| We Are Mari Pepa | |
| Director: | Samuel Kishi |
| Producer: | Laura Blanco Alex Briseño Toiz Rodríguez Iñiguez Samuel Kishi |
| Starring: | Alejandro Gallardo Arnold Ramírez Rafael Andrade Muñoz Moisés Galindo Petra Iñiguez Robles |
| Studio: | Teonanacatl Audiovisual Cebolla Films |
| Released: | October 23, 2013 (FICM) November 10, 2013 (AFI Fest) February 2014 (Berlinale) March 14, 2015 (Villeurbanne) |
| Runtime: | 95 minutes |
| Country: | Mexico |
| Language: | Spanish |
We Are Mari Pepa (Spanish: Somos Mari Pepa) is a 2013 Mexican comedy-drama film directed by Samuel Kishi (in his directorial debut) and written by Kishi & Sofía Gómez-Córdova.[1] It features Alejandro Gallardo, Arnold Ramírez, Rafael Andrade Muñoz, Moisés Galindo and Petra Iñiguez Robles.[2] It is based on the 2011 short film Mari Pepa by the same director.[3]
Alex is a 16-year-old teenager who has 3 goals for his summer. First, create together with your rock band a new song. Second, get a job. And lastly, having your first sexual experience. During his summer he will realize that his grandmother begins to need more help from him, then he will understand that he must mature and learn to say goodbye.[4]
The actors participating in this film are:[5]
We Are Mari Pepa had its world premiere on October 23, 2013, at the Morelia International Film Festival.[6] It also premiered on November 10, 2013, at the AFI Fest in Los Angeles,[7] in February 2014 at the 64th Berlin International Film Festival[8] and on March 14, 2015, at the Villeurbanne Festival Reflets du cinéma ibérique et Latino-américain in France.[9]
On the review aggregator website Rotten Tomatoes, 90% of 10 critics' reviews are positive, with an average rating of 5.4/10.
Clayton Dillard from Slant Magazine comments that the film works because of its massive interest in adolescent shock, where paralysis and uncertainty can only be momentarily heightened through gender outrage.[10] Alissa Simon from Variety called the film charming primarily for Samuel Kishi and Sofía Gomez-Cordova's treatise on the screenplay, despite the episodic narrative at first seeming to wander, by the end, the precisely edited structure of rhyme and repetition long ago. that the whole adds up to more than the sum of its parts.[11] Boyd van Hoeij from The Hollywood Reporter mentions that the director manages to expand his 2010 short film in this film, although in the end the story is not decided whether to focus only on Alex or on all the members of Mari Pepa, Samuel Kishi manages to reflect youth culture, also highlights the contagious spirit and juvenile that the young actors transmit without affectation in their characterizations.[12]
| Year | Award | Category | Recipient | Result | Ref. |
|---|---|---|---|---|---|
| 2014 | Berlin International Film Festival | Crystal Bear - Generation 14plus | Samuel Kishi | [13] [14] | |
| Miami International Film Festival | Ibero-American Opera Prima Award | [15] | |||
| Ibero-American Opera Prima Award - Special Mention | |||||
| Toulouse Latin America Film Festival | Prix CCAS - Prix Des Électriciens Gaziers | [16] | |||
| Great Mexican Film Party | Best Film | [17] | |||
| Best Director | |||||
| Best Actor | Alejandro Gallardo | ||||
| 2015 | Ariel Awards | Breakthrough Male Performance | [18] | ||
| Breakthrough Female Performance | Petra Iñiguez Robles | ||||
| Best Original Score | Kenji Kishi |