William Corbett (October 11, 1942 – August 10, 2018)[1] was an American poet, essayist, editor, educator, and publisher.
Corbett's work and public readings acknowledge the influence on him of jazz, modernist and imagist poetry (especially William Carlos Williams and Ezra Pound in his later work), the group of poets in Donald Allen's seminal anthology The New American Poetry 1945–1960, many of them from the Black Mountain College community (most notably Allen Ginsberg, Frank O'Hara, James Schuyler, his friends Robert Creeley and John Wieners, and his mentor, Charles Olson), classical Chinese poets (mainly Li Po), and French poetry of the mid-19th to early 20th centuries (especially Guillaume Apollinaire).
Corbett served as a teacher in the Expository Writing program at Harvard University and as writer-in-residence in the Program of Writing and Humanistic Studies at Massachusetts Institute of Technology (MIT), where he taught classes focusing on the craft of the personal essay and the creation of poetry. He edited for the small publisher Pressed Wafer, which specializes in poetry broadsides, chapbooks and books.[2]
Corbett edited the letters of James Schuyler and published two memoirs: Philip Guston's Late Work: A Memoir (1994) and Furthering My Education (1997). He wrote frequently on art, and in 1999 published a book on the sculptor John Raimondi. Corbett had been a member of the CUE Art Foundation's Advisory Council since the Foundation opened its doors in 2003. He lived in Boston's South End for most of his adult life, but moved to Brooklyn, New York. Corbett served as the poetry editor of Grand Street and frequently submitted work to local Boston newspapers, including the Boston Phoenix, for which he contributed book reviews. He also taught at New York University.[3]
He was married and had two daughters.