| Robert Kraus | |
| Birth Name: | Herman Robert Kraus |
| Birth Date: | 21 June 1925 |
| Birth Place: | Milwaukee, Wisconsin, U.S. |
| Death Place: | Kent, Connecticut, U.S. |
| Resting Place: | Ridgefield, Connecticut |
| Occupation: | Artist, author, illustrator, publisher |
| Language: | English |
| Education: | Layton School for the Arts |
| Alma Mater: | Art Students League of New York |
| Period: | 1932-1995 |
| Genre: | Children's literature |
| Notableworks: | Leo the Late Bloomer (illustrations by Jose AruegoMilton the Early Riser (illustrations by Jose AruegoHarriet and the Promised Land (illustrations by Jacob LawrenceAmanda RemembersThe Bunny's Nutshell Library |
| Spouse: | Pamela Kraus, née Pamela Vivienne Evan-Wong |
| Children: | Bruce R. Kraus, Charles William Kraus |
| Relatives: | Father-in-law Robert Victor Evan-Wong |
| Awards: | Caldecott Medal (as publisher of William Steig's Roland the Minstrel Pig) |
Robert Kraus (June 21, 1925 - August 7, 2001) was an American children's author illustrator, cartoonist and publisher. His successful career began early at the New Yorker Magazine, producing over hundreds of cartoons and nearly two dozen covers for the magazine over 15 years. Afterwards, he pivoted his career to children's literature, writing and illustrating over 100 children’s books and publishing even more as the founder of publishing house Windmill Books. His body of work is best remembered for depicting animal heroes who always try their best and never give up, which were ideals important to him at an early age.
Robert Kraus was born in Milwaukee, Wisconsin in 1925 to parents Jack, who was in the real estate business, and Esther (Rosen) Kraus.[1] His mother nurtured lessons in him that appear as important themes in Kraus’s later written work in the children’s literature genre.[2] He graduated from Milwaukee’s Layton School for the Arts in 1942 and the Arts Student League of Manhattan, NY in 1945. During that time, Kraus was excluded from the military during WWII because of vision problems. He met his wife, Pamela (formerly Pamela Vivienne Evan-Wong), while at the Art Students League and they were married on December 11, 1946. Together they had two sons, Bruce and Bill. In 1965, he moved into the 1865 Colonial Revival House in Ridgefield, Connecticut on the corner of Main Street and Branchville Road where he was often seen in the community walking his pug, Hoover.[3]
At age 10, Kraus won a cartoon contest from his local paper the Milwaukee Journal. By age 12, he was hired by that same journal to contribute a weekly cartoon entitled "Public Nuisances." At age 16, he made his first cartoon sale to The New Yorker, which was the most prestigious platform for cartoon prints in the nation at the time Kraus also freelanced for other publications such as Collier's, the old Life, Esquire Magazine, and The Saturday Evening Post. [4] He continued both his education and freelance work at the Arts Student League of Manhattan, NY until he became a full-time employee at the New Yorker on contract.
He became a regular New Yorker contributor as both a cartoonist and cover artist beginning in the 1950s. Kraus contributed 50 cartoons in his first year at the "New Yorker."[4] Most of his cover art reflected his romantic idea of the City (artists' studios and supplies, a chess club, a gypsy fortune teller, the Chinese New Year parade, the Coney Island roller coaster, a grand cafe, St. Patrick's Cathedral, a fancy dress ball) and he recorded his rural surroundings in Danbury, Connecticut, with its farmer's markets and county fairs. Many of his cartoons embodied the stereotypes of their day: drunks, crooks, convicts, pirates, clowns, mythological characters, millionaires dating floozies, big businessmen, prizefighters, etc. An important part of his cartooning career was a multi-page spread on the New York World's Fair of 1963-64. In his 15 years at the New Yorker, Kraus produced over 450 cartoons and 21 covers. In 1983, after taking an extended break from cartooning to work on children’s literature, Kraus created a Sunday feature called “Zap! The Video Chap,” targeted at children who were growing addicted to playing video games.
In 1954, Kraus decided to pivot his career. He began writing and illustrating children's books, beginning with Junior the Spoiled Cat, The Littlest Rabbit, The Trouble with Spider (later expanded into the Spider, Fly and Ladybug series), I, Mouse, Mouse at Sea, The Bunny's Nutshell Library, Carla Stevens' Rabbit and Skunk series, and the haunting and critically acclaimed Amanda Remembers. The book Leo the Late Bloomer, an encouraging story about making one's own pace, is a continuing legacy.[5] He utilized his extensive network of creators from the New Yorker to team up with illustrators like William Steig and Charles Addams.
Kraus could speak directly to children without a trace of artificiality or condescension, naturally embodying both them and himself in a variety of small but plucky animal protagonists. His stories often centered on animal heroes with humanistic qualities, teaching lessons like “never give up” and always do your best even if you don’t at first succeed,” which Kraus learned from his mother. He once explained that he wrote children’s books to console himself, encourage himself and others, and investigate problems he observed in society. The story, “Miranda’s Beautiful Dream” was inspired by the life of Martin Luther King. The book Leo the Late Bloomer, an encouraging story about making one's own pace, is a continuing legacy. Kraus once said that “the greatest compliment anyone can give you is to buy your stuff.”
Professor Paul Fry has used one of Kraus's lesser works, Tony the Tow Truck, tongue-in-cheek to teach a popular English course at Yale, Introduction to the Theory of Literature, using its hundred-word text to illustrate topics such as Hermeneutics, Semiotics, Structuralism, Deconstruction, Queer Theory and Gender Performativity.[6]
Tapping his friendships with other New Yorker artists, Kraus launched a small publishing company, Windmill Books in 1965, publishing The Chas. Addams Mother Goose, and William Steig's[7] Roland the Minstrel Pig, followed by Steig's Caldecott Medal-winning Sylvester and the Magic Pebble.[8] The prestige of Windmill even attracted renowned painter Jacob Lawrence, whose Harriet and the Promised Land (with verse by Kraus) became the first children's book reviewed in the Art section of the New York Times and was recently featured in the Lawrence retrospective at the Guggenheim. Kraus soon quit the New Yorker to run Windmill full-time, as publisher, and wrote and illustrated books for Windmill as well as for Scholastic and other publishers. Windmill artists included Fred Gwynne (the actor), Edna Eicke, Robert Byrd, Hans Kraus (no relation), VIP (Virgil Partch) and Mischa Richter. Windmill published a set of Norman Rockwell covers with original backstories (which Kraus wrote in consultation with Rockwell) as The Norman Rockwell Storybook and with filmmaker Robert Flaherty produced a children's book version of Flaherty's Nanook of the North. Windmill also pioneered "board" and "bathtub" books that doubled as toys for very small children, and dabbled in pop culture with its Elvis calendar and Encyclopedia Galactica.
In spite of its flirtations with the mass market, in the end Windmill Books proved to be more of a succes d'estime than anything else. The company struggled through legal difficulties with its distributor and was forced to sign over to Simon & Schuster in the 1980s. Steig's best-known children's book, Shrek, was published elsewhere. Kraus and Windmill are probably best remembered as the author and publisher of Leo the Late Bloomer, Whose Mouse Are You, Milton the Early Riser and other books beautifully and imaginatively illustrated by Jose Aruego and Arianne Dewey, as well as the seasonal favorite The Christmas Cookie Sprinkle Snitcher, illustrated by VIP. Kraus wrote stories, but his passion was drawing and illustrating—He once said, "I love drawing...Giving my stories to somebody else was like giving a way a child."[4] In total before its sale, Windmill House had published over two hundred books on three continents.
Reviewers from the New York Times praise Kraus’ simple but meaningful style and tone. In regards to his book “Old-Fashioned Raggedy Ann & Andy ABC Book,” illustrated by Johnny Gruelle, they write “Evoking nostalgia, this simple--yet elegant--dictionary is based on the-way-it-used-to-be stylized illustrations and delightful rhymes.” His stories, Whose Mouse Are You?, Milton the Early Riser, and Owliver were named notable children’s books by the American Library Association. His book Herman the Helper was a Trade Book Award Winner and appeared on the Horn Book Honor List. In the more visible public domain, his story Leo the Late Bloomer was read on national television by former First Lady Barbara Bush during her campaign to promote children’s literacy. A collection of his manuscripts are stored and preserved at Syracuse University.
Kraus died of heart failure in a nursing home in 2001 in Kent, Connecticut. He is buried at Fairlawn Cemetery in Ridgefield, Connecticut, and etched on his gravestone is an image of a spider, a character from one of his books. He is survived by his wife of more than 50 years, the former Pamela Vivienne Evan-Wong, of Georgetown, British Guiana, a fellow student at the New York Art Students' League, and by their two sons, Bruce and Bill and four grandchildren Parker, Jack, Margaret and Vivienne.
| Harriet and the Promised Land | Windmill Books | 1968 | |
| Whitney Darrow, Jr.'s Unidentified Lying Elephant | Windmill Books | 1968 | |
| The Children Who Got Married | Windmill Books | 1969 | |
| Animal Etiquette | Windmill Books | 1969 | |
| Don't Talk to Strange Bears | Windmill Books | 1969 | |
| Rumple-Nose Dimple and the Three Horrible Snaps | Windmill Books | 1969 | |
| The Christmas Cookie Sprinkle Snitcher | Windmill Books | 1969 | |
| The Rabbit Brothers, Anti-Defamation League of B'nai B'rith | 1969 | ||
| I'm Glad I'm a Boy, I'm Glad I'm a Girl | Windmill Books | 1970 | |
| Whose Mouse Are You? | Macmillan | 1970 | |
| Vip's Mistake Book | Windmill Books | 1970 | |
| Bunya the Witch | Windmill Books | 1971 | |
| Shaggy Fur Face | Windmill Books | 1971 | |
| Ludwig, the Dog Who Snored Symphonies | Windmill Books | 1971 | |
| Pipsqueak, Mouse in Shining Armor | Windmill Books | 1971 | |
| Lillian, Morgan and Teddy | Windmill Books | 1971 | |
| The Tree That Stayed Up Until Next Christmas | Windmill Books | ||
| Leo the Late Bloomer | Windmill Books | 1971 | |
| Milton the Early Riser | Windmill Books | 1972 | |
| How Spider Saved Halloween | Parents Magazine Press | 1973 | |
| Big Brother | Parents Magazine Press | 1973 | |
| Pip Squeaks Through | Springfellow Press | 1973 | |
| Poor Mister Splinterfitz! | Dutton | 1973 | |
| Rebecca Hatpin | Windmill Books | 1974 | |
| Pinchpennny Mouse | Windmill Books | 1974 | |
| Owliver | Windmill Books | 1974 | |
| Herman the Helper | Windmill Books | 1974 | |
| Three Friends | Windmill Books | 1975 | |
| I'm a Monkey | Windmill Books | 1975 | |
| The Night-Light Story Book | Windmill Books | 1975 | |
| The Gondolier of Venice | Windmill Books | 1975 | |
| Boris Bad Enough | Windmill Books | 1976 | |
| Dinosaur Do's and Don'ts | Windmill Books | 1976 | |
| The Good Mousekeeper | Windmill Books | 1977 | |
| The Detective of London (co-written with son, Bruce Kraus) | Windmill Books | 1977 | |
| Noel the Coward | Windmill Books | 1977 | |
| Springfellow | Windmill Books | 1978 | |
| Musical Max | Windmill Books | 1979 | |
| Another Mouse to Feed | Windmill Books | 809 | |
| Mouse Work | Windmill Books | 1980 | |
| Mert the Blurt | Windmill Books | 1980 | |
| Puppet Pal Books (a four volume collection) | Windmill Books | 1981 | |
| The Old Fashioned Raggedy Ann & Andy ABC Book | Windmill Books / Simon and Schuster | 1981 | |
| The King's Trousers | Windmill Books | 1981 | |
| Leo the Late Bloomer Takes a Bath | Windmill Books | 1981 | |
| Herman the Helper Cleans Up | Windmill Books | 1981 | |
| See the Christmas Lights | Windmill Books | 1981 | |
| Box of Brownies (a four volume collection) | Windmill Books | 1981 | |
| Tony the Truck | Grosset & Dunlap | 1985 | |
| Mrs. Elmo of Elephant House | Delacorte Press | 1986 | |
| Where Are You Going, Little Mouse? | Greenwillow Books | 1986 | |
| Screamy Mimi | Simon & Schuster | 1987 | |
| Come Out and Play, Little Mouse | Greenwillow Books | 1987 | |
| The Hoodwinking of Mrs. Elmo | Delacorte Press | 1987 | |
| Robert Kraus' A Sunny Day in Babytown | Little Simon | 1987 | |
| Robert Kraus' Babytown Express | Little Simon | 1987 | |
| Robert Kraus' Meet the Babies | Little Simon | 1987 | |
| Robert Kraus' Welcome to Babytown | Little Simon | 1987 | |
| Little Beep | Little Simon | 1987 | |
| Tiny Tow Truck | Little Simon | 1987 | |
| How Spider Saved Easter | Scholastic | 1988 | |
| Noah Count Vampire Detective in Mummy Vanishes: A Mummy Dearest Creepy Hollow Whoooooooodunnit? | Warner Juvenile Books | 1988 | |
| How Spider Saved Thanksgiving | Scholastic | 1991 | |
| How Spider Saved the Flea Circus | Scholastic | 1991 | |
| How Spider Stopped the Litterbugs | Scholastic | 1991 | |
| Dr. Mouse, Bungle Jungle Doctor | Western | 1992 | |
| All My Chickens | Western | 1993 | |
| Dance, Spider, Dance! | Western | 1993 | |
| The Adventures of Wise Old Owl | Troll Assosciates | 1993 | |
| Jack O'Lantern's Scary Halloween | Western | 1993 | |
| Fables Aesop Never Wrote but Robert Kraus Did | Viking | 1994 | |
| Near Myths: Dug Up and Dusted Off | Viking | 1996 | |
| Big Squeak, Little Squak | Orchard Books | 1996 | |
| O'Malley | Orchard Books | 1996 | |
| Little Louie the Baby Bloomer | Harper Collins | 1998 | |
| The Making of Monkey King (retold with Debby Chen) | Pan Asian Publications | 1998 | |
| Mort the Sport | Orchard Books | 2000 | |
| Mouse in Love | Orchard Books | 2000 |
| Red Fox and the Hungry Tiger | Paul Anderson | Addison-Wesley | 1962 | |
| Rabbit and Skunk and the Spooks | Carla Stevens | Scholastic | 1968 | |
| Rabbit and Skunk and the Scary Rock | Carla Stevens | Scholastic | 1970 | |
| Cleveland Amory's Animail | Cleveland Amory | Dutton | 1976 | |
| Rabbit and Skunk and the Big Fight | Carla Stevens | Scholastic | 1976 |
| Junior the Spoiled Cat | Oxford University Press | 1955 | |
| All the Mice Came | Harper | 1955 | |
| Ladybug, Ladybug | Harper | 1955 | |
| The Littlest Rabbit | Harper | 1957 | |
| I, Mouse | Harper | 1958 | |
| The Trouble with Spider | Harper | 1962 | |
| Miranda's Beautiful Dream | Harper | 1964 | |
| Penguin's Pal | Harper | 1964 | |
| Mouse at Sea | Harper | 1964 | |
| Amanda Remembers | Harper | 1965 | |
"The Bunny's Nutshell" library series:
| Harper | 1965 | |
| My Son, the Mouse | Harper | 1967 | |
| Little Giant | Harper | 1967 | |
| Hello Hippopotamus (under pseudonym Eugene H. Hippopotamus) | Windmill Books | 1969 | |
| Daddy Long Ears | Windmill Books | 1970 | |
| How Spider Saved Christmas | Windmill Books | 1970 | |
| The Tale Who Wagged the Dog | Windmill Books | 1971 | |
"The Night Light" library series:
| Sprinfellow | 1972 | |
| Animal Families | Windmill Books | 1980 | |
| See the Moon | Windmill Books | 1980 | |
| How Spider Saved Turkey | Windmill Books | 1981 | |
| The Old-Fashioned Raggedy Ann and Andy ABC Book | Windmill Books / Simon & Schuster | 1982 | |
| Bumpy the Car | Putnam | 1985 | |
| Squeaky (under pseudonym S. Silly) | Windmill Books | 1982 | |
| Squeaky's One Man Band (under pseudonym S. Silly) | Windmill Books | 1982 | |
| I'm a Little Airplane (under pseudonym I.M. Tubby) | Tubby Books | 1982 | |
| I'm a Little Fish (under pseudonym I.M. Tubby) | Tubby Books | 1982 | |
| I'm a Little House (under pseudonym I.M. Tubby) | Tubby Books | 1982 | |
| I'm a Little Tugboat (under pseudonym I.M. Tubby) | Tubby Books | 1982 | |
| Freddy and the Fire Engine | Putnam | 1985 | |
| How Spider Saved Valentine's Day | Scholastic | 1986 | |
| Spider's First Day at School | Scholastic | 1987 | |
| Happy City | Simon & Schuster | 1987 | |
| Happy Farm | Simon & Schuster | 1987 | |
| Spider's Home Town: A Story to Color | Scholastic | 1988 | |
| Here Comes Tardy Toad | Silver Press | 1989 | |
| Ella the Bad Speller | Silver Press | 1989 | |
| Good Morning, Miss Gator | Silver Press | 1989 | |
| Buggy Bear Cleans Up | Silver Press | 1989 | |
| How Spider Saved the Baseball Game | Scholastic | 1989 | |
| Phil, the Ventriloquist | Greenwillow | 1989 | |
| Daddy Long Ears Christmas Surprise | Simon & Schuster | 1990 | |
| Daddy Long Ears Halloween | Simon & Schuster | 1990 | |
| Private Eyes Don't Blink | Warner Books | 1990 | |
| Spider's Baby-Sitting Job | Scholastic | 1990 | |
| Spider's Draw-a-Long Book | Scholastic | 1990 | |
| Creepy Hollow Ghostly Glowing Haunted House | Warner Books | 1990 | |
| Boogie Woogie Bears Go Back to Nature | Warner Books | 1990 | |
| Boogie Woogie Bears' Picnic | Warner Books | 1990 | |
| Jack Galaxy, Space Cop | Bantam | 1990 | |
| Klunky Monkey, New Kid in Class | Bantam | 1990 | |
| Mixed-Up Mice Clean House | Warner Books | 1990 | |
| Mixed-Up Mice in the Big Birthday Mix-Up | Warner Books | 1990 | |
| Mummy Knows Best | Warner Books | 1990 | |
| Mummy Vanishes | Warner Books | 1990 | |
| Musical Max | Simon & Schuster | 1990 | |
| The Phantom of Creepy Hollow | Warner Books | 1990 | |
| Squirmy's big Secret (with Bonnie Brook) | Silver Press | 1990 | |
| Wise Old Owl's Halloween Adventure (with Pamela Kraus) | Troll | 1993 | |
| Wise Old Owl's Christmas Adventure (with Pamela Kraus) | Troll | 1993 |