Weary Blues (album) explained

Weary Blues
Type:Studio
Artist:Langston Hughes with Charles Mingus and Leonard Feather
Cover:Weary Blues MGM.jpg
Released:1958
Recorded:March 17–18, 1958
New York City
Genre:Jazz poetry
Label:MGM E 3697
Producer:Leonard Feather
Chronology:Charles Mingus
Prev Title:East Coasting
Prev Year:1957
Next Title:A Modern Jazz Symposium of Music and Poetry
Next Year:1959

Weary Blues (also referred to as The Weary Blues) is an album by the American poet Langston Hughes, who recites several of his poems over jazz accompaniment composed and arranged by Leonard Feather and Charles Mingus. The album was recorded on March 17 & 18, 1958 in New York and was released on the MGM label in 1959. It was later reissued on Verve Records.[1] [2]

On side 1 (track 1) of the album Hughes is backed by a Leonard Feather organized group that includes Henry "Red" Allen, Sam "The Man" Taylor, Vic Dickenson, Milt Hinton, and Osie Johnson. On side 2 (tracks 2 and 3) the accompaniment is by a Charles Mingus led group that includes Horace Parlan, Shafi Hadi, and Jimmy Knepper.

Reception

The AllMusic review by Michael Katz called it "interesting, but not essential".[3]

Track listing

  1. "Blues Montage: Opening Blues/Blues Montage/Commercial Theater/Morning After/Could Be/Testament"
  2. "Consider Me: The Stranger/Midnight Stroll/Backstage
  3. "Dream Montage: Weird Nightmare/Double G Train/Jump Monk

Personnel

Track 1:

Tracks 2 and 3:

Notes and References

  1. http://www.jazzdisco.org/charles-mingus/catalog/#mgm-e-3697 Charles Mingus discography
  2. Web site: Verve Records Discography: 1958 . accessed May 2, 2022
  3. Katz, M. Allmusic Review accessed December 4, 2012