Walk a Thin Line explained

Walk a Thin Line
Type:single
Artist:Fleetwood Mac
Album:Tusk
A-Side:Sisters of the Moon
Released:1979
Recorded:1978–1979
Genre:Soft rock
Length:3:46
Label:Warner Bros.
Producer:Fleetwood Mac, Richard Dashut, Ken Caillat

"Walk a Thin Line" is a song by British-American rock band Fleetwood Mac, released in 1979. Composed and sung by guitarist Lindsey Buckingham, it was one of his nine songs that appeared on the Tusk album.

Rolling Stone singled out "Walk a Thin Line" as one of Buckingham's more commercial tracks on Tusk.[1]

Background

Progress on "Walk a Thin Line" began in October 1978 under the working title "Lindsey's Song #3" at Buckingham's home studio, although much of the work was conducted in April 1979, with the song being built from scratch in Studio D at The Village Recorder. The song was constructed around found sounds around the studio, including a double-tracked toy piano, an instrument that Buckingham developed a fondness for. In 1978, Buckingham recommended the use of toy pianos on Bob Welch's re-recording of "Sentimental Lady" and Walter Egan's "Magnet and Steel", both of which Buckingham worked on. However, the toy pianos were soon replaced with a baby grand piano, which Buckingham played at half-speed with one finger. The piano track was then sped up to create a "jangly" quality to the instrument during the song's chorus.[2]

"Walk a Thin Line" was inspired by a Charlie Watts drum fill on "Sway", off the Rolling Stones album Sticky Fingers. This drum fill caught Buckingham's interest, and he intended to feature the part on one of his Tusk songs. The "military press-rolls" were multi-tracked and played by Buckingham rather than Fleetwood Mac drummer Mick Fleetwood.[3] "Mick was appalled. He was appalled that these drums were going out and people would think that it’s him because it offended the finer points of his sensibilities. And I understand that."[4] Buckingham later replaced the hi-hat part with two acoustic Ovation guitars played at different octaves.[2]

Producer Ken Caillat said that "it was remarkable how loose all the parts were. The low chunks that Lindsey played on his Gretsch were doubled, but they weren't played in time with each other, something very uncharacteristic from his earlier work where everything would be laid down perfectly."[2] Buckingham also recorded some backing vocals in a push-up position and sang into a microphone taped to the floor for a more "aggressive" vocal timbre.[5]

Mick Fleetwood version

"Walk a Thin Line" was one of the cover songs on Mick Fleetwood's 1981 debut solo album, The Visitor. This rendition was reinterpreted with African influences, and included an African group called Adjo, who contributed percussion and vocals on the track.[6] "As a percussion player, during these recordings, I was, as we say in England, ‘like a pig in shit.’" said Fleetwood. "I had the greatest time playing with these musicians..."[7] After the basic tracks were completed in Ghana, Fleetwood returned to London and invited George Harrison, Fleetwood's ex brother-in-law, into the studio to play slide guitar.[8] [9] George Hawkins, who sang lead vocals on the song and provided much of the instrumentation, said that Harrison "thought it was all together except maybe some slide. Our eyes lit up and Richard Dashut had him set up and ready to go in about ten seconds, before he had a chance to change his mind. So he played, then sang backgrounds with Sara [Recor]."[10]

At the beginning of the Mirage recording sessions, Fleetwood presented his own version to Lindsey Buckingham, the original writer of the song. Fleetwood said that he remembered "sitting Lindsey down and playing him that song and that he was really moved hearing our crazy band from Africa doing one of his tracks."[11]

Personnel

Notes and References

  1. Holden. Stephen. Fleetwood Mac Tusk Album Review. Rolling Stone. 13 December 1979. May 9, 2016.
  2. Book: Caillat . Ken . Get Tusked: The Inside Story of Fleetwood Mac's Most Anticipated Album . Rojas . Hernan . Backbeat Books . 2019 . 978-1-4930-5983-6 . Guilford, Connecticut . 284–292.
  3. Tusk (2015 Remastered) . Tusk . . 2016 . Jim . Irvin . 17 . Liner Notes . Warner Bros. Records Inc. . Publisher Warner Bros #2HS-3350 . Los Angeles.
  4. Web site: Zollo. Paul. 1997 . Songwriters On Songwriting, Expanded Edition . 19 May 2023. The Blue Letter Archives. https://web.archive.org/web/20151230161910/http://bla.fleetwoodmac.net/index.php?page=index_v2&id=145&c=9 . 2015-12-30 .
  5. News: Anderson. Sam. Letter of Recommendation: Fleetwood Mac 'Tusk'. 12 September 2016. New York Times. 18 February 2015.
  6. Book: Fleetwood. Mick. Bozza. Anthony. Anthony Bozza . Play On: Now, Then & Fleetwood Mac. October 2014. Little, Brown And Company. New York. 978-0-316-40342-9. 257.
  7. Web site: Bosso. Joe. Mick Fleetwood: my 11 greatest recordings of all time – Walk a Thin Line. Music Radar. 27 July 2012 . May 15, 2016.
  8. Web site: Mick Fleetwood Still Misses Best Friend George Harrison. Contactmusic. 22 March 2012. May 7, 2016.
  9. Book: Leng. Simon. The Music of George Harrison: While My Guitar Gently Weeps. 2006. Hal Leonard Corporation. 7777 Bluemound Road, P.O. Box 13819, Milwaukee, WI 53213. 1-4234-0609-5. 159. May 7, 2016.
  10. Web site: George Hawkins Question and Answer Session - April 4 - 19, 2000 . dead . https://web.archive.org/web/20190513081925/http://www.fleetwoodmac.net/penguin/qa/georgehawkins_qa1.htm . 13 May 2019 . 29 December 2023 . The Penguin.
  11. Web site: Wild. Stevie David. 25 September 2016. 'The beautiful blur' that is Mirage . 29 December 2023. Stevie Nicks Info . en-US.