"", Op. 410 ("Spring's Voices," or commonly "Voices of Spring"; sometimes sung in Italian as "Voci di primavera") is an orchestral waltz, with optional solo soprano voice, written in 1882 by Johann Strauss II.
Strauss dedicated the work to the pianist and composer Alfred Grünfeld.[1] The famous coloratura soprano Bertha Schwarz (stage name Bianca Bianchi) sang this concert aria at a grand matinée charity performance at the Theater an der Wien in aid of the "Emperor Franz Joseph and Empress Elisabeth Foundation for Indigent Austro-Hungarian subjects in Leipzig". The waltz was not a great success at its premiere, but was more successful when performed on Strauss' tour of Russia in 1886. A piano arrangement by the composer contributed much to its success beyond Vienna.[2] Grünfeld, the work's dedicatee and a pianist and composer in his own right, also wrote and recorded his own concert transcription of the work for solo piano.[3] [4]
Bianca Bianchi was then a famous member of the Vienna Court Opera Theatre and Strauss was sufficiently inspired to compose a new work, a waltz for solo voice, for the acclaimed singer. The result was his world-renowned "Frühlingsstimmen" waltz which celebrated spring and remained one of the classical repertoire's most famous waltzes. The piece is sometimes used as an insertion aria in the act 2 ball scene of Strauss' operetta Die Fledermaus.
The waltz makes a grand entry in the key of B-flat major with loud chords preceded with the waltz's three beats to the bar ushering the first waltz's gentle and swirling melody. The second waltz section, in E-flat major invokes the joys of spring with the flute imitating birdsong and a pastoral scene. The plaintive and dramatic third section in A-flat major and later in C minor probably suggests spring showers whereas the fourth section that follows breaks out from the pensive mood with another cheerful melody in A-flat major. The familiar first waltz melody makes a grand re-entrance, with Coda section, featuring a mocking imitation between the winds, and the strings, before its breathless finish, strong chords and the usual timpani drumroll and warm brass flourish. This is one of the very few Strauss Waltzes that ends, following the cadenza, on a struck quick Major chord. (B-Flat Major). A performance lasts between seven and nine minutes.
The piece is scored for flute, piccolo, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, bass drum, military drum, harp, strings, and optional solo soprano voice.
The lyrics were created by Richard Genée (1823–1895).
| A fountain of songs is rising,who has been silent for too long;from the brush sounds clear and lightthe sweet voice again!Ah, gently the nightingale letsstream the first notes,so as not to disturb the queen;hush, all you other singers | More powerful soon chimes her sweet voice.Oh, soon, oh, oh soon!Ah........ Oh, song of the nightingale, sweet sound, ah yes | Glowing with love, ah, ah, ah,sounds the song, ah and the sound,sweet and cosy, seems to carry a plaintive note,ah, ah rocks the heart to sweet dreams,ah, ah, ah, ah, most gently!Longing and desireah, ah, ah lives in my breast,ah, if the song anxiously calls for me,from afar the stars twinkle,ah, ah in shimmering magic like the moons beam,ah, ah, ah, ah wavers through the valley | As haltingly vanishes the night,the lark starts to sing,ah, the light she promises,shadows recede! Ah | Ah springs voices sound like home,Ah yes, ah yes oh sweet sound,Ah, ah, ah, ah, ah yes. |
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