Viola Farber Explained

Viola Farber
Birth Date:February 25, 1931
Birth Place:Heidelberg, Germany
Death Place:Bronxville, New York
Occupation:Dancer, choreographer

Viola Farber (February 25, 1931 – December 24, 1998) was an American choreographer and dancer.

Biography

Viola Farber was born on February 25, 1931, in Heidelberg, Germany.[1] In Germany, Farber began dancing. However, at the age of six she was discouraged by her parents. At the age of seven, Farber and her family moved to the United States. Even though her parents did not allow her to dance, Farber continued dancing on her own, though she focused more of her energy on learning to play the piano. During the one year that Farber spent at the University of Illinois studying music, she began taking dance classes from Margaret Erlanger.[2] When Farber transferred to George Washington University, she focused on both music and dance. By 1952, Farber had transferred once again, to Black Mountain College was dance with Katherine Litz and music with Lou Harrison.

In 1953, Farber became a founding member of the Merce Cunningham Dance Company. She created many roles in Cunningham's works, such as Crises, Paired Rune, and Nocturne. Farber is described as being “one of the great individualists of the company”.[1] At this time, she also took various dance classes from Margaret Craske and Alfred Corvino in New York, and from Erika Thimey in Washington, D.C. Additionally, Farber was dancing with other choreographers. She performed the role of the vampire in Litz's Dracula as well as dancing with Paul Taylor's early company. Farber was the only female pianist in the first performance of Erik Satie's Vexations (organized by John Cage, and lasting over 18 hours).[1] In 1965, she left Cunningham's company and in 1968, began her own company.

Viola Farber’s Dance Company and style

Through having her own dance company, The Viola Farber Dance Company, Farber developed her own signature dance style. She often used improvisation in her rehearsals and in some of her first works.[1] She allowed her dancers to rearrange and reshape the movement, however she set explicit limits. Her dancers were allowed to do whatever they wanted ”.[2] Farber would almost ask dancers to manipulate the phrase and provided cues for beginning different sections. Although, these cues were never related to the music. Jeff Slayton, a member of the company and Farber’s longtime partner and ex-husband, commented that “if a dance had internal or set musical cues, we changed the music”.[2] Her work challenged audiences and was often found compelling. The pieces Poor Eddie (1973) and Willi I (1974) were described as sadomasochistic, while No Super, No Boiler (1974) and Lead Us Not into Penn Station (1975) had humorous themes, and Dune and Nightshade (both choreographed in the early 1970s) had quiet themes.[1] Most of the Farber's pieces were set to original scores, or were performed in silence. However, a few of her pieces were choreographed to classical music. For example, Nightshade was set to Beethoven's Piano Sonata No. 14.[1]

Farber died on December 24, 1998, in Bronxville, New York.[1]

Works

Choreography by Viola Farber for Viola Farber Dance Company

1968

1969

1970

1971

1972

1973

1974

1975

1976

1977

1978

1979

1980

1981

Choreography for Viola Farber Dance Company while in residency at Le Centre National de Dance Contemporaine d’Angers (The French National Center for Contemporary Dance) 1981-1983

1981

1982

1983

Other works choreographed by Viola Farber

1965

1965

1968

1969

1970

1971

1972

1973

1975

1976

1977

1979

1980

1981

1982

1983

1984

1985

1987

1988

1989

1992

1994

1996

Notable projects

Teaching career

References

Notes and References

  1. Encyclopedia: Caines . Christopher . International Encyclopedia of Dance . Viola Farber . 2009-04-05 . e-reference . 1998 . Oxford University Press, Inc. .
  2. Book: Slayton, Jeff . The Prickly Rose . Authorhouse . City . 2006 . 1-4259-6550-4 .

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