Birth Name: | Norman Trevor Sansom |
Birth Date: | 18 January 1912 |
Birth Place: | London, England |
Death Place: | London, England |
William Norman Trevor Sansom[1] FRSL (born Norman Trevor Sansom; 18 January 1912 - 20 April 1976) was a British novelist, travel and short-story writer known for his highly descriptive prose style.
Sansom was born in London, England, the third son of Ernest Brooks Sansom, MINA, a naval architect, by his wife Mabel (née Clark).[2] [3] He was educated at Uppingham School, Rutland, before moving to Bonn to learn German. Named Norman Trevor Sansom at birth, he was called "William" as a child and used this name throughout his life.[3]
From 1930, Sansom worked in international banking for the British chapter of a German bank, and in 1935 he moved to an advertising company where he worked until the outbreak of World War II. Then he became a full-time London firefighter, serving throughout The Blitz. His experiences during that time inspired much of his writing, including many of the stories in the celebrated collection Fireman Flower. He also appeared in Humphrey Jennings's famous film about the Blitz, Fires Were Started, as the fireman who plays the piano.
After the war, Sansom became a full-time writer. In 1946 and 1947 he was awarded two literary prizes by the Society of Authors, and in 1951 was elected a Fellow of the Royal Society of Literature. In 1954, he married actress Ruth Grundy, daughter of Norman Grundy, FCA. They had two sons, Sean (adopted by Sansom; the son of Ruth Grundy's previous marriage to Grey Wilson Blake[4]) and Nicholas.[2]
As well as exploring war-torn London, Sansom's writing deals with romance (The Face of Innocence), murder ("Various Temptations"), comedy ("A Last Word") and supernatural horror ("A Woman Seldom Found"). The latter, perhaps his most anthologized story, combines detailed description with narrative tension to unravel a young man's encounter with a bizarre creature in Rome.
Sansom died suddenly at St Mary's Hospital, London, from a serious illness.[5] [6] [7]
In his classical work The Presentation of Self in Everyday Life, Erving Goffman used an extended paragraph of Sansom's A Contest of Ladies to develop his model of the social role and the dramaturgical approach to sociology.[8]