William Weeks Hall | |
Birth Date: | 31 October 1895 |
Birth Place: | Orleans Parish, Louisiana, U.S. |
Death Place: | Louisiana, U.S. |
Education: | Pennsylvania Academy of the Fine Arts |
Mother: | Mary "Lily" Weeks |
Father: | Gilbert Lewis Hall |
William Weeks Hall (1894–1958), was an American artist, photographer and art critic.[1] He was the last individual owner of the Shadows-on-the-Teche, a historic house and former sugar cane plantation.
William Weeks Hall was born in October 31, 1894 in Orleans Parish; to parents Gilbert Lewis Hall and Mary "Lily" Weeks.[2] His maternal grandparents David and Mary Conrad Weeks had built the Shadows-on-the-Teche plantation in 1834.
Hall attended the Pennsylvania Academy of the Fine Arts (PAFA). Around 1917, Hall won a scholarship through PAFA to travel to Europe.[3] His early paintings were abstract. He lived in Paris for a few years after college. During World War I (1914–1918), Hall served in the Office of Naval Intelligence.
In 1920, Hall returned to New Iberia and in 1922 he started to restore the Shadows-on-the-Teche.[4] He had many notable guests and friends in the arts that would come visit him in New Iberia including D. W. Griffith,[5] Henry Miller,[6] [7] Cecil B. DeMille, among others. A New Iberian local musician Al E. Dieudonne dedicated his song, "Shadows-on-the-Teche" to Hall in 1930.[8]
In 1927, Hall was a charter member of the New Orleans Art League.[9] He injured his arm in 1937, and was forced to give up painting, and around this time he started to focus more on photography.[10]
Hall died on June 27, 1958, and was initially buried at the Rose Hill Cemetery. In 1961, his body was moved to the family plot at Shadows-on-the-Teche cemetery. He never married. Hall left the Shadows-on-the-Teche to the National Trust for Historic Preservation after his death.[11]
Hall's art work is including in public museum collections at the Pennsylvania Academy of the Fine Arts.[12] In Henry Miller's book, The Air-Conditioned Nightmare (1945), includes information about his time in New Iberia and Hall is quoted (page 97).[13]