| Why? | |
| Cover: | WhySingle.jpg |
| Type: | single |
| Artist: | Bronski Beat |
| Album: | The Age of Consent |
| Released: | 14 September 1984[1] |
| Genre: | |
| Length: |
|
| Label: | London |
| Producer: | Mike Thorne |
| Prev Title: | Smalltown Boy |
| Prev Year: | 1984 |
| Next Title: | It Ain't Necessarily So |
| Next Year: | 1984 |
"Why?" is a single by British synth-pop band Bronski Beat and appeared on their 1984 album The Age of Consent.
The song, recorded at RPM Studio in New York City and mixed at Townhouse Studios in London, pursued an energetic musical formula, while the lyrics focused more centrally on anti-gay prejudice. The song opens with a questioning vocal by frontman and vocalist Jimmy Somerville and the shattering of breaking glass. It was the trio's second Top 10 success in the UK, throughout Europe and in Australia and is today considered a popular gay anthem.
The drawing for the single cover, of a man with his head in his hands, was drawn for the band by Glasgow artist Robert McAulay, who was associated with the band at the time.
Reviewing the song for Melody Maker, Adam Sweeting described it as "all rather twisted and tragic, especially when sung by those painfully keening vocals (the song is dedicated to murdered gay playwright Drew Griffiths). Like Soft Cell before them, the Bronskingtons suit this frugal format better than most, basically because they've had the guts to go the whole hog". Sweeting adds that "what would be predictable electroboredom in more ineffectual outfits here takes on the status of obsession, building busily towards a tense and involving climax".[8]
Reviewing for Smash Hits, Dave Rimmer wrote "this was written for Martin, a friend of the Bronskis who was hounded out of the country by his boyfriend's irate and violent parents" and described it as "a worthy follow-up to "Smalltown Boy"".[9] Dave Ling for Number One agreed with this last point and wrote that the song "could almost be a sequel to their debut, continuing the tale of a young gay suffering humiliation and animosity as he tries to live his life".[10]
In Record Mirror, the song was described as "flowing with unchained melodies, and dealing a deadly double blow to your heart and (shoe) souls" and that "it sounds something akin to Sylvester meets Pigbag in a battle for dancefloor supremacy".[11] John Leland of Spin agreed, "another slice of aerobics bounce music that goes for a burn Jane Fonda never heard of. This cut glistens with the hip smoothness that made Bronski Beat, along with Sade, the most important new act in dance music."[12]
| Chart (1984–1985) | Peak position |
|---|---|
| Australia (Kent Music Report)[13] | 10 |
| Europe (Airplay Top 50)[14] | 4 |
| Europe (Europarade Top 40)[15] | 4 |
| Europe (Eurochart Hot 100)[16] | 5 |
| Germany Airplay Top 15[17] | 10 |
| Italy (Musica e dischi)[18] | 5 |
| South Africa (Springbok Radio)[19] | 7 |
| Spain Airplay[20] | 2 |
| Spain (AFYVE)[21] | 10 |
| UK Airplay Top 20[22] | 1 |
| US Hot Dance Club Play[23] | 27 |
| US Billboard Hot Dance Music/Maxi-Singles Sales | 20 |
| Chart (1984) | Position | |
|---|---|---|
| Belgium (Ultratop 50 Flanders)[24] | 23 | |
| Netherlands (Dutch Top 40)[25] | 22 | |
| Netherlands (Single Top 100)[26] | 26 | |
| UK Singles (Gallup)[27] | 67 | |
| West Germany (Official German Charts)[28] | 72 |
In France, the single reportedly sold at least 300,000 copies.[29]