| Walter Ernest Webster | |
| Birth Date: | 17 November 1877 |
| Birth Place: | Manchester, England |
| Death Place: | London, England |
| Nationality: | British |
| Occupation: | Figure and Portrait Painter and illustrator |
| Years Active: | 1900–1959 |
| Known For: | Figure and portrait paintings of young women |
| Notable Works: | Sonata, c.1935, at the McLean Museum and Art Gallery |
Walter Ernest Webster (17 November 187730 April 1959) was a British figure and portrait painter. He also worked as an illustrator.
Webster was born on 17 November 1877 His parents were Robert Walter Waithman Webster (born c. 1853), a salesman, and Mary Lowe (born c. 1856), the daughter of bookkeeper Edwin Lowe. He was baptised in Manchester Church of England Cathedral on 10 January 1878. He and his sister Gertrude Mary were the only children of the marriage.
Webster won a scholarship to study at the National Art Training Schools (which was renamed the Royal College of Art) before attending the Royal Academy Schools from 24 January 1899 to 1904.[1] He was a good student and won scholarships and prizes including:
The 1901 census found him living in at 71 Chelverton Road, Putney, London with his mother Mary and his elder sister Gertrude Mary, who was working as a governess (21 March 18764 October 1970). He was still living with his mother and sister at 71 Chelverton Road in 1911 but had already started working from Studio No.5 at 111, New Kings Road.
He enlisted for service in the British Army on 14 February 1916 and was mobilised on 6 June 1916. He was initially posted to the First (Reserve) Garrison Battalion of the Suffolk Regiment and was later transferred to the 15th Essex regiment. The Royal Engineers camouflage school tested him on 16 September 1918 and classified him as a superior painter. He was transferred to the Royal Engineers on 28 September 1918 and achieved the rank of acting Sergeant, having already been promoted to acting Lance Corporal on 16 August 1916. He was demobilised on 18 February 1919, having spent the entire war in England. He married Susan Beatrice Pearse (19 January 18782 January 1980), an artist and book illustrator, at Fulham in the last quarter of 1919.[5] Susan continued to use her maiden name professionally. The electoral register shows him still living at 71 Chelverton Road in 1919, but by 1920, after his marriage, it shows him living with his wife, mother, and sister at Broome Villa, 27 Broomhouse Road, near Parsons Green. He was still living there when he died on 30 April 1959. His estate was valued at £6,158 17s 9d, with his widow Susan and his sister Gertrude as joint executors.[6] His wife survived him by more than twenty years, dying at the 25 Broomhouse Road, next door to the former family home, on 3 January 1980, just 17 days before her 102nd birthday. Her estate was valued at £95,538.
Having once attended the Royal Academy Schools, Webster started exhibiting works at the Royal Academy, and continued to exhibit there almost every year until his death in May 1959. He also exhibited at the Royal Institute of Oil Painters, Royal Institute of Painters in Water Colours, Royal Glasgow Institute and the Paris Salon. He was awarded a bronze medal at the Paris Salon in 1912, and won silver medals there in 1913 and 1914, and a gold medal in 1931.
Even while a student, Webster began to work for magazines, building up a fair practice. He produced illustrations for the front covers of several publications including "Ladies' Home Journal" and "Etude". Many of these reflected the Art Deco style of the period. He also produced illustrations for books, including: eight colour plates for "Champion" by John Colin Dane (1907); four colour plates for "King of the Air: or, To Morocco on an Aeroplane" (1907) by Herbert Strang; four colour plates for "For Treasure Bound" by Harry Collingwood (1910).[7] He was elected a member of both the Royal Institute of Painters in Water Colours (RI) and the Royal Institute of Oil Painters (ROI) in 1920 and of the Royal Society of Portrait Painters (RP) in 1921. In 1937 he was elected vice-president of the Royal Society of Portrait Painters.
His obituary in The Times states that he was deeply influenced by Boucher and Chardin and that many of his pieces have an eighteenth-century flavour.
Webster produced a large body of work. He specialised in painting portraits of young women in a soft, fluid style. An image search for his name yielded over sixty unique images on Google. Artnet currently lists 161 auctions (including some pieces which have been sold numerous times) of works by Webster since 1995.[8]) Since 1998 the highest price paid for a work by Webster was US$62,935 for "The Japanese Fan", sold at Christie's London in 2004.[9]
Webster's work can be seen in many public collections in the UK including The Walker Art Gallery, Gallery Oldham, Paisley Museum and Art Galleries, McLean Museum and Art Gallery, Wellcome Collection, and the Government Art Collection. The last of these holds Webster's portrait of Her Majesty Queen Elizabeth II.[10] Webster had earlier painted a water colour of the young Princess Elizabeth.