| Welcome to the N.H.K. | |
| Ja Kanji: | N・H・Kにようこそ! |
| Ja Romaji: | N.H.K. ni Yōkoso! |
| Type: | novel |
| Author: | Tatsuhiko Takimoto |
| Illustrator: | Yoshitoshi Abe |
| Publisher: | Kadokawa Shoten |
| Published: | January 28, 2002 |
| Type: | manga |
| Author: | Tatsuhiko Takimoto |
| Illustrator: | Kenji Oiwa |
| Publisher: | Kadokawa Shoten |
| Demographic: | Shōnen |
| Magazine: | Monthly Shōnen Ace |
| First: | December 26, 2003 |
| Last: | May 26, 2007 |
| Volumes: | 8 |
| Type: | tv series |
| Director: | Yūsuke Yamamoto |
| Music: | Pearl Brothers |
| Studio: | Gonzo |
| Network: | Chiba TV, TV Saitama, tvk, KBS, GBS, WTV, TVN, MTV, HOME |
| First: | July 9, 2006 |
| Last: | December 17, 2006 |
| Episodes: | 24 |
| Episode List: | List of Welcome to the N.H.K. episodes |
is a Japanese novel written by Tatsuhiko Takimoto. It was published by Kadokawa Shoten in Japan in January 2002, and in English by Tokyopop in October 2007. The story revolves around Tatsuhiro Sato, a 22-year-old hikikomori, an asocial recluse, who gets aid from a strange girl who seems to know a lot about him, despite never having met him before. Common themes throughout the story deal with depression, anxiety, isolation, existential dread, the hardships of life and how people must deal with them in their own way. The novel profusely analyzes the hikikomori phenomenon, which is relatively widespread in Japan.
Welcome to the N.H.K. was adapted into a manga series, also written by Takimoto, with art by Kendi Oiwa. The manga was serialized between June 2004 and June 2007 in Kadokawa Shoten's manga magazine Shōnen Ace. The manga's forty chapters have been collected into eight bound volumes released in Japan and overseas. The English edition of the manga is published by Tokyopop, and the first volume was released in October 2006. The novel was also adapted into a 24-episode anime television series by Gonzo which aired in Japan between July and December 2006 on Chiba TV. In North America, the series was licensed for English release by ADV Films, who released it on DVD in 2007. In 2008, the anime became one of over 30 ADV titles acquired by Funimation.
In Japan, NHK refers to the Japan Broadcasting Corporation (Nippon Hōsō Kyōkai), Japan's national public broadcaster, but within the series the main character believes it stands for, which is a reference to the protagonist's claim of a subversive conspiracy led by NHK (the real-life broadcaster) to create hikikomori. While it mainly deals with the phenomenon of hikikomori, the plot also explores many other Japanese subcultures—for example otaku, lolicon, and Internet suicide pacts.
Welcome to the N.H.K. revolves around the lives of several young adults all living in or around the city of Tokyo. Many different lifestyles are shown though most of the time the story focuses on the concepts of being a hikikomori (a reclusive individual who withdraws from society), anime otaku, and having most of the characters experience intense feelings of depression and loneliness.
The main protagonist is Tatsuhiro Satō, a university dropout entering his fourth year of unemployment. He leads a reclusive life as a hikikomori, ultimately coming to the conclusion that this happened due to some sort of conspiracy. One day just when his life seems entirely unchanging, he meets Misaki Nakahara, a mysterious girl who claims to be able to cure Tatsuhiro of his hikikomori ways. She presents him with a contract basically outlining that once a day they would meet in the evening in a local park where Misaki would lecture to Tatsuhiro in an effort to rid him of his lifestyle. During these outings, many subjects are discussed, though they almost always pertain in some way to psychology or psychoanalysis. One of their first meetings in fact deals with interpreting Tatsuhiro's recent dreams. Both Tatsuhiro and Misaki, however, have a tendency of over-doing things, such as hiding the truth, especially from each other and themselves. Despite Misaki's offer and pressing attempts at salvation, it is Tatsuhiro's neighbor and high school friend, Kaoru Yamazaki, whom Tatsuhiro often turns to in moments of need and support. Despite his own idiosyncrasies, Yamazaki is one of the more stable characters in the story.
The plots within the novel, manga and anime are each rather different from one another, and many themes and personalities differ between each. The novel also regularly mentions drug use by the main character, and later, his friend, Yamazaki. This element of the story is downplayed in the manga (drugs Satō uses are referred to as "legal psychedelics purchased off the internet"), and left out of the story altogether in the anime (with the exception of Hitomi). This is likely due to several reasons, including a more public-friendly rating, as well as ultimately being unneeded for the progression of the plot. The references to lolicon that are present within the novel and manga have also been downplayed within the anime, where most of the women the characters lust after are of mature age, although brief hints still remain.
The of Satō's imagination is supposedly a sinister conspiracy which aims to turn people into hikikomori and NEETs. No clear reason why they would do this is offered, although Satō considers the potential of an "army" of displaced individuals, and it is mentioned that hikikomori are created for the purpose of giving society someone to look down upon, making themselves feel superior. The majority of the N.H.K.'s work is done through the media, via broadcasting anime and other material that is likely to turn the viewer into an otaku. Throughout the series, many shots of advertising hoardings or movie posters incidentally displayed in other locations bear N.H.K. references.
Satō on occasion also believes that the N.H.K. takes a more active role via the use of agents, although of course these agents only appear in dream sequences or flashbacks. Three types of N.H.K. agents are seen: the first are classic Men in Black who appear to have the ability to disguise themselves as anyone else they wish. They occupy key roles in a target's life, ensuring that they fail to develop. The second are cute, or more precisely moe girls who directly break the hearts of targets or who, via celebrity status, induce targets to have impossible or unrealistic expectations of relationships, destroying their ability to develop them in the real world (Satō never considers how, or even if, the N.H.K. would target women). Satō at one point fears that Misaki may be an agent of this type. The final type of agents are bizarre goblin-like creatures who are grey all over but for a letter (usually "N", "H" or "K") written in yellow on their belly. These creatures appear to be the masterminds of the entire N.H.K. conspiracy, but more likely than not they are Satō's mental image of the spreading mindset or circumstances he associates with the N.H.K. In the novel, it is hinted that Tatsuhiro may not actually believe the conspiracy to exist but instead needed an imaginary enemy to vent his frustrations on and to help motivate him into overcoming his hikikomori ways.
The real-life public broadcaster NHK, which is the source of the acronym that is parodied by the series, really does provide a support website for real-life hikikomori.[1] In the manga and novel, a concrete link between the public broadcaster NHK and Satō's Nihon Hikikomori Kyokai is implied; in the anime, although the conspiracy is still named NHK, no such correspondence is drawn and it appears that the NHK does not even exist as a broadcaster in the anime's version of Japan (in the anime, Misaki has never heard of the acronym when Satō says it to her). This may have been because the anime was broadcast on TV channels operated by other Japanese broadcasting companies, thus implying that it related to the real TV company and could have been interpreted as slander against a competitor.
is a fictitious magical girl anime of which Kaoru Yamazaki is a fan, featured only in the anime version (in the novel, Yamazaki is a fan of the real-world show Ojamajo Doremi, which is replaced by Puru Puru Pururin in the anime).[2] It is never explicitly stated, but strongly suggested, that Satō believes this series to be controlled by the N.H.K.; in fact, it is after seeing an episode of the series which inspires him to think up the N.H.K. as a concept. The series had a real website, which further suggested this.[3] For example, although it appears to be a children's style of series, the schedule on the website suggested that it is shown almost daily in the small hours of the morning, when children would not be awake, but hikikomori frequently are. Although the website listed the names of several real-world broadcast channels which supposedly carry the show, none of them are operated by the real-world NHK, again suggesting that in the anime's version of Japan, the N.H.K. is not a broadcasting company and is a conspiracy spanning all media. The listed broadcast times and channels are in fact the times at which the Welcome to the N.H.K. anime aired.
Only brief excerpts of Puru Puru Pururin are ever seen, and it is not possible to guess what powers the main character, Pururin, would have. It appears that Pururin is a good, heroic character and is assisted by a number of animated household objects, including a vacuum cleaner upon which she flies; her trademark is to randomly append the word Purin to the end of sentences, similarly to the title character in Di Gi Charat. The theme song first heard in the first episode is sung by Rumi Shishido. This theme appears in ringtone version throughout the series.
Welcome to the N.H.K. is a 192-page novel written by Tatsuhiko Takimoto, with the cover drawn by Yoshitoshi Abe of Serial Experiments Lain fame. The novel was first published on January 28, 2002 in Japan by Kadokawa Shoten, and the bunko edition was published in 2005.
The manga series is illustrated by manga author Kendi Oiwa. It was serialized in Kadokawa Shoten's manga magazine Shōnen Ace between December 26, 2003 and May 26, 2007.[4] [5] The manga's forty chapters have been collected into eight bound volumes released in Japan. Tokyopop licensed the manga for release in English, and the first volume was published on October 10, 2006.[6] The manga version diverges from the original version later in the story. After Tokyopop's license expired, Viz Media picked up the series in 2015.[7]
In November 2005, the limited edition of the fourth Japanese volume was published with a Misaki figurine which caused sales of the manga to skyrocket, and was once ranked third at Japan's Amazon website in terms of sales. The limited edition of the sixth volume, released in November 2006 in Japan, included the hard copy of the bishōjo game from the manga, True World: Shinjitsu no Sekai. The game was authored by Tatsuhiko Takimoto, the characters designed by Kendi Oiwa and produced by Circus (famous for ). The limited edition of the eighth volume included a diploma signifying graduation from being a hikikomori.
See also: List of Welcome to the N.H.K. episodes. A 24-episode anime adaptation produced by Gonzo and directed by Yusuke Yamamoto aired in Japan between July 9 and December 17, 2006 on Chiba TV and on later dates on other JAITS stations. Hiroshima Home Television, a local ANN station in Hiroshima, aired the series from July 16 to December 23, 2006. The series was coordinated by Satoru Nishizono, featured character design by Takahiko Yoshida, and the music was headed by Masao Fukuda. ADV Films licensed the anime for $240,000[8] and released the first DVD of the English edition in October 2007. In 2008 the English license was transferred to Funimation.[9] Siren Visual has licensed the series for release in Australia and New Zealand.[10]
The anime has four pieces of theme music; two opening themes and two ending themes. The first opening theme, was written by Rieko Ito, composed by Kitagawa Katsutoshi, and performed by Round Table featuring Nino. The second opening theme is a remix of the first entitled which was produced by the same people as with the first opening theme. The first ending theme used for episodes one through twelve,, was written by Kenji Otsuki, composed by Fumihiko Kitsutaka, and featured vocals by Otsuki and Kitsutaka. The second ending theme used for episodes thirteen through twenty-four,, was written and composed by Yugo Sasakura, arranged by Masanori Shimada, and performed by Yui Makino.
A. E. Sparrow of IGN gave the novel a nine out of ten while comparing it to Catcher in the Rye, saying "there's enough Holden Caulfield, or even Tyler Durden, in Satou and the events that surround him to make this story a solid read for anyone interested in books that examine the human condition."[11]
The manga version of Welcome to the N.H.K. was also positively reviewed. Writing for Anime News Network, Carlo Santos rated the Tokyopop releases of the third manga volume with a B grade for story, an A− for art, and an A− overall. Speaking on the volume's art, Santos noted "it's endlessly entertaining to watch the parade of shocked, disturbed and stressed-out faces as Satou confronts each of society's ills," as well as highlighting the "detailed backgrounds" and "clean, rectangular layouts and frequent speedlines." Concerning the writing, "the dialogue is full of vigor and wit, with a straightforward tone that conveys mad outbursts, tearful breakdowns, and everything in between." And with regards to the adaptation, Santos praised the volume by writing "out of Tokyopop's many, many translations, this series stands among one of their best, if not the best."[12] Santos was more couched in his approval for the fourth volume, giving it a C+ for story, an A− for art, and a B grade overall. While criticizing that "the plot has taken a vacation," he wrote that "those who are into NHK for the highly developed character drama, however, will find these chapters to be some of the most memorable yet," and concluded "it may not be the best or most entertaining volume of NHK, but it does serve its purpose, which is to deepen the story and make the characters even more dysfunctional and twisted than they already are."[13]
The anime series was generally well received by critics. In his review for Animation World Magazine, James Brusuelas wrote "Welcome to the NHK is a true anime gem," describing it as "a delicately human tale." He went on to praise the series, saying "This is more than just anime. This is film." Concluding his review, he remarked "I cannot recommend this series enough. It is perhaps the best anime I saw during 2008."[14]