Villa La Pelucca frescoes explained

Villa La Pelucca frescoes
Artist:Bernardino Luini
Year:c. 1520-1523
Medium:Fresco

The Villa La Pelucca frescoes are a –1523 cycle of frescos by Bernardino Luini, commissioned by the Milanese nobleman Gerolamo Rabia for his villa near Monza, known as 'La Pelucca'. Most of the surviving fragments are in the Pinacoteca di Brera in Milan, though others are in the Wallace Collection in London, the Louvre in Paris, the Musée Condé in Chantilly and other private collections.[1] Stylistically they shown the influence of Bramantino - Women Bathing the figure's shoulders is a homage to the Trivulzio Tapestries, particularly February from that cycle.

History

In the Napoleonic era the villa was used by viceroy Eugene de Beauharnais, before passing into the lands of the Kingdom of Lombardy–Venetia in 1816. Shortly after that it was sold to private owners. The frescoes were removed between 1821 and 1822 by Stefano Barezzi, who transferred them to canvas supports, leading to several cracks which are still visible. Vast pieces of the cycle are lost, particularly those relating to the framing architecture, irredeemably altering the legibility of the cycle.

Known scenes

Measurements in cm.

Pinacoteca di Brera

Wallace Collection

Musée Condé

Private collections

References

  1. AA.VV., Brera, guida alla pinacoteca, Electa, Milano 2004.
  2. Web site: Catalogue entry.
  3. Web site: Catalogue entry.