William Lloyd Webber Explained

William Lloyd Webber
Birth Name:William Southcombe Lloyd Webber
Birth Date:11 March 1914
Birth Place:London, England
Death Place:London, England

William Southcombe Lloyd Webber (11 March 1914 – 29 October 1982) was an English organist and composer, who achieved some fame as a part of the modern classical music movement whilst commercially facing mixed opportunities. Besides his long and prestigious career, composing works ranging from choral pieces to instrumental items and more, he is known for being the father of both fellow composer Andrew Lloyd Webber and virtuoso cellist Julian Lloyd Webber. He also notably served as a teacher, instructing pupils on music theory at the Royal College of Music for many years until his death in 1982.[1]

Childhood

Webber was born in London. The son of William Charles Henry Webber, a self-employed plumber, he was fortunate that his father was a keen organ 'buff' who spent what little money he had travelling to hear various organs in and around the capital. Often he would take his son with him and, before long, young William started to play the organ himself and developed a keen interest that bordered on the obsessional.[2]

By the age of 14, William Lloyd Webber had already become a well-known organ recitalist, giving frequent performances at many churches and cathedrals throughout Great Britain. He won an organ scholarship to the Mercers' School, later winning a further scholarship to study at the Royal College of Music, where he studied with Ralph Vaughan Williams and gained his FRCO diploma at nineteen. Because there was already another student at the college with the name William Webber, William continued to use his second middle name 'Lloyd' from then on as part of his last name.

Prolific years

Lloyd Webber's earliest known composition is the "remarkably assured" Fantasy Trio in B minor for violin, cello and piano of 1936 (which didn't receive its premiere until 1995).[3] In 1938, he was appointed organist and head of the choir school at All Saints, Margaret Street, in the Marylebone district of London. He later became musical director at Westminster Central Hall, London, the headquarters of the Methodist church in the United Kingdom. His first compositions developed in the 1930s. In 1942 he married the pianist and violinist Jean Hermione Johnstone (1921–1993).[4] The marriage, which lasted until his death, produced two sons: composer Andrew (born 1948) and cellist Julian (born 1951).

From 1945 until the 1960s, Lloyd Webber composed vocal and instrumental music, choral and organ works, chamber music and orchestral works. Compositions from this period include the oratorio St. Francis of Assisi (1948), the orchestral tone-poem Aurora (1948), and the six Country Impressions (1960), each movement for a solo woodwind instrument and piano.[5] There are also sonatinas for viola and flute, numerous songs, organ pieces and choral works. But Webber's roots were firmly embedded in the romanticism of such composers as Sergei Rachmaninov, Jean Sibelius and César Franck, and he became increasingly convinced that his own music was 'out of step' with the prevailing climate of the time. Rather than compromise his style, he turned to the academic side of British musical life. He taught at the Royal College of Music, directed the choir of Westminster Central Hall, and in 1964 was appointed Director of the London College of Music, a post which he held until his death in 1982.[2]

Selected works

Orchestra

  1. Gossamer (A Little Waltz)
  1. Willow Song (A lament)
  1. Tree Tops (A Toccatina)

I. Barcarolle (1951)

II. Romance (1980)

III. Elegy (1960)

Brass band

I. Prelude

II. Adagio

III. Festival March

Chamber music

  1. In the Half-Light (1951)
  1. Air Varié (adapted from Tantum Ergo by César Franck)
  1. Slumber Song
  1. Mulberry Cottage for flute and piano (1960)
  1. On Frensham Pond, Aquarelle for clarinet and piano (1960)

Choral

  1. Sing the Life, Easter Carol for chorus and accompaniment
  1. A Hymn of Thanksgiving for unison voices and organ
  1. O Love, I Give Myself to Thee for female chorus and organ
  1. O for a Closer Walk with God for chorus and organ
  1. Then Come, All Ye People, Carol for chorus and accompaniment
  1. The Lord Is My Shepherd for chorus and organ
  1. Love Divine, All Loves Excelling for chorus and organ (1964); from The Good Samaritan

Partsongs

Vocal

  1. And I Saw a New Heaven
  1. The King of Love (from The Saviour)
  1. Thou Art the King (from The Divine Compassion)

Piano

  1. Gossamer (A Little Waltz)
  1. Willow Song (A lament)
  1. Tree Tops (A Toccatina)
  1. Mattinata
  1. Siesta
  1. Napolitana
  1. A Song for the Morning (1957); composed under the pseudonym Clive Chapel
  1. Scherzo in G minor
  1. Arabesque
  1. Romantic Evening
  1. Explanation; composed under the pseudonym Clive Chapel
  1. Song without Words
  1. Presto for Perseus
  1. Autumn Elf
  1. Badinage de Noël
  1. Cake Walk
  1. Sentimental Waltz
  1. Air
  1. Scherzo
  1. Evening Hymn
  1. China Doll

Organ

  1. Prelude
  1. Barcarolle
  1. Nuptial March
  1. Prelude on St Cross
  1. Choral March
  1. Communion
  1. Solemn Procession
  1. Prelude on Passion Chorale
  1. Prelude on Rockingham
  1. Festal March
  1. Prelude on Gerontius
  1. Aria
  1. Verset
  1. Prelude on Winchester New
  1. Vesper Hymn
  1. Meditation on Stracathro
  1. Prelude
  1. Slumber Song
  1. Summer Pastures
  1. Romance
  1. Intermezzo
  1. Christ in the Tomb (from The Divine Compassion)
  1. Postlude
  1. Arietta in A major
  1. Minuet
  1. Recessional
  1. Andantino alla Cantilena
  1. Introit
  1. Dedication March
  1. Pastorale
  1. Epilogue
  1. Noel Nouvelet
  1. Song without Words
  1. Trumpet Minuet
  1. God Rest You Merry, Gentlemen
  1. The Coventry Carol
  1. Good King Wenceslas
  1. Interlude on 'The Holly and the Ivy'
  1. Interlude on 'Whence is this goodly fragrance?'
  1. Interlude on 'Noël nouvelet'
  1. Interlude on 'Good King Wenceslas'
  1. Interlude on 'Coventry Carol'
  1. Interlude on 'God Rest You Merry, Gentlemen'
  1. I. Allegro moderato
  1. II. Risoluto
  1. III. (Resurgam) Andante elegiaco
  1. IV. Maestoso, ma con anima
  1. I. Prelude
  1. II. Fugal Allegro
  1. III. Minuet
  1. IV. Choral Song

Discography

External links

Notes and References

  1. Web site: BBC Radio 3 – Sunday Feature, Billy – The Other Lloyd Webber . Bbc.co.uk . 9 August 2014 . 18 September 2015.
  2. Web site: Julian Lloyd Webber on his composer father | Music . The Guardian. 16 April 2004 . 18 September 2015.
  3. https://www.hyperion-records.co.uk/notes/67008-B.pdf William Lloyd Webber: piano music, chamber music and song
  4. Web site: John Lill . Obituary: Jean Lloyd Webber – People – News . The Independent. 14 December 1993 . 18 September 2015.
  5. https://d2me0q24x7p585.cloudfront.net/748871065321.pdf Robert Matthew-Walker. Notes to British Chamber Music, SOMM CD 0653 (2022)

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