Warren Neidich Explained

Warren Neidich
Nationality:American
Field:Contemporary art
Awards:Vilém Flusser Theory Award 2010, presented at Transmediale,[1] Fulbright Program Scholar Fellowship, Fine Arts Category, 2013[2]

Warren Neidich ([3]) is an American artist who lives in Berlin and Los Angeles.[4] He was a professor at Kunsthochschule Weißensee School of Art,[5] [6] Berlin and visiting scholar at Otis College of Art and Design, Los Angeles.[7]

Neidich is founding director of the Saas-Fee Summer Institute of Art (SFSIA).[8] He has collaborated with artists, curators and critics including: Barry Schwabsky (co-director of SFSIA), Armen Avanessian, Nicolas Bourriaud, Tiziana Terranova, Franco Berardi, Hans-Ulrich Obrist, Isaac Julien,[9] Hito Steyerl,[10] Chris Kraus (American writer),[11] and many others.

His work has been exhibited at numerous institutions including: MoMA PS1,[12] Whitney Museum of American Art,[13] LACMA – Los Angeles County Museum of Art,[14] [15] California Museum of Photography, ICA – Institute of Contemporary Arts, London, Museum Ludwig, Cologne, and Walker Art Center, Minneapolis, Minnesota.[16]

In relation to his exhibitions and extended theories he has edited and published over 10 books, including Neuromacht, Merve Verlag (German), 2017, the Psychopathologies of Cognitive Capitalism: Part One (2013), Two (2014), and Three (2017), Archive Books (English), the Noologist's Handbook and Other Art Experiments, Anagram, 2013, From Noopower to Neuropower: How Mind Becomes Matter, 2010[17] and, Cognitive Architecture. From Biopolitics to Noopolitics. Architecture & Mind in the Age of Communication and Information, 2010.[18]

He was collaborator, along with Elena Bajo and others, on Exhibition 211 in New York, 2009.

Main themes

A major theme in Neidich's practice can widely be summarised as neuroaesthetics (not to be confused with mainstream neuroesthetics), an area of critical and constructive thought, which can loosely be seen as the confluent impact of the brain on a cultured environment and, importantly, vice versa, upon which he began lecturing in 1996 at the School of Visual Arts in New York City. His website artbrain.org, which includes The Journal of Neuro-Aesthetic Theory, was published online in 1997.[19] Cognitive capitalism (cognitive-cultural economy), 'critical' neuroscience, neuroplasticity, post-Workerism, immaterial labor, and epigenesis are recurring themes since 1996, while earlier themes, between 1985 and 1996, were interested in culturally based work about race, politics, historical reenactment, fictive documentary, staging, photographic practice, the archive, and anachronistic technology.

On these topics he has published several books including: Neuromacht, 2017,[20] Psychopathologies of Cognitive Capitalism: Part One,[21] Two,[22] [23] and Three,[24] The Noologist's Handbook and Other Art Experiments, 2013,[25] [26] From Noopower to Neuropower: How Mind Becomes Matter, 2010[27] [28] and Cognitive Architecture (From Biopolitics to Noopolitics. Architecture & Mind in the Age of Communication and Information), 2010,[29] and Blow Up: Photography, Cinema and the Brain, 2003.[30] [31]

Neidich's work has examined the co-evolution of the history of art, brain, and mind, which provides a critical foundation to his understanding of neuroaesthetics as an ontologic process. The key to neuroaesthetics is the investigation of apparatuses in which a network of heterogeneous discourses is administered. As the world and technology change, so to the apparatuses which organize it, and the cognitive strategies with which one can understand it. This is especially true of the information age, which distributes such apparatuses non-linearly and profusely. Neidich's work is inspired by Michael Snow, Stan Brakhage, Jean-Luc Godard and the Apparatus Theory of Stephen Heath.

Studies and teaching

Warren Neidich has studied in diverse fields since 1970 including Photography, Psychology, Biology, (BA Magna Cum Laude Washington University in St. Louis), Neurobiology (as research fellow at California Institute of Technology, under the laboratory of Roger Wolcott Sperry who later won the 1981 Nobel Prize in Physiology and Medicine) and Architecture, he is also a Board Certified Ophthalmologist from Tulane Medical Center.

Neidich has collaborated with Goldsmiths College on several occasions since 2003, when he was visiting artist and lecturer. In 2005 he organized the first symposium on Neuroaesthetics, and in 2014, with Mark Fisher, he organized a symposium titled 'The Psychopathologies of Cognitive Capitalism: The Cognitive Turn Organized'.[32]

At Delft School of Design, Delft University of Technology in The Netherlands (where he was a PhD candidate under Professor Dr. Arie Graafland), in 2008 he co-organized "Architecture in Mind: From Biopolitics to Noo politics."

Art practice and theories

Early works (1985–1996)

From 1985 to 1997 Neidich worked on a number of projects investigating the relationship between power and representation, focusing on reenactment, staging, fictive documentary and performance. Major works from this time include the American Civil War studies The Battle of Chickamauga and Amputation without Anaesthesia exhibited at The Photographic Resource Center, Boston in 1991 and "American History Reinvented" (1986–1991) at Burden Gallery, Aperture Foundation, New York City, in 1989. Neidich's appropriation of historical moments by means of photography has been discussed by John Welchman, Christopher Phillips,[33] Graham Clarke, and David Joselit.[34]

The series of altered photographs "Unknown Artist", which recast the early 20th-century art coterie as a social rather than an individual phenomenon, were installed at Berlin's Paris Bar in 1994 in collaboration with Martin Kippenberger and Michel Wertle.[35]

In 1994, Neidich's photography-based sculptural installation Collective Memory and Collective Amnesia (1991–94) used the culturally-constructed story of Anne Frank to reflect upon pop culture's vulgarization of history. Neidich's slide show projection "Beyond the Vanishing Point: Media Myth in America" was shown at N.Y. Kunsthalle, NYC in 1995. It traced a journey across America fifty years after Jack Kerouac, culminating in a surrealist photographic exposé of the media encampment that grew outside the courthouse during the O.J. Simpson trial in Los Angeles (1995–97). The book Camp O.J., published by D.A.P.[36] exposed the condition of infotainment.

The introduction of Neuroaesthetics (1996–2002)

In 1996 Neidich, began to explore the phenomenological conditions surrounding the cultural and historical aspects of his work. These research projects took the form of texts and lectures entitled "Neuroaesthetics", first delivered at the School of Visual Arts in New York, 1995–1996 when Neidich was visiting lecturer in the Department of Photography and Related Media under Charles Traub. In 1997 With the help of Nathalie Angles, current director of Residency Unlimited,[37] he launched the platform artbrain.org, consisting of The Journal of Neuroaesthetics and Netspace Gallery. Neuroaesthetics, (differing from the scientific approach with the same name often spelled neuroesthetics), believes that artists in all their modes such as poetry, cinema, installation art and architecture, using their own spaces, apparatuses, materials, sense of time, and performative gestures, can elaborate truths about the noumenal and phenomenal world on part with those generated by the sciences. These truths compete effectively in the marketplace of ideas.

The post-structuralist brain/mind/body/world complex, in which cultural mutations are transposed into parallel changes in the mind, brain and body, expressed in works such as "Brainwash" (1997), Neidich's first application of his hybrid dialectics, developed greater tenacity in 1999 when Neidich curated "Conceptual Art as Neurobiological Praxis" at Thread Waxing Space in New York which "rather than being a show about the collaboration between art and science or a reductive methodology of how the brain works, the exhibition attempted to promote the idea of a becoming brain" and included artists: Uta Barth, Sam Durant, Charline von Heyl, Jason Rhoades, Liam Gillick, Douglas Gordon, Thomas Ruff, Simon Grennan and Christopher Sperandio, and others.[38]

Neidich's video-works from this period include Apparatus, Memorial Day (1998), Kiss, and Law of Loci(1998–99). The exhibitions "The Mutated Observer Part 1" (2001), and "The Mutated Observer Part 2" (2002) at the California Museum of Photography showcased a number of handmade apparatuses, so-called "Hybrid Dialectics", in vitrines adjacent to those of the museum's collection.

Recent work (2006–2017)

Neidich's essay The Neurobiopolitics of Global Consciousness, published in the Sarai Reader Turbulence' in 2006,[39] clearly connected the ideas of neural plasticity, epigenesis and Empire. Topics such as Neuro biopolitics were extended to include the political impact of immaterial labor and the Information Age on the production of architecture and built space, specifically in relation to the ways in which intense sensory and perceptual effect are now used to organize cultural attention.

These ideas later evolved into a series of performative drawings staged in his studio at IASPIS in Stockholm (2008) and at The Drawing Center, New York (2009). The same year Neidich also organized the conference "The Power of Art" at The Drawing Center, New York.

In 2008 Onomatopee published Neidich's book Lost Between the Extensivity-Intensivity Exchange for which he outlined that the "inauguration of the 21st century could be described as a time of cultural torpor resulting from free floating anxiety, ambivalence, and wavering", going on to say, "the condition, suggested by the title, that of being lost in the ‘in-between zone’ of extensive and intensive labor and two evolving partially incommensurable world views, the local (tribal) and global (cosmopolitan) or the nation-state and the Earthling, merged"[40] [41]

"What has become obvious to me is that in our moment of cognitive capitalism in which the brain and mind are the new factories of the twenty-first century, forms of activism invented during industrial capitalism like refusal to work, absenteeism, and labor strikes are no longer up to the task" – Warren Neidich 2017[42] [43]

In Pizzagate (2017) Neidich returned to his earlier work on apparatus entitled 'Hybrid Dialectics' (1997–2003).[44] In the work he delineates the new apparatuses of the knowledge economy like clickbait and memes as they produce new forms of subjectivity.

Drive-By-Art

In May 2020, in response to the impact of the COVID-19 epidemic, Neidich curated the exhibition Drive-By-Art (Public Art in This Moment of Social Distancing) which took place at various locations, first in the Hamptons and then later in Los Angeles. The exhibitions featured work by 174 artists spread over multiple locations in "an attempt to bring back a sense of solidarity to the artistic and cultural community".[45] The exhibition was featured in numerous publications including Artforum, Time, The Chicago Tribune and The New York Times.

Saas-Fee Summer Institute of Art

The Saas-Fee Summer Institute of Art (SFSIA) is a nomadic academy that originated in Saas-Fee, Switzerland in 2015, and moved to Berlin in 2016 where it could engage with the local active art scene. SFSIA maintains the moniker today simply as a nod to its origins.[46] It was founded by fine artist and theorist Warren Neidich, and is co-directed by art critic and poet Barry Schwabsky. The school has included many notable collaborators in workshops or as speakers. SFSIA was born as a parallel program to the activities at the neighboring European Graduate School (EGS), sharing the evening public program, however with no formal connection.

Schwabsky, in conversation with Jennifer Teets for Art & Education, has described his desire for the school to respond to a "crisis" across the sector wherein art academies are "controlled by administrators—not by faculty—an ever-expanding layer of bureaucrats who are removed from the real needs of students and the realities of teaching and research."[46]

Each year SFSIA has approached a new theme, the founding being 'Art and the Politics of Estrangement' (2015),[47] followed by 'Art and the Politics of Individuation: Affect and the Multiple Body in Cognitive Capitalism' (2016)[48] and 'Art & the Politics of Collectivity' (2017).[49] The 2018 program circulates around the theme of 'Art and Politics in the Age of Cognitive Capitalism' and will take place in Los Angeles and Berlin.[50]

List of collaborators:[51]

Exhibitions

Selected solo exhibitions

Selected group exhibitions

Public projects

Books

External links

Notes and References

  1. Web site: Award Winners 2010 – transmediale. transmediale.de. January 29, 2018.
  2. Web site: Warren Neidich – Fulbright Scholar Program. cies.org. January 29, 2018. January 6, 2018. https://web.archive.org/web/20180106063731/https://www.cies.org/grantee/warren-neidich. dead.
  3. Web site: Cathérine Hug in conversation with Warren Neidich. September 22, 2012. 7 May 2020.
  4. http://www.barbaraseiler.ch/artists/warren-neidich/ Artist page, Galerie Barbara Seiler
  5. Web site: Warren Neidich: New at the Academy – Public Lecture – Weißensee Kunsthochschule Berlin – Pressemitteilung. lifepr.de. 28 October 2017.
  6. Web site: Personen – Weißensee Kunsthochschule Berlin. kh-berlin.de. January 29, 2018.
  7. Web site: Search Otis. Otis College of Art and Design. 28 October 2017.
  8. Web site: About – Saas-Fee Summer Institute of Art. saasfeesummerinstituteofart.com. January 29, 2018.
  9. Web site: Program Saas-Fee Summer Institute of Art. saasfeesummerinstituteofart.com. 28 October 2017. October 28, 2017. https://web.archive.org/web/20171028202627/http://saasfeesummerinstituteofart.com/program-2017/. dead.
  10. Web site: Program 2015 Saas-Fee Summer Institute of Art. saasfeesummerinstituteofart.com. 29 October 2017. October 30, 2017. https://web.archive.org/web/20171030022721/http://saasfeesummerinstituteofart.com/program-2015/. dead.
  11. News: Apparatus (1998) – Warren Neidich. August 1, 1997. Warren Neidich. 15 January 2018.
  12. Web site: Museum of Modern Art MoMA. The Museum of Modern Art. 28 October 2017.
  13. Web site: Whitney Museum of American Art: Warren Neidich. collection.whitney.org. 28 October 2017.
  14. Web site: Interview with Collector Deborah Irmas on "This Is Not a Selfie: Photographic Self-Portraits from the Audrey and Sydney Irmas Collection" Unframed. unframed.lacma.org. March 22, 2017 . 28 October 2017.
  15. Web site: Site LACMA Collections. collections.lacma.org. 28 October 2017.
  16. Web site: Walker Art Center. walkerart.org. 28 October 2017.
  17. Web site: 540 541 From Noopower to Neuropower: How Mind Becomes Matter 5 Paolo Virno, A Grammar of the Multitude, translated by Isabella Bertoletti, James Cascaito. xenopraxis.net.
  18. Book: Cognitive architecture: from bio-politics to noo-politics ; architecture & mind in the age of communication and information. Hauptmann. Deborah. Neidich. Warren. Angelidakis. Andreas. 2010. 010 Publishers. 9789064507250. Rotterdam. en. 702610443.
  19. Web site: Artbrain: Journal of Neuro-Aesthetic Theory No. 1 (1997–99). artbrain.org. 13 December 2017. April 2, 2018. https://web.archive.org/web/20180402074710/http://www.artbrain.org/category/journal-neuro-aesthetic-theory/journal-neuro-aesthetic-theory-1/. dead.
  20. Web site: Merve – Warren Neidich: Neuromacht, Kunst im Zeitalter des kognitiven Kapitalismus. merve.de. 29 October 2017.
  21. Neidich. Warren. Psychopathologies of Cognitive Capitalism Part 1.
  22. News: The Psychopathologies of Cognitive Capitalism . ICI Berlin. 29 October 2017.
  23. Neidich. Warren. Psychopathologies of Cognitive Capitalism Part 2.
  24. Web site: RAM Publications. rampub.com. 29 October 2017.
  25. Web site: Warren Neidich Berlin Works – Archive Kabinett. archivekabinett.org. 29 October 2017.
  26. "The Inner Perspective of the Noologist's Mind", by Suzana Milevska, in Warren Neidich, The Noologist's Handbook and Other Art Experiments, Ed. Suzana Milevska, Archive Books, 2013,
  27. "From Noopower to Neuropower: How Mind Becomes Matter", by Warren Neidich, in Cognitive Architecture: From Bio-politics to Noo-politics,edited by Deborah Hauptmann and Warren Neidich, 010 Publishers, Rotterdam, 2010, .
  28. "Neurobiopolitics of Global Consciousness"
  29. Web site: Cognitive Architecture. From Biopolitics to NooPolitics Architecture & Mind in the Age of Communication and Information Deborah Hauptmann, Warren Neidich 9789064507250. www.naibooksellers.nl. nl. 29 October 2017.
  30. Web site: Warren Neidich. goodreads.com. 29 October 2017.
  31. Web site: Brain Sculpting and Cinema: Blow-Up: Photography, Cinema and the Brain by Warren Neidich • Senses of Cinema. sensesofcinema.com. 29 October 2017. October 20, 2005.
  32. News: The Psychopathologies of Cognitive Capitalism: The Cognitive Turn Organized by Mark Fisher and Warren Neidich. Goldsmiths, University of London. 24 November 2017.
  33. Web site: Necessary Fictions: Warren Neidich's Early-American Cover-Ups. Phillips. Christopher. January 22, 2018. January 22, 2018. https://web.archive.org/web/20180122125735/http://warrenneidich.com/texts/phillips_necessary_fictions.pdf. dead.
  34. Book: Joselit, David. HISTORICAL IN(TER)VENTIONS. May 1, 1991. Massachusetts Inst Technology. 9780938437383. Cambridge, (Mass.). en.
  35. News: Unknown Artist (1992–94) – Warren Neidich. February 3, 1994. Warren Neidich. 22 January 2018.
  36. Book: Warren Neidich Camp O.J. Artbook D.A.P. 2001 Catalog Bayly Art Museum Books Exhibition Catalogues 9780970626301. www.artbook.com. 22 January 2018.
  37. Web site: Residency Unlimited Nathalie Anglès – Executive Director. www.residencyunlimited.org. 22 January 2018.
  38. News: Conceptual Art as Neurobiological Praxis (1999) – Warren Neidich. January 3, 2007. Warren Neidich. 16 January 2018.
  39. Web site: Sarai Reader 06: Turbulence : s a r a i. sarai.net. October 10, 2006 . 15 January 2018.
  40. Web site: onomatopee. onomatopee.net. 21 December 2017.
  41. Web site: An aftermath essay by Warren Neidich. onomatopee. December 22, 2017. January 25, 2016. https://web.archive.org/web/20160125015544/http://www.onomatopee.net/backoffice/docs/Warren_Neidich_EDIT.pdf. dead.
  42. Neidich. Warren. Acid Architecture: Trans-Thinking in the Age of Cognitive Capitalism.
  43. Web site: Saas-Fee Summer Institute of Art: A Berlin Intensive at the Juncture of Theory, Praxis, and Art – School Watch – Art & Education. artandeducation.net. 21 December 2017.
  44. Neidich. Warren. On Visualized Vision in the Early Work of Warren Neidich, Suzanne Neubauer, Theory, Culture and Society. Theory, Culture & Society . 2010 . 27 . 7–8 . 306 . 10.1177/0263276410383717 . 55544660 .
  45. https://www.drive-by-art.org/wp-content/uploads/2020/05/Press-Release-LA-Drive-By-Art.pdf
  46. Web site: Saas-Fee Summer Institute of Art: A Berlin Intensive at the Juncture of Theory, Praxis, and Art – School Watch – Art & Education. artandeducation.net. 5 January 2018.
  47. Web site: Program & Faculty 2015 Saas-Fee Summer Institute of Art. saasfeesummerinstituteofart.com. 15 January 2018. October 30, 2017. https://web.archive.org/web/20171030022721/http://saasfeesummerinstituteofart.com/program-2015/. dead.
  48. Web site: Program & Faculty 2016 Saas-Fee Summer Institute of Art. saasfeesummerinstituteofart.com. 15 January 2018. January 16, 2018. https://web.archive.org/web/20180116004502/http://saasfeesummerinstituteofart.com/program-2016/. dead.
  49. Web site: Program Saas-Fee Summer Institute of Art. saasfeesummerinstituteofart.com. 15 January 2018. October 28, 2017. https://web.archive.org/web/20171028202627/http://saasfeesummerinstituteofart.com/program-2017/. dead.
  50. Web site: Program & Faculty Los Angeles 2018 Saas-Fee Summer Institute of Art. saasfeesummerinstituteofart.com. 15 January 2018. January 16, 2018. https://web.archive.org/web/20180116004504/http://saasfeesummerinstituteofart.com/program-faculty-otis-summer-2018/. dead.
  51. Web site: Saas-Fee Summer Institute of Art. saasfeesummerinstituteofart.com. 5 January 2018.
  52. Web site: Warren Neidich, Color of Politics. April 15, 2017. January 29, 2018.
  53. Web site: Activism // 'The Politics of Color': Warren Neidich at Kunstverein am Rosa-Luxemburg-Platz – Berlin Art Link. June 20, 2017. January 29, 2018.
  54. Web site: Upcoming Events Warren Neidich: The Palinopsic Field. welcometolace.org. January 29, 2018.
  55. Web site: LA>. laxart.org. January 29, 2018. December 1, 2017. https://web.archive.org/web/20171201040141/http://www.laxart.org/initiatives/view/warren-neidich-the-artists-library-2/#images. dead.
  56. Web site: NSA/USA: Sound as Prophecy – Manifesta 10, 2014 – Warren Neidich. October 14, 2013. January 29, 2018.
  57. Web site: Lecture: Artistic Research in the 21st Century by Warren Neidich – Cairo Urban Initiatives Platform. cuipcairo.org. January 29, 2018.
  58. Web site: Experimental Performance by Warren Neidich – عرض تجريبي للفنان وارن نيديش. facebook.com. January 29, 2018.
  59. Web site: How do you... /Warren Neidich /seconds /issue #14. slashseconds.co.uk. January 29, 2018.
  60. Web site: Warren Neidich - artist, news & exhibitions - photography-now.com. photography-now.com. January 29, 2018.
  61. Web site: Art day trips: Warren Neidich's "Book Exchange" at Glenn Horowitz Bookseller – Things to Do, Blogs, Time Out New York blog – reviews, guides, things to do, film – Time Out New York. Time Out New York. January 29, 2018. November 15, 2017. https://web.archive.org/web/20171115082731/https://www.timeout.com/newyork/own-this-city-blog/art-day-trips-warren-neidichs-book-exchange-at-glenn-horowitz-bookseller. dead.
  62. Web site: Magnus Müller Temporary :: Exhibitions. magnusmuller.com. January 29, 2018.
  63. Web site: Trolley Gallery – Blanqui's Cosmology . April 13, 2010 . July 17, 2011 . https://web.archive.org/web/20110717105050/http://www.trolleybooks.com/exhibitionSingle.php?exhibId=48 . dead .
  64. Web site: Earthling (2006) – Warren Neidich. February 4, 2013. January 29, 2018.
  65. Web site: Storefront for Art and Architecture | . August 29, 2009 . June 27, 2009 . https://web.archive.org/web/20090627082453/http://www.storefrontnews.org/archive_dete.php?objID=37 . dead .
  66. Web site: Archived copy . November 14, 2017 . November 15, 2017 . https://web.archive.org/web/20171115082744/http://www.warrenneidich.com/press/ArtinAmerica1.pdf . dead .
  67. Web site: warren neidich. 138.23.124.165. January 29, 2018. November 15, 2017. https://web.archive.org/web/20171115082923/http://138.23.124.165/exhibitions/neidich/default.html. dead.
  68. Web site: Exposition Cultural Residue : données. archives.villa-arson.org. January 29, 2018.
  69. Book: Warren Neidich : cultural residue : contamination-decontamination : [exposition] Galerie de l'Ecole, Villa Arson, Nice, 21 janvier – 13 février 1994]. doc.macval.fr. 1994. Villa Arson. Nice . January 29, 2018.
  70. Web site: Photographic Resource Cednter at Boston University | past exhibitions . November 14, 2017 . March 20, 2017 . https://web.archive.org/web/20170320025310/http://www.bu.edu/prc/19901991.htm . dead .
  71. Web site: Warren Neidich: Historical In(ter)ventions. MIT List Visual Arts Center. January 29, 2018. April 11, 2014.
  72. http://www.slashseconds.org/issues/002/004/articles/wneidich/index.php
  73. Web site: Globale: Infosphere September 5, 2015 (All day) to January 31, 2016 (All day) ZKM. zkm.de. 25 November 2017.
  74. Web site: Fax – Exhibitions – Independent Curators International. curatorsintl.org. 25 November 2017.
  75. News: Everything is connected he, he, he. Museet. Astrup Fearnley. Astrup Fearnley Musee. 25 November 2017. December 1, 2017. https://web.archive.org/web/20171201030556/http://www.afmuseet.no/en/utstillinger/2004/everything-is-connected-he-he-he. dead.
  76. Web site: BitStreams. whitney.org. 25 November 2017.
  77. Web site: Finding aid for the Robert Sobieszek Archive, 1836–2005. November 25, 2017. December 1, 2017. https://web.archive.org/web/20171201040228/http://ccp.arizona.edu/sites/default/files/finding-aid-pdfs/ag232_sobieszek_2.pdf. dead.
  78. Book: Photography of Invention. MIT Press. March 14, 1989. 9780262192804. 25 November 2017 . Smith . Joshua P. .
  79. Book: Milevska . Suzana . Warren Neidich: The Noologist's Handbook and Other Art Experiments . 2013 . Archive Books . Berlin . 978-2-918252-18-4 . 307 . 16 June 2024.
  80. Web site: Neuromacht – Shop – Mediengruppe Deutscher Apotheker Verlag. deutscher-apotheker-verlag.de. 24 November 2017.
  81. Web site: RAM Publications. rampub.com. 24 November 2017.
  82. Web site: Warren Neidich Berlin Works – Archive Kabinett. archivekabinett.org. 24 November 2017.
  83. Web site: Lost Between the Extensivity / Intensivity Exchange – Antenne Books. antennebooks.com. 24 November 2017.
  84. Web site: Earthling. Noble. Barnes &. Barnes & Noble. 13 December 2017.
  85. Web site: Warren Neidich – Announcements – e-flux. e-flux.com. 24 November 2017.
  86. Book: Warren Neidich: Camp O.J.. Hunt. David. Neidich. Warren. Margulies. Stephen. May 2, 2001. Bayly Art Museum. 9780970626301. Stainback. Charles. Charlottesville. en.
  87. Book: Philip, Popcock. Warren Neidich : Cultural Residue : Contamination-Decontamination. 1994. e-artexte.ca. 13 December 2017. Galerie de l'École, Villa Arson.
  88. Web site: Warren Neidich: Historical In(ter)ventions. MIT List Visual Arts Center. 13 December 2017. April 11, 2014.
  89. Book: Neidich, Warren. American History Reinvented. January 1, 1989. Aperture. 9780893813710. 1st. New York. en.

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