| Al Wajh | |
| Official Name: | Al Wajh |
| Settlement Type: | City |
| Native Name: | Arabic: الوجه |
| Pushpin Map: | Saudi Arabia |
| Subdivision Type: | Country |
| Subdivision Name: | Saudi Arabia |
| Subdivision Type1: | Province |
| Subdivision Name1: | Tabuk Province |
| Population As Of: | 2013 |
| Population Total: | 50000 |
| Timezone: | AST |
| Utc Offset: | +3 |
| Timezone Dst: | AST |
| Utc Offset Dst: | +3 |
| Coordinates: | 26.2833°N 36.4167°W |
Al Wajh (Arabic: الوجه), also written Al Wejh, is a coastal city in north-western Saudi Arabia, situated on the coast of the Red Sea. The city is located in the Tabuk Province. It is one of the largest cities in Tabuk region, with a population of 50,000 as of 2013.
Al Wajh played a pivotal role during the Arab Revolt in World War I. In 1917, Al Wajh was taken by Prince Faisal's forces and used as a base of operations for a series of attacks on the Hejaz Railway.[1] (See HMS Anne for the British side of that operation). In the past, it has been known by other names including Al Hijr port, Mada'in Saleh, Al Yaqoubi and Al Udhri.[2]
Al Wajh is a comparatively big city, inhabited mainly by citizens from Al Balawi, Bedaiwi-Alali, Al Huety and Al Johani tribes. Fishing is a primary activity of the city's residents and the port is the central location where this occurs - the Al Wajh port used to be one of the main shipping centres in the region 50 years ago.
The town is served by the Al Wajh Domestic Airport and has close links with the city of Tabuk, with a road connecting the two locations.
The Al Wajh Domestic Airport is a small airport located on the outskirts of the town. It serves as a gateway to Wajh and the surrounding areas for both tourists and locals. The airport offers flights to several destinations within Saudi Arabia, including Jeddah, Riyadh, and Medina.
Al Wajh is the subject of a painting by Clarkson Frederick Stanfield, an engraving of which was published in Fisher's Drawing Room Scrap Book, 1832 as along with a poetical illustration by Letitia Elizabeth Landon that reflects on the slowness of navigation amongst the numerous coral reefs in the area.[3]