three arrows at random, see where they land and marry the man that lives wherever the arrows land on. The two elders marry the son of a vizier and the son of a "vekila", while the youngest's arrow lands on a bush. The princess is dressed up and made to wait by the bush. A snake crawls out of the bush, summons a house and bids her enter. He takes off his scales, reveals he is a human named Shamsi-Kamar, and warns that the secret must stay between them, otherwise he will disappear and she must wear down a pair of iron shoes and walk with an iron cane. Her family visits her and she tells her mother the secret of the snake skin. Her mother takes the animal skin and throws it in the fire. Shamsi-Kamar enters the room, admonishes his wife and disappears. The princess follows his instructions and wanders the world for seven years, until her pair of iron shoes is worn out. Nearby, she sees some servant girls fetching water for their master, Shamsi-Kamar. The princess drops her ring on a jug that is taken to her husband, and he notices it. He brings her home on the pretense of having her as a maid. His father, then, orders her to fetch firewood in the forest. Her husband teaches her how to perform it: she must go to the woods and shout out that Shamsi-Kamar has died, and the firewood is for his pyre. That night, his father marries Shamsi-Kamar to another girl, but the prince goes to the kitchen, heats up two cauldrons of water, takes them and pours the scalding hot water on his second wife. He and the princess then escape on horses back to her kingdom. At the end of the tale, his family runs after them, but, on not finding them, return home empty-handed.[41] [42] [43] The compiler classified the tale as type 425, and located its source as collected in 1930, in Nakhkray (Nakhchivan Autonomous Republic).[44]

Central Asia

Researcher Aziza Shanazarova summarized a narrative from the Central Asian work Maẓhar al-ʿajāʾib by a Sufi scholar, dated to the 16th century. In this tale, titled The Story of Zirak-i Afkār, a king in Yemen named Rabīʿ ibn Kalāb (or in Persian, Shāh Nigār) offers to marry his three daughters Rāżīya, Marżīya and ʿĀlima and gives each of them an arrow, for them to shoot and marry the person where the arrows land on. The elder two marry, respectively, a minister’s son and a chieftain's son. The youngest princess's arrow lands inside a snake's hole and she marries its denizen, a snake named Zirak-i Afkār ('intelligent thoughts'). On the wedding night, the snake turns into a human youth, and asks Alima to keep the secret, otherwise she would be "punished" by a steel staff and would have to wear iron boots (mūza-yi āhanīn). One year later, the princess's elder sisters pay her a visit and learn of the snake brother-in-law. Alima spills the secret, and her sisters convince her to burn the snakeskin (ṣūrat) to keep him in his true nature (sīrat). The princess does as instructed and tosses the snakeskin into the fire. Due to the burning smell, Zirak-i Afkār wakes up, turns into a dove and admonishes her by calling her Naghzak-i Nādān ('ignorant little beauty'), then flies away. Alima decides to go after him by wearing iron boots and walking with a steel staff through the desert, where she passes by herds of horses, camels and sheep. She also discovers her husband's whereabouts: he has returned to his family and has been living with his mother, an infidel (kāfira) giant (bārzangī) in a place called Chahār Bāgh ('four gardens'). However, after he left his human wife, Zirak-i Afkār was married by his mother to her sister’s daughter, and has a personal servant (kanīzak) to kill his human wife if she appears. As Alima reaches Chahar Bagh, the kanizak, who is Muslim (muʾmina), helps the couple reunite: the princess drops a ring inside a waterjug which the servant brings to Zirak-i Afkār to wash his hands; as the water washes his hands, he notices his wife's ring and learns she is there. The now human serpent prince, Zirak-i Afkār, goes to meet his human wife and tells her that his mother was the ruler of "the hidden kingdom" (vālī-yi bilād-i maknūn) of non-Muslims, and protects her when his mother comes to visit every 40 days, by turning her into a broom. Despite this, his giantess mother still scents the blood of a human nearby. After she leaves, Zirak-i Afkār teaches Naghzak-i Nādān "concealed secrets" (sirr-i maknūn) and "divine knowledge" (ʿulūm-i ilāhī). Eventually, Zirak-i Afkār introduces his wife to his mother, on the promise that the giantess will not harm her. She makes such a vow, but begins to hound the human princess with "obstacles and hardships", which she bypasses with her supernatural husband's help: first, the giantess mother mixes seeds of sesame and millet with earth, which the princess is to separate; next, she gives the princess a piece of black felt and orders her to wash it white. Thirdly, the giantess orders Naghzak-i Nādān to go to her sister's house and fetch clothes from there - which is a trap, since her sister has not made the same vow. Before the princess goes there, her husband intercepts her and teaches her how to proceed: she will pass by pool of bitter water and sweet water, walls and gates, and she is to exchange the fodder of two animals (bone for a dog, straw for a camel), enter his aunt's house, take the clothes and escape. Naghzak-i Nādān does as instructed and fetches the clothes; his aunt commands the animals to stop her, but they hold their peace. At last, the giantess places a wick on Naghzak-i Nādān's hands and forces her to illuminate the couple for the whole night until dawn, in hopes the burning wick burns the human princess completely. Zirak-i Afkār realizes his mother's ploy, takes off the wick from his true wife's hands and kills his cousin, then escapes from his mother's house with some objects (among which a dry thorn and a mirror). The next day, the giantess mother finds out that her niece is dead and her son escaped with the princess, then chases after them. On the road back to Yemen, the pair sees that the giantess is after them and throws behind the objects to deter her: the fourth time, the thorn becomes a forest of them, and the fifth time, the mirror becomes a large sea between them. The giantess tries to cross the sea, but she drowns. The pair returns safely to Yemen, and restores the Yemeni royal couple's health.[45] [46] According to Shanazarova, the tale is contained in a copy of Maẓhar al-ʿajāʾib, catalogued as MS 8716 and dated to the year 1766.[47]

See also

Notes and References

  1. Folk tales of ancient Persia. Retold by Forough Hekmat with the collaboration of Yann Lovelock. Illustrated by Muhammad Bahrami. Delmar, N.Y., Caravan Books, 1974. pp. 1-24.
  2. Folk tales of ancient Persia. Retold by Forough Hekmat with the collaboration of Yann Lovelock. Illustrated by Muhammad Bahrami. Delmar, N.Y., Caravan Books, 1974. pp. xiii-xiv and footnote nr. 3.
  3. Höpfner, Inge. Märchen aus Persien. Frankfurt/Main: Fischer Taschenbuch Verlag, 2014 [1982]. p. 124. .
  4. Marzolph, Ulrich. Typologie des persischen Volksmärchens. Beirut: Orient-Inst. der Deutschen Morgenländischen Ges.; Wiesbaden: Steiner [in Komm.], 1984. pp. 84-85 (entry nr. 2).
  5. Book: Uther . Hans-Jörg . The Types of International Folktales: A Classification and Bibliography, Based on the System of Antti Aarne and Stith Thompson . 2004 . Suomalainen Tiedeakatemia, Academia Scientiarum Fennica . 978-951-41-0963-8 . 250–251 .
  6. Swahn, Jan Öjvind. The Tale of Cupid and Psyche. Lund, C.W.K. Gleerup. 1955. p. 375.
  7. Book: Swahn, Jan Öjvind . The Tale of Cupid and Psyche . Lund . C.W.K. Gleerup . 1955 . 270, 358.
  8. Book: Uther . Hans-Jörg . The Types of International Folktales: A Classification and Bibliography, Based on the System of Antti Aarne and Stith Thompson . 2004 . Suomalainen Tiedeakatemia, Academia Scientiarum Fennica . 978-951-41-0955-3 . 250 .
  9. Puchner, Walter. "Magische Flucht (AaTh 313 sqq.)". In: Enzyklopädie des Märchens Band 9: Magica-Literatur – Neẓāmi. Edited by Rudolf Wilhelm Brednich; Hermann Bausinger; Wolfgang Brückner; Helge Gerndt; Lutz Röhrich; Klaus Roth. De Gruyter, 2016 [1999]. pp. 13-14. . https://www.degruyter.com/database/EMO/entry/emo.9.003/html
  10. Marzolph, Ulrich. Typologie des persischen Volksmärchens. Beirut: Orient-Inst. der Deutschen Morgenländischen Ges.; Wiesbaden: Steiner [in Komm.], 1984. p. 85 (section VI).
  11. Османов, Магомет-Нури Османович. Персидские народные сказки. Сост. М.-Н. Османов, предисл. Л.С. Комиссарова. М.: Наука, 1987. pp. 301-306.
  12. Marzolph, Ulrich. Typologie des persischen Volksmärchens. Beirut: Orient-Inst. der Deutschen Morgenländischen Ges.; Wiesbaden: Steiner [in Komm.], 1984. pp. 85-86 (entry nr. 3).
  13. Османов, Магомет-Нури Османович. Персидские народные сказки. Сост. М.-Н. Османов, предисл. Л.С. Комиссарова. М.: Наука, 1987. pp. 487-488.
  14. Amanolahi, Sekandar; Thackston, Wheeler M. Tales from Luristan (Matalyâ Lurissu). Harvard Iranian Series 4. Harvard University Press, 1986. pp. 71-76. .
  15. Amanolahi, Sekandar; Thackston, Wheeler M. Tales from Luristan (Matalyâ Lurissu). Harvard Iranian Series 4
  16. Boulvin, Adrienne. Contes populaires persans du Khorassan: Boulvin, A. Analyse thématique accompagnée de la traduction de trente-quatre contes. C. Klincksieck, 1975. pp. 15ff.
  17. Book: Gaffary, Farrokh . Farrokh Ghaffari . Iranien (folklore) . Dictionnaire universel des litteratures . 2: G-O . Paris . Presses universitaires de France . 1994 . 1703 . FR.
  18. Boulvin, Adrienne. Contes populaires persans de Khorassan Band 2: Trente-six contes, traduits par A. Boulvin et E. Chocourzadeh. C. Klincksieck, 1975. pp. 10-14 (Tale nr. 4).
  19. Boulvin, Adrienne. Contes populaires persans de Khorassan Band 1. Contes populaires persans du Khorassan: Boulvin, A. Analyse thématique accompagnée de la traduction de trente-quatre contes. Klincksieck, 1975. pp. 15-17.
  20. Ромаскевич, Александр. "Персидские народные сказки" [Persian Folk Tales]. Moskva: Academia, 1934. pp. 29 (source), 145-153 (text for tale nr. 32).
  21. "Персидские сказки". Moskva: Издательство Юрайт, 2019. сост. и пер. А. А. Ромаскевич. pp. 100-105. .
  22. هدايت، صادق [Hedayat, Sadiq]. "فرهنگ عاميانۀ مردم ايران" [Folk culture of Iranian people]. نشر چشمه،, 1999. pp. 298-301. .
  23. Houshiyar Moghaddam; Zohreh, Muhammad Fazeli; Reza Ashrafzadeh. "Educating the Morphology of Ghayeny Myth by Shams Ghmar Based on Propp Theory". In: Revista Conrado 16 (73) (2020): 27, 30-33. https://conrado.ucf.edu.cu/index.php/conrado/article/view/1266.
  24. بهرنگي، صمد [Behrangi, Samad]. "افسانه‌هاي آذربايجان". انتشارات نيل،, 1978. pp. 155-165.
  25. Marzolph, Ulrich. Typologie des persischen Volksmärchens. Beirut: Orient-Inst. der Deutschen Morgenländischen Ges.; Wiesbaden: Steiner [in Komm.], 1984. p. 70 (entry nr. 11).
  26. Marzolph, Ulrich. Typologie des persischen Volksmärchens. Beirut: Orient-Inst. der Deutschen Morgenländischen Ges.; Wiesbaden: Steiner [in Komm.], 1984. p. 86 (entry nr. 6).
  27. Османов, Магомет-Нури Османович. Персидские народные сказки. Сост. М.-Н. Османов, предисл. Л.С. Комиссарова. М.: Наука, 1987. pp. 250-256.
  28. Marzolph, Ulrich. Typologie des persischen Volksmärchens. Beirut: Orient-Inst. der Deutschen Morgenländischen Ges.; Wiesbaden: Steiner [in Komm.], 1984. p. 86 (entry nr. 9).
  29. Ravanipour, Moniro. "افسانه‌ها و باورهاى جنوب" [The Fairy Tales and Beliefs of Southern Iran's Region]. انتشارات نجوا, 1369 [1990]. pp. 95ff.
  30. Zarrin Taj Varedi, Mahmood Rezai Dashtarjene, Soodabe Keshavarzi. "Investigating the Effect of Qur'anic Stories on Luri's Romantic Legends Based on Genette's Theory of Transtextuality". In: Literary - Qura'nic Researches, Volume 6, Issue 4, 2018, pp. 170, 187-188. (In Persian).
  31. The Legend of Sigh: A collection of Fairy Tales. Rewritten by Behzad Sohrabi and Soheil Moradi. Retold in English by Fatemeh Saber. Edited by Carol Jean Baerg. Xlibris, 2012. Tale nr. 5 (The Man in Green Robe). .
  32. "Сказки народов Дагестана" [Folk Tales of Dagestan]. Сказки и мифы народов Востока. Moskva: Наука, 1965. pp. 185–192 (text), 310 (classification) (Tale nr. 63).
  33. Ганиева, Айбике Мамедовна. Свод памятников фольклора народов Дагестана [Folkloric Collection from Peoples of Dagestan]. Тom. 2: Волшебные сказки [Tales of Magic]. Moskva: Наука, 2011. pp. 171-174 (Kumyk text for tale nr. 14), 175-179 (Russian translation). .
  34. Ганиева, Айбике Мамедовна. Свод памятников фольклора народов Дагестана [Folkloric Collection from Peoples of Dagestan]. Тom. 2: Волшебные сказки [Tales of Magic]. Moskva: Наука, 2011. pp. 372-378 (Dargin text), 378-383 (Russian translation). .
  35. "Чалпак ёк̨к̨ан кун: афсонавий эртаклар". Ŭzbekiston LKSM Markaziĭ Komiteti "Ësh gvardii͡a" nashriëti, 1969. pp. 112-119 (in Uzbek).
  36. "Жемчужное ожерелье: Узбекские народные сказки" [String of Pearls: Uzbek Folk Tales]. Tashkent: Издательство литературы и искусства имени Гафура Гуляма, 1987. pp. 140-146 (text), 334 (source).
  37. Каримий, Буюк [Karimyy, Buyuk]. "Ўзбек халқ эртакларининг баъзи бир хусусиятларн". In: "XX аср узбек фольклоршунослиги»: Антология. Тузувчилар [Editor]: О. Тулабоев ва бонщ. Тashkent: «O‘zbekiston milliy ensiklopediyasi» Давлат илмий нашриёти, 2017. p. 57. (In Uzbek)
  38. Афзалов, M. [Afzalov, Mansur]. "Ҳайвонлар ҳақидаги эртаклар". In: "XX аср узбек фольклоршунослиги»: Антология. Тузувчилар [Editor]: О. Тулабоев ва бонщ. Тashkent: «O‘zbekiston milliy ensiklopediyasi» Давлат илмий нашриёти, 2017. pp. 82-83. (In Uzbek)
  39. UZUNOĞLU-OCHERBAUER, Adelheid. Türkische Märchen. Frankfurt am Main: Fischer Verlag, 2014, pp. 92-103, 186, 189.
  40. Зейналлы, Ханефи; Багрий, Александр Васильевич. "Азербайджанские тюркские сказки" [Fairy Tales of the Azerbaijani Turks]. Academia, 1935. p. 662.
  41. Зейналлы, Ханефи; Багрий, Александр Васильевич. "Азербайджанские тюркские сказки" [Fairy Tales of the Azerbaijani Turks]. Academia, 1935. pp. 216-221.
  42. Book: Şəmsi Qəmər . Azərbaycan Folklor Külliyyatı . V: Nagillar . Bakı . Nurlan nesriyyati . 2007 . 290-293 (text), 389 (source), 396 (classification) . AZ.
  43. Book: Şemsi Kamer . Azerbaycan'dan Masallar: Azerbaycan Folklorundan Masal Örnekleri . R. Seyfi Yurdakul . Ankara . Millî Eğitim Bakanlığı . 2017 . 181-184 . 978-975-11-4178-1 . TR.
  44. Зейналлы, Ханефи; Багрий, Александр Васильевич. "Азербайджанские тюркские сказки" [Fairy Tales of the Azerbaijani Turks]. Academia, 1935. p. 636.
  45. Book: Shanazarova, Aziza . Introduction . Manifestations of a Sufi Woman in Central Asia . Leiden, The Netherlands . Brill . 2020 . 1-2, 14-17 and footnote nr. 16. 10.1163/9789004441354_002. 9789004441347 .
  46. Book: Shanazarova, A. . 2020 . ‮مظهر العجائب‬‎ . Manifestations of a Sufi Woman in Central Asia . Leiden, The Netherlands . Brill . 146-180 (excerpts 88b to 103a) . 10.1163/9789004441354_004. 9789004441347 .
  47. Book: Shanazarova, Aziza . Introduction . Manifestations of a Sufi Woman in Central Asia . Leiden, The Netherlands . Brill . 2020 . 6–8 . 10.1163/9789004441354_002. 9789004441347 .