| Winner Jumalon | |
| Nationality: | Filipino |
| Alma Mater: | University of the Philippines College of Fine Arts |
Winner Jumalon (born 28 December 1983, in Zamboanga, Philippines)[1] is a Manila-based Filipino modern visual artist.[2] His works with oil and encaustic on canvas have been described as "late capitalist masterpieces marred by illogical marks, haze, and aggregations of reality that not only displaces portraiture as the totemic symbols of power and status but questions the formation of identity itself as the trap where a man cannot go forward".[3]
Jumalon was awarded the Artist Award of the Cultural Center of the Philippines in 2009, and has been represented by both Sotheby's and Christie's with consecutively increasing valuations in the secondary market. Jumalon has denied that economic success informs his paintings, and states that his works are instead antagonistic to the dictatorship and reification of the market. His projects seek a re-evaluation of some of the most fundamental positions that art has assumed in the past.
Jumalon trained for four years at the Philippine High School for the Arts at Mt. Makiling, Los Banos, Laguna, with a major in Visual Arts. After high school, Jumalon pursued his childhood dream of entering the College of Fine Arts of the University of the Philippines in Diliman, Quezon City. He graduated with a baccalaureate in fine arts, majoring in painting.
The dialogue of Jumalon's work features spaces he inhabits or inhabited. These spaces include Zamboanga, his childhood home; Laguna, where he was a Philippine government scholar; and Quezon City, where he studied fine arts in UP.
Juamlon said that these spaces seem to be about his identity as well. Art cohabits a relation with spaces, and people as well, including teachers and friends who have allowed him to evolve, and share the life he has lived with them. He talks about his art as a matter of ideas that come from these everyday encounters with the world. And at this point, it is this art that seems to define him as a person who relates to his surroundings as well. Jumalon finds inspiration in anything and everything-—a candy wrapper, a moment, debris. He takes much from the past and speaks of it in the present, where nostalgia doesn’t necessarily mean memory as it does an assertion of what remains relevant and real across time. Jumalon begins with ideas and challenges himself to transform them into a visual form-—the only one he feels is powerful enough to carry his message. The materials to use, and the ways in which they will be utilized, are all part of the concept. They enjoin together after the decision is made that an idea is worth its value in paint and hard work. And then Jumalon, apparently, flies with it. The challenge to him has been the creation of something powerful and interesting. This beauty can represent the kind of life he sees and loves and knows. Jumalon finds solace in the urban spaces he occupies and imagines this space as distinctly pregnant with meaning and ideas and visual possibilities. It’s an interesting view of the contemporary fast-paced city life that we all are part of. At most, it is a powerful rendering of the lives we live by someone who now knows the identity and the owning of his space(s), and has chosen to live among us. He thus can speak for us, and in that sense, his art is ours as well.
Back in his native land, he painted mostly colorful self-portraits. Whimsical and carefree are the auras that describe his works.
Spending his high school life in Laguna has been still artistically inclined having visual arts as his major. His paintings were done in subdued earth colors.He was then living in a mountain where his school is located, learning the rigors of the academic world.
A winner was fondling for an identity, painting self-portraits. It came to pass, he started using a layering technique, and drawing faces over faces, an observation perhaps, watching fellow students with their diverse individuality go under guises just to create that harmony.
Now, he lives alone, playing with wide spaces and abstract figures, graffiti, and black scratches on white background. He sees blunt black and white, anonymous, animosity, bare, his insight of urbanity. Random and varied images are his confidant to fit and sustain in his necessary evolution.
http://misc.inquirer.net/nokia/youngartists/profile.html
http://www.drawingroomgallery.com/pdf/winner_jumalon.pdf
http://www.manilaartblogger.com/2010/06/07/winner-jumalons-unusual-portraits/
http://www.utterlyart.com.sg/artists/view/83
http://angfierranijuana.wordpress.com/tag/winner-jumalon/
http://www.drawingroomgallery.com/contemporary/images/artworks/5/press/1134025247.pdf
http://www.artslant.com/ew/events/show/248275-recent-find