Where Rivers Meet | |
Type: | studio |
Artist: | Zoe Rahman |
Cover: | Zoe Rahman - Where Rivers Meet.jpg |
Label: | Manushi |
Where Rivers Meet is a studio album by English musicians Zoe and Idris Rahman, released on 22 September 2008 by Manushi Records.[1]
Zoe and Idris Rahman discovered Bengali music in 2002, when their father, Mizan Rahman, was hospitalised and Zoe played 1950s Bengali music for him while he recovered.[2] Zoe became intrigued by the sounds and subsequent trips to Bangladesh allowed her to learn about her background through music.[3]
In April 2010, Zoe told Manchester Evening News, "We [Zoe and Idris Rahman] wanted to learn about our family heritage by delving into this rich musical source and hope that in the process the songs will be seen in a new light by those who already know them. Perhaps they will take others on a journey of discovery similar to the one we have experienced through making this album."[3]
Idris added: "This album represents a very personal journey that Zoe and I have taken into our own culture through music directly taught or recommended by our father, cousins and other close friends and musicians."[3]
Songs make up about a third of Where Rivers Meet,[4] with the remaining two thirds instrumental.[5] The tunes include three by Bengali Nobel Laureate Rabindranath Tagore — "Invitation Missed", "Stream Of Joy" and "Do You Wish To Forget?"[2] The songs were also inspired by Abbasudddin and Hementa Kumar Mukerjee amongst others.[3]
John Fordham of The Guardian rated Where Rivers Meet 3/5 and called the album "...a distinctive, heartfelt and unusual world music venture."[6] John Lusk of BBC Music said "It's a slow grower, and a modest rather towering achievement, but give its gentle charms a chance and you may find yourself liking it a whole lot more than you'd expected."[5]
Chris May of All About Jazz rated the album 4.5/5 and said, "It's best described as chamber jazz hybridized with Bengali popular music, and is a vibrant affair packed with melodies—some joyful, others sad, all of them intensely pretty—and gorgeously lyrical improvisations."[2] Ian Mann of The Jazz Mann described it as "A thoroughly enjoyable musical journey. One of the most distinctive releases of the year."[7]
Kenny Mathieson of The List rated 3/5 and said, "The beguiling melodies and richly coloured harmonies combine to form a fascinating, lightly textured hybrid that is part chamber jazz and part Bengali folk-pop music... A distinctly different and always absorbing take on the world jazz phenomenon.[4] Metro rated the album 4/5 and said "...Zoe's [Rahman's] distinctive piano sounds more comfortable and freewheeling than ever before, rumbling away around the chord changes and providing wonderful texture throughout."[8]