The Voyevoda (opera) explained

The Voyevoda
Composer:Tchaikovsky
Image Upright:1.2
Native Name:Russian: Воево́да|links=no
Librettist:Alexander Ostrovsky
Language:Russian
Premiere Location:Bolshoi Theatre in Moscow

The Voyevoda (Russian: Воево́да), Op. 3, is an opera in 3 acts and 4 scenes, by Pyotr Ilyich Tchaikovsky with a libretto written by Alexander Ostrovsky and based on his play The Voyevoda (A Dream on the Volga) (Russian: [http://az.lib.ru/o/ostrowskij_a_n/text_0092.shtml Воевода (Сон на Волге)]|italic=yes).

The opera was composed between March 1867 and July 1868, and it received its first performance on 11 February [OS January 30] 1869 at the Bolshoi Theatre in Moscow. It was a benefit for Alexandra Menshikova.

In the 1870s Tchaikovsky destroyed the manuscript full score of the opera, while recycling much of the first act in his The Oprichnik (1870–1872). The subject of The Voyevoda was thus left available to his former pupil Anton Arensky to compose as the opera Dream on the Volga in 1888. Decades later, during the Soviet period, The Voyevoda was posthumously reconstructed from surviving orchestral and vocal parts and the composer's sketches.

Roles

RoleVoice typePremiere cast
11 February [OS 30 January] 1869
Conductor: Eduard Merten[1])
Nechay Shalïgin, the voyevodabassFinokki
Vlas Dyuzhoy, a wealthy merchantbassRadonezhsky
Marya Vlasyevna, his wifesopranoAlexandra Menshikova
Praskovya Vlasyevna, his older daughtersopranoKronenberg
NastasyasopranoAnnenskaya
Stepan Bastryukov, son of a wealthy nobleman'tenorRapport
Roman DubrovinbaritoneDemidov
Olena, his wifemezzo-sopranoIvanova
Rezvïy, Bastryukov's servantbassBozhanovsky
JestertenorLavrov
Nedviga, a nursemezzo-sopranoRozanova
New voyevodabassKorin
Chorus, silent roles: Noblemen, merchants, servants, maidens, people

Instrumentation

Source: Voyevoda (opera) Tchaikovsky Research

Synopsis

Time: The middle of the 17th centuryPlace: A large city on the Volga River

Overture

Act 1

No.1 Chorus of Maidens & Scena

No.2 Mariya's Ballad & Duet

No.3 Scena

No.4 Bastryukov's Aria

No.5 Scena & Duet

No.6 Scena

No.7 Scena

No.8 Quartet & Scena

No.9 Finale

Act 2

No.10 Introduction

No.11 Chorus of Servants

No.12 Bastryukov's Aria

No.13 Scena & Dubrovin's Aria

No.14 Entr'acte & Dances of the Chambermaids

No.15 Scena & Mariya's Song

No.16 Scena

No.17 Duet

No.18 Scena

No.19 Scena & Khorovod

Act 3

No.20 Entr'acte

No.21 Scena & Dubrovin's Aria

No.22 Scena

No.23 Quartet

No.24 Scena

No.25 Duet

No.26 Scena & Quartet

No.27 Scena

No.28 Quintet

No.29 Scena & Chorus

No.30 Scena

No.31 Closing Scena

Source: Tchaikovsky Research

Derived works

Similarly named works

Recordings

External links

Notes and References

  1. Eduard Merten became 2nd conductor at the Bolshoi Theatre shortly before 1870. He was "a talented pianist and composed romances, but was completely inexperienced as a conductor" (Kashkin, Erinerrungen, 64, 66) Edward H. Tarr, East Meats West; The Russian Trumpet Tradition from the Time of Peter the Great