| Willie Bobo | |
| Background: | non_vocal_instrumentalist |
| Birth Name: | William Correa |
| Birth Place: | East Harlem, New York, U.S. |
| Birth Date: | 28 February 1934 |
| Instrument: | Timbales, conga, various percussion instruments |
| Genre: | Latin jazz, Afro-Cuban jazz, Boogaloo |
| Occupation: | Musician |
William Correa (February 28, 1934[1] – September 15, 1983),[2] better known by his stage name Willie Bobo, was an American Latin jazz percussionist of Puerto Rican descent. Bobo rejected the stereotypical expectations of Latino music and was noted for his versatility as an authentic Latin percussionist as well as a jazz drummer easily moving stylistically from jazz, Latin and rhythm and blues music.[3]
Born William Correa to a Puerto Rican family, Bobo grew up in Spanish Harlem, New York City, United States.[1] [4] His father played the cuatro, a ten stringed guitar-like instrument. As a teenager, Bobo taught himself the bongos and later the congas, timbales and drums.[5] In 1947, Bobo started working as a band boy for Machito in order to gain entrance to the band's concerts, sometimes filling in on percussion.
At age 12, he began his professional career as a dancer and two years later made his recording debut as a bongo player.
He met Mongo Santamaría shortly after his arrival in New York and studied with him while acting as his translator. In the early 1950s, Bobo recorded with Mary Lou Williams. She is said to have first given the nickname Bobo.[6]
From 1954 until 1957, Bobo played with Tito Puente's band as part of the percussion section alongside Santamaria. Bobo joined George Shearing's band on the album The Shearing Spell.
After leaving Shearing, Cal Tjader asked Bobo and Santamaría to become part of the Cal Tjader Modern Mambo Quintet, who released several albums as the mambo craze reached fever pitch in the late 1950s.[1] Reuniting with his mentor Santamaría in 1960, the pair released the album Sabroso! for the Fantasy label. Bobo later formed his own group, releasing Do That Thing/Guajira with Tico and Bobo's Beat and Let's Go Bobo for Roulette, without achieving huge penetration.
After the success of Tjader's Soul Sauce, in which he was heavily involved, Bobo formed a new band with the backing of Verve Records, releasing Spanish Grease, the title track being perhaps his most well known tune.[1] Highly successful at this attempt, Bobo released a further six albums with Verve.
In 1969, he moved to Los Angeles.[1] He again met up with his longtime friend Richard Sanchez Sr. and his son Richard Jr. and began recording in the studio. Bobo then worked as a session musician for Carlos Santana among others, as well as being a regular in the band for Bill Cosby's variety show Cos.[1] Santana covered Willie Bobo's Latin song "Evil Ways" (written by Clarence "Sonny" Henry) in 1969 on their debut album. In the late 1970s, Bobo recorded albums for Blue Note and Columbia Records.
Bobo's youngest son, Eric Bobo (Eric Correa), is a percussionist with crew Cypress Hill. He also performed on the Beastie Boys' 1994 album Ill Communication. His grandson, William Valen Correa, is co-founder of the music-based non-profit organization HNDP Los Angeles.
After a period of ill health, Bobo died at the age of 49, succumbing to cancer.[7]
With Nat Adderley
With Dorothy Ashby
With Bob Brookmeyer
With Dave Burns
With Eddie "Lockjaw" Davis
With Miles Davis
With Victor Feldman
With José Feliciano
With Benny Golson
With Dexter Gordon
With Grant Green
With Chico Hamilton
With Slide Hampton
With Herbie Hancock
With Eddie Harris
With Bobby Hutcherson
With Herbie Mann
With Les McCann
With Gary McFarland
With Buddy Miles
With Wes Montgomery
With Oliver Nelson
With Dave Pike
With Tito Puente
With Ike Quebec
With Terry Reid
With Dannie Richmond
With Charlie Rouse
With A. K. Salim
With Mongo Santamaria
With Doc Severinsen
With Sonny Stitt
With Gábor Szabó
With Clark Terry
With Cal Tjader
With Don Wilkerson