Voydan Popgeorgiev – Chernodrinski Explained

Voydan Popgeorgiev
Pseudonym:"Chernodrinski"
Birth Name:Voydan Popgeorgiev Kuzmanov[1]
Birth Date:15 January 1875
Death Place:Sofia, Bulgaria
Occupation:playwright
Citizenship:Ottoman/Bulgarian
Genre:drama
Notableworks:Macedonian Blood Wedding

Voydan Popgeorgiev – Chernodrinski (; ; January 15, 1875 – January 8, 1951) was a Bulgarian[2] [3] [4] [5] playwright from the region of Macedonia. His pseudonym is derived from the river Black Drin. Today he is considered an ethnic Macedonian writer in North Macedonia and a figure who laid the foundations of the Macedonian theatre and the dramatic arts.[6] [7]

Biography

Chernodrinski was born in 1875 in the village of Selci, then in the Ottoman Empire.[8] He studied in Ohrid and at Bulgarian Men's High School of Thessaloniki, but moved with his family in 1890 in Bulgaria, where he graduated from the First Male High School in Sofia. There he became a member of the Young Macedonian Literary Association. Later Chernodrinski studied law in Austro-Hungary and Switzerland, but failed to graduate and moved back to Ottoman Macedonia, where he worked as a Bulgarian teacher.

Afterwards he returned to Bulgaria and became a head of the traveling troupe "Grief and comfort" (Bulgarian: Скръб и утеха), founded in 1901 and renamed in 1902 as "Macedonian Capital Theater" (Bulgarian: Столичен македонски театър). In Sofia, he wrote the most famous of his works, the play Macedonian Bloody Wedding. Chernodrinski reworked it later to give the plot and the libretto for the famous opera "Tsveta" by maestro Georgi Atanasov.[9]

After the Young Turk Revolution in 1908 Chernodrinski moved with his traveling troupe back to Ottoman Macedonia. He was invited there by the Bulgarian Constitutional Clubs with the support of Peyo Yavorov and assisted by the Bulgarian National Theater.[10] During the Balkan Wars, he was mobilized into the Bulgarian Army.

During World War I, he served as a Bulgarian officer and created the "Soldier Songs" cycle. After the war, he continued with his theatrical activities in Bulgaria. Towards the end of 1922, he formed a new drama theater under the name "Ilinden". In the mid-1930s, Aleksandar Shoumenoff, the owner of the First Bulgarian Book Store in Granite City, published part of the Chernodrinski's works. The text wasn't translated into English but his works and plays became popular among Macedono-Bulgarian emigration. At this time Chernodrinski sympathized with IMRO leader Ivan Mihaylov.[11] During World War II and the subsequent Bulgarian occupation of Vardar Macedonia, Chernodrinski and his troupe organized performances there. After WWII and the coming of the communists to power, he completely ceased his activities.[12]

He died in Sofia in 1951.

Legacy

After the death of Chernodrinski, in the newly found SR Macedonia, he was proclaimed as a Macedonian writer, who had laid the foundations of the Macedonian theater. His play Macedonian Bloody Wedding was translated into the codified Macedonian language.[13]

A commemorative plaque was set on his home in Sofia.[14]

Works

Besides the Macedonian Bloody Wedding written primarily in the Debar dialect, Chernodrinski published several other literary works, all in standard Bulgarian, including:[15]

External links

Notes and References

  1. Спомени на В. Чернодрински, в. “Македонски вести”, София, 1936 г., бр. 70-75 Chernodrinski's memories
  2. According to the birth certificate of Voydan Chernodrinski's daughter - Spaska, his child, its mother and the father were Orthodox Bulgarians and both parents were Bulgarian subjects. This official statement was made and signed by Chernodrinski himself in the presence of the witnesses Pantaley Kardalev and Alexander Zlatarev on August 19, 1903, in Sofia, Bulgaria. For more see: "Акт за раждане на Спаска Войд. Чернодринска", София, 1903 година. Библиотека и Издателство "Струмски".
  3. Георги Саев, История на българския театър: От освобождението до 1904 г. Том 2 от История на българския театър, редактор Васил Стефанов; Акад. изд. проф. Марин Дринов, 1997, стр. 111-112; 179, .
  4. Леков Дочо, История на литературата и на възприемателя през Българското възраждане, Втори том, Унив. изд. Св. Климент Охридски, 2004; стр. 375, .
  5. Кристина Тошева - "Енциклопедия на българския театър: Актьори. Режисьори. Драматурзи", Труд, 2005,
  6. Литература на македонскиот јазик, Георги Сталев, Просветно Дело, Скопје 1995.
  7. Book: Dimitar Bechev . Historical Dictionary of North Macedonia . 2019 . Rowman & Littlefield . 9781538119624 . 2nd . 68.
  8. Book: Vojislav Ilić . Živan Milisavac . 1971 . Jugoslovenski književni leksikon . Yugoslav Literary Lexicon . . sh . Novi Sad (SAP Vojvodina, SR Serbia) . 70 .
  9. Web site: Любомир Сагаев — Книга за операта (8); Book on opera, Lyubomir Sagaev, 1983. bg3.chitanka.info. 2009-07-26. bg.
  10. Юра Константинова, Обществени празници и забавления на българите в Солун (края на XIX и началото на ХХ век). В История, кулутра, медии. Юбилеен сборник в чест на Горан Благоев, София: Книгопис, 2017. стр. 135.
  11. Сп. България - Македония, бр. 3, 2007 г.Писмо на български общественици от юли 1936 г. до турския министър-председател Исмет Иньоню.
  12. Тони Николов. По стъпките на Чернодрински. Софийски истории (13). В Култура онлайн, 14.01.2021 г.
  13. Камелия Николова, Познатата/непозната българска драма, Сдружение Антракт, 2001, стр. 13.
  14. Електронен регистър на паметниците и художествените елементи на територията на Столична Община, Войдан Чернодрински, паметна плоча.
  15. Иван Ивановски, 25 години театарски игри Војдан Чернодрински, Скопје 1990