| Wayne Horvitz | |
| Landscape: | yes |
| Background: | non_vocal_instrumentalist |
| Birth Date: | 1 September 1955 |
| Birth Place: | New York City, U.S. |
| Origin: | Seattle, Washington |
| Genre: | Jazz, experimental rock, classical |
| Occupation: | Musician |
| Instrument: | Keyboards |
| Associated Acts: | Naked City, Gravitas Quartet, Ponga, Sweeter Than The Day, Varmint |
Wayne Horvitz (born 1955) is an American composer, keyboardist and record producer.[1] He came to prominence in the Downtown scene of 1980s and '90s New York City, where he met his future wife, the singer, songwriter and pianist Robin Holcomb. He is noted for working with John Zorn's Naked City among others. Horvitz has since relocated to the Seattle, Washington area where he has several ongoing groups and has worked as an adjunct professor of composition at Cornish College of the Arts.[2]
Horvitz, a "defiant cross-breeder of genres",[3] has led the groups The President, Pigpen, Zony Mash, and the Four Plus One Ensemble.
Works for theater and dance include music for the 1998 production of Death of a Salesman for Seattle's ACT theater (directed by Gordon Edelstein); productions of Ezra Pound's Elektra and the American premiere of Harold Pinter's Mountain Language, both directed by Carey Perloff. In 1992 choreographer Paul Taylor created a new work, OZ, to eleven compositions by Wayne Horvitz in collaboration with the White Oak Dance Company. Other theater and dance works include music for Bill Irwin's Broadway show, Strictly NY, and productions by the Liz Lerman Dance Exchange, Ammi Legendre, Nikki Apino and House of Dames and the Crispin Spaeth Dance Company.
Horvitz has also composed and produced music for a variety of video, film, television and other multimedia projects, including two projects with director Gus Van Sant, a full length score for PBS's Chihuly Over Venice, and two films about the creation of Seattle's EMP museum. His 85-minute score to Charlie Chaplin's film The Circus, for two pianos, two clarinets, and violin premiered in January 2000 in Oporto, Portugal.
As of April 2007 Horvitz performs with Gravitas Quartet, Sweeter Than The Day and Varmint. Since 2008, Horvitz has led The Golden Road,[4] playing music from the early years of The Grateful Dead. In December 2011, Horvitz opened the Royal Room,[5] a live music venue in Columbia City, Seattle. Since that time he has developed his technique of conduction, a framework for conducted improvisation using hand gestures that refer to precomposed musical structures that draws on his previous work with Butch Morris.[6]
Wayne Horvitz, 4+1 Ensemble (+ Reggie Watts, Eyvind Kang, Julian Priester, Tucker Martine)
Wayne Horvitz, Gravitas Quartet (+ Ron Miles, Peggy Lee, Sara Schoenbeck)
Wayne Horvitz, Sweeter Than the Day (+ Timothy Young, Keith Lowe, Andy Roth)
Pigpen (Wayne Horvitz, Briggan Krauss, Mike Stone, Fred Chalenor)
The President (Wayne Horvitz, Bobby Previte, Dave Sewelson, Kevin Cosgrove, Joe Gallant / Stew Cutler, Doug Wieselman, Dave Hofstra)
Zony Mash (Wayne Horvitz, Timothy Young, Fred Chalenor / Keith Lowe, Andy Roth, Briggan Krauss)
Robin Holcomb / Wayne Horvitz
Wayne Horvitz, Butch Morris, William Parker Trio
Wayne Horvitz, Butch Morris, Bobby Previte Trio
Wayne Horvitz / Ron Samworth/ Peggy Lee/ Dylan van der Schyff
Mylab (Tucker Martine, Wayne Horvitz…)
New York Composers' Orchestra (Wayne Horvitz, Herb Robertson, Steven Bernstein, Marty Ehrlich, Ray Anderson, Robin Holcomb,…)
Ponga (Wayne Horvitz, Dave Palmer, Bobby Previte, Skerik)
Donald Rubinstein, Wayne Horvitz and Zony Mash
The Sonny Clark Memorial Quartet (John Zorn, Wayne Horvitz, Ray Drummond, Bobby Previte)
John Zorn, Elliott Sharp, Bobby Previte, Wayne Horvitz
With Bill Frisell
With Robin Holcomb
With Bobby Previte
With Michael Shrieve
With Hal Wilner and James Grauerholz on William S. Burroughs
With John Zorn