| Warlord | |
| Schedule: | Weekly |
| Ongoing: | y |
| War: | y |
| Publisher: | D. C. Thomson & Co. Ltd |
| Startmo: | September |
| Startyr: | 1974 |
| Endmo: | September |
| Endyr: | 1986 |
| Issues: | 627 |
| Main Char Team: | Codename: Warlord Union Jack Jackson Iron Annie |
| Subcat: | DC Thomson Comics |
| Sort: | Warlord |
| Nonus: | y |
Warlord was a comics anthology published weekly in the United Kingdom between 28 September 1974 and 27 September 1986.[1]
It was first published in 1974 by D.C. Thomson. The comic was dedicated to wartime adventures and was a popular success, leading IPC Magazines to create a competitor, Battle Picture Weekly, in 1975. Warlord included several stories per issue, initially centred on a character called Lord Peter Flint (Codename: Warlord), a World War II version of the popular spy James Bond.
At the end of 1978 Warlord absorbed D. C. Thomson's action comic Bullet. In total, Warlord ran for twelve years (627 issues), from 1974 until 1986, at which point it was incorporated into the long-running Victor. For the next four years after the comic's demise the publishers produced summer specials, ending in 1991.
Characters and stories included the popular Union Jack Jackson, Spider Wells, Bomber Braddock and Wingless Wonder. Features included True Life War Story and articles on weaponry called Weapons In Action. After Bullet was added to the comic, it featured that publication's main story Fireball - a secret agent who was Lord Peter Flint's nephew. The comic would often include free gifts such as replica military badges and plastic model warplanes. By solving a cryptographic puzzle and paying a small fee, a reader could become a "Warlord Secret Agent" with an identity card and code book, allowing him to decipher secret messages printed in the comic each week (a gimmick originally employed in the 1950s radio series Captain Midnight).
Before the addition of the more generally action-orientated Bullet, Warlord had been specifically geared towards stories and articles about World War II. Much of the language used in the stories was modern, and terms given used to describe the enemy reflected commonly used descriptions. The Allied forces always won in the end, and both Germans and Japanese were frequently negatively stereotyped.
Sometimes the Germans were shown in a heroic light, usually with honourable Wehrmacht or Luftwaffe officers as the heroes, and committed Nazis or SS officers as the bad guys. These tales were usually set on the Eastern Front to ensure the Germans were not shown killing their British or US enemies, the Russians being useful bogeymen. Comic Strips that followed this model included Iron Annie, about a heroic Junkers Ju 52 'Iron Annie' crew, and Kampfgruppe Falken which followed the exploits of a German penal battalion on the Eastern Front.
Warlord included many stories and characters set mainly in World War II and later conflicts like Korea. Though most of them featured heroes from Allied nations such as the UK and the US, there were some series which took the German point of view.
They included:
Not to be confused with Union Jack, a Marvel Comics character created by Roy Thomas and Frank Robbins.
His boss in London was the Churchillian (in character and physique) and probably purposefully so, secret service head 'Kingpin' who was to Warlord as 'M' is to James Bond. Warlord's mannerisms and idiom were Edwardian English upper class with such phrases as 'old chap', 'then I'm a Dutchman' and the casual (having just thwarted the Germans single-handedly again) 'toodle pip' (meaning 'goodbye') as he made his usual breathtaking escape to retake the mantle of his alter ego, the stay at home English gentleman, Lord Peter Flint.
Recurring enemies were Karl Schaft, an honourable German Abwehr agent. He was the mirror image of Flint in that both were patriotic and top agents. Adolf Gruber was very much the stereotyped evil Gestapo agent and had met Flint before the war when he had been a servant for one of Flint's German friends. A stable accident left Gruber with a limp and he blamed Flint for the accident.
The storyline borrowed from The Scarlet Pimpernel the idea of a seemingly upper-class fop actually being a daring wartime agent. Flint's ability to live in the real world as a flawed human being but hold secret his knowledge of his other 'superhuman' traits (the British 'stiff upper lip') is analogous to the modern era's 'Superman'.
The character 'Fireball' in Warlords sister comic Bullet (who ended up being incorporated into Warlord after Bullet was cancelled) was later revealed to be the nephew of Lord Peter Flint, and an older Flint made occasional guest appearances in the Fireball strip.
An aged Flint later reappeared in the digital Dandy's Retro Active story, as the commander of a superhero team.