Weather Bird Explained

Weather Bird
Type:single
Artist:Louis Armstrong
B-Side:Dear Old Southland
Released:late 1928 or early 1929
Recorded:December 5, 1928
Genre:jazz
Label:Okeh 41454
Url:https://www.discogs.com/Louis-Armstrong-Weather-Bird-Dear-Old-Southland/release/14448169
Louis Armstrong - Weather Bird / Dear Old Southland (1929, Shellac)
Website:Discogs
Accessdate:2020-01-25

"Weather Bird" is a musical composition by Joe Oliver.[1] However Thomas Brothers has suggested that it was composed by Louis Armstrong, because Armstrong sent a lead sheet of "Weather Bird Rag" to Washington, D.C. for copyright in April 1923[2] and that, despite its 1923 copyright date, it was composed by Armstrong during his time on the Mississippi river boats.[2]

On December 5, 1928, Louis Armstrong and Earl Hines recorded it as a duet between trumpet and piano.[3] [4] [5] That recording is regarded as the "most famous duet in jazz history".[6] (In fact, it was issued by Okeh Records as Louis Armstrong's "trumpet solo with piano accompaniment by Earl Hines"[7]

Notes and References

  1. Book: Ilse Storb. Louis Armstrong: the definitive biography. 1999. Peter Lang. 9780820431031 .
  2. Book: Brothers, Thomas. Louis Armstrong: Master of Modernism. W.W. Norton & Company. 2014. 978-0-393-06582-4. New York, NY.
  3. Book: Hugues Panassie. Louis Armstrong. 1979. Da Capo Press. 978-0-306-79611-1.
  4. Book: Rick Kennedy. Jelly Roll, Bix, and Hoagy: Gennett Records and the Rise of America's Musical Grassroots. 8 February 2013. Indiana University Press. 978-0-253-00769-8. 148–.
  5. Book: Edward Brooks. The young Louis Armstrong on records: a critical survey of the early recordings, 1923-1928. 1 July 2002. Scarecrow Press. 978-0-8108-4073-7.
  6. Book: Neil Powell. The Language of Jazz. 2000. Taylor & Francis. 978-1-57958-277-7. 50–.
  7. Web site: GRAMMY Hall Of Fame. GRAMMY.com. 2020-01-25.
  8. and is sometimes considered a solo. Armstrong had also performed the composition before, as second cornet with Oliver's Creole Jazz Band in 1923.) Citing its improvisational sound, Brothers describes this recording as "fun and exceptional, a worthy document of a unique musical friendship."

    Awards

    The recording by Louis Armstrong and Earl Hines was inducted in the Grammy Hall of Fame in 2008.[7]