Willie Anku Explained

William Oscar "Willie" Anku
Birth Date:25 July 1949
Birth Place:Gbadzeme, Volta Region, Ghana
Death Date:1 February 2010
Death Place:Korle-Bu Teaching Hospital, Accra, Ghana
Nationality:Ghanaian
Education:University of Montana, Missoula, University of Pittsburgh, University of Ghana, Legon
Occupation:Musician, professor, ethnomusicologist

William Oscar "Willie" Anku (25 July 1949 – 1 February 2010) was a Ghanaian music theorist, ethnomusicologist, composer, and performer. His work combined Western set theory with computer programming and experience in working with performers of various West African musical traditions to create a comprehensive theory of African rhythm. He was "unique among Africa-based music theorists in attracting the attention of the US-based Society for Music Theory," being invited to give plenary lectures and receiving tributes from prominent US-based theorists.[1]

Music theory

Anku rejected the relevance of simple concepts of polymeter in understanding West African music.[2]

He is noted for attempting to create a more natural, but non-indigenous system of music notation to the study of African music.[3] Anku's circular notation shows the various "combinatoric aspects of [a] pattern relative to different metrical positions, based on how the rhythmic pattern is aligned with [a] regulative metric pattern."[4]

Bode Omojola lists Anku among five contemporary scholars most influencing ideas of African Rhythm.[5] His work was cited as influential on Godfried Toussaint's general geometric theory of musical timelines.[6]

Agawu described his approach to West-African music theory as "structural set analysis," the title of two of his short books.[7] He defended the analytical approach to African music in a 2007 interview on Ghanaian MetroTV.[8]

In addition to its impact on understanding African music, Anku's theories have been cited in the study of György Ligeti.[9]

Life and education

Willie Anku came from Gbadzeme in the Avatime Traditional Area of the Volta Region of Ghana.[10]

He received his Master of Music Education from the University of Montana, Missoula in 1976; MA and PhD in Ethnomusicology from the University of Pittsburgh in 1986 and 1988 respectively.[11] He was head of the School of Performing Arts at the University of Ghana, Legon until just prior to his death.[1]

Professor Anku was involved in a motor accident on 20 January 2010 and died 2 weeks later at the Korle Bu Teaching Hospital. He is survived by his wife, Madam Eva Ebeli, and three children.[12]

Notes and References

  1. [Kofi Agawu]
  2. Kofi Agawu, Representing African Music: Postcolonial Notes, Queries, Positions, (Psychology Press, 2003), p. 85 (on polymeter) pp. 194–96 (a section titled "Anku").
  3. Meki Nzewi, Israel Anyahuru, and Tom Ohiaraumunna, Musical Sense and Musical Meaning: An Indigenous African Perception (Amsterdam: Rozenberg Publishers, 2008), p. 213
  4. Justin London, Hearing in Time (Oxford: Oxford University Press, 2012), pp. 81–82
  5. Bode Omojola, Yorůbá Music in the Twentieth Century: Identity, Agency, and Performance (University Rochester Press, 2012), p. 5
  6. [Godfried Toussaint|Godfried T. Toussaint]
  7. Kofi Anyidoho, Helen Lauer, eds. Reclaiming the Human Sciences and Humanities Through African Perspectives, Volume 2 (Legon-Accara: Sub-Saharan Publishers, 2011), "Willie Anku" pp. 1470–72.
  8. http://ghanabase.com/archives/news/2007/1213.asp Carlos Sakyi meets Dr. Willie Anku on music and copyright
  9. Amy Marie Bauer, Ligeti's Laments: Nostalgia, Exoticism and the Absolute, (Ashgate, 2011), p. 152
  10. http://www.ug.edu.gh/index1.php?linkid=212&archiveid=506&page=1&adate=06%2F05%2F2010 Willie Anku Laid To Rest
  11. Web site: In Memoriam. music-research-inst.org. 23 April 2018.
  12. News: Legon to host musical performance in memory of Professor Anku. 23 April 2018.